Teatro e intertextualidad: la fórmula contra el olvido. Recepción productiva, apropiación e intertexto en el teatro argentino moderno

This article proposes a broad theoretical reflection on intertextual phenomena in the dramatic-theatrical discourse. The article seeks to analyze the productive reception of foreign textualities that contributed to the renovation of dramaturgical procedures during the first stage of the theatrical m...

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Autor principal: Ogás Puga, Grisby
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6601
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6601_oai
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Sumario:This article proposes a broad theoretical reflection on intertextual phenomena in the dramatic-theatrical discourse. The article seeks to analyze the productive reception of foreign textualities that contributed to the renovation of dramaturgical procedures during the first stage of the theatrical modernization in Argentina.