The Poster as a Political Aesthetic Device
This article approaches the poster as a political aesthetic device, starting from its emergence at the end of the 18th century, continuing with its late introduction into the artistic sphere through the avant-gardes of the 20th century (with special attention to the work of Bertolt Brecht), and fina...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2019
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6523 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6523_oai |
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I28-R145-6523_oai2025-11-17 Perearnau, Marcos 2019-02-02 This article approaches the poster as a political aesthetic device, starting from its emergence at the end of the 18th century, continuing with its late introduction into the artistic sphere through the avant-gardes of the 20th century (with special attention to the work of Bertolt Brecht), and finally focusing on the use of posters in contemporary art –more specifically, in the Buenos Aires theatre scene– in the context of artivism. Posters as a device articulate a unique relation between the utterable and the visible, between statements and visibilities, and they find their sense beyond the theatrical ritual in politics. Thus, posters appear as a privileged device for capturing the images and texts of a time. Este artículo analiza el cartel como dispositivo estético-político a partir de su emergencia a fines del siglo XVIII, su introducción tardía en la esfera artística a través de las vanguardias del siglo XX (con especial atención a la obra de Bertolt Brecht), y el uso de los carteles en el arte contemporáneo en el marco del activismo artístico, más específicamente, en la escena teatral porteña. Todo cartel como dispositivo articula una relación singular entre lo decible y lo visible, enunciados y visibilidades, y halla su fundamentación más allá del ritual teatral en la política. Así, los carteles aparecen como un dispositivo privilegiado para capturar las imágenes y textos de una época. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6523 10.34096/tdf.n29.6523 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6523/5753 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 29 (2019); 183-203 1669-6301 carteles dispositivo estético Brecht activismo artístico arte contemporáneo posters aesthetic device Brecht artivism contemporary art The Poster as a Political Aesthetic Device El cartel como dispositivo estético-político info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6523_oai |
| institution |
Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
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spa |
| topic |
carteles dispositivo estético Brecht activismo artístico arte contemporáneo posters aesthetic device Brecht artivism contemporary art |
| spellingShingle |
carteles dispositivo estético Brecht activismo artístico arte contemporáneo posters aesthetic device Brecht artivism contemporary art Perearnau, Marcos The Poster as a Political Aesthetic Device |
| topic_facet |
carteles dispositivo estético Brecht activismo artístico arte contemporáneo posters aesthetic device Brecht artivism contemporary art |
| description |
This article approaches the poster as a political aesthetic device, starting from its emergence at the end of the 18th century, continuing with its late introduction into the artistic sphere through the avant-gardes of the 20th century (with special attention to the work of Bertolt Brecht), and finally focusing on the use of posters in contemporary art –more specifically, in the Buenos Aires theatre scene– in the context of artivism. Posters as a device articulate a unique relation between the utterable and the visible, between statements and visibilities, and they find their sense beyond the theatrical ritual in politics. Thus, posters appear as a privileged device for capturing the images and texts of a time. |
| format |
Artículo publishedVersion |
| author |
Perearnau, Marcos |
| author_facet |
Perearnau, Marcos |
| author_sort |
Perearnau, Marcos |
| title |
The Poster as a Political Aesthetic Device |
| title_short |
The Poster as a Political Aesthetic Device |
| title_full |
The Poster as a Political Aesthetic Device |
| title_fullStr |
The Poster as a Political Aesthetic Device |
| title_full_unstemmed |
The Poster as a Political Aesthetic Device |
| title_sort |
poster as a political aesthetic device |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2019 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6523 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6523_oai |
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AT perearnaumarcos theposterasapoliticalaestheticdevice AT perearnaumarcos elcartelcomodispositivoesteticopolitico AT perearnaumarcos posterasapoliticalaestheticdevice |
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