Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical

In this article, we aim to reflect on some possible connections between theatre/performance and the city, considering different practices, links and relations that allow us to rethink Buenos Aires as a stage based on its urban configuration, its cultural memory and its heritage. We intend to put tog...

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Autor principal: González, Malala
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6521
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6521_oai
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spelling I28-R145-6521_oai2025-11-17 González, Malala 2019-02-02 In this article, we aim to reflect on some possible connections between theatre/performance and the city, considering different practices, links and relations that allow us to rethink Buenos Aires as a stage based on its urban configuration, its cultural memory and its heritage. We intend to put together a decalogue of modalities that enable the intersection between the present and the past of the scenery we live and to observe how, in each case, they call for a more sensitive look that can experience a different perception of the urban, incorporating other practices of memory, other deconstructions, and, thus, providing new meanings.  En el siguiente artículo nos proponemos indagar algunas articulaciones entre lo teatral-performático y la ciudad, a partir de diferentes prácticas, vínculos y relaciones que permitan repensar a Buenos Aires desde su configuración urbana como escenario, su memoria cultural y su cuestión patrimonial. Desde resabios de tiempos pasados -que no sólo se sedimenten en lo particular o singular de la experiencia artística, sino que entren en diálogo con cuestiones de pertenencia, de identidad o de historia socialmente compartida-, o de huellas y acervos más tangibles -desde lo arquitectónico, lo documental o lo dramatúrgico/escénico- nos proponemos armar un decálogo de modalidades que posibiliten cruces posibles entre el presente y el pasado del paisaje que habitamos. Y desde allí observar cómo, en cada caso, se convoca una mirada sensible que habilita otra percepción, poniendo en práctica la memoria o, simplemente, deconstruyendo lo urbano para otorgarle nuevos sentidos.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6521 10.34096/tdf.n29.6521 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6521/5751 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 29 (2019); 156-168 1669-6301 teatral / performático ciudad memoria urbana tangible / intengible patrimonio cultural Theatre / performance city urban memory tangible / intangible cultural heritage Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical Buenos Aires como escenario: hacia un decálogo de vínculos entre lo urbano y lo teatral info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6521_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic teatral / performático
ciudad
memoria urbana
tangible / intengible
patrimonio cultural
Theatre / performance
city
urban memory
tangible / intangible
cultural heritage
spellingShingle teatral / performático
ciudad
memoria urbana
tangible / intengible
patrimonio cultural
Theatre / performance
city
urban memory
tangible / intangible
cultural heritage
González, Malala
Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical
topic_facet teatral / performático
ciudad
memoria urbana
tangible / intengible
patrimonio cultural
Theatre / performance
city
urban memory
tangible / intangible
cultural heritage
description In this article, we aim to reflect on some possible connections between theatre/performance and the city, considering different practices, links and relations that allow us to rethink Buenos Aires as a stage based on its urban configuration, its cultural memory and its heritage. We intend to put together a decalogue of modalities that enable the intersection between the present and the past of the scenery we live and to observe how, in each case, they call for a more sensitive look that can experience a different perception of the urban, incorporating other practices of memory, other deconstructions, and, thus, providing new meanings. 
format Artículo
publishedVersion
author González, Malala
author_facet González, Malala
author_sort González, Malala
title Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical
title_short Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical
title_full Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical
title_fullStr Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical
title_full_unstemmed Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical
title_sort buenos aires as a stage: towards a decalogue of links between the urban and the theatrical
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6521
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6521_oai
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