The Theatrical Image. Cartographies of the Body as Presence in the Scenic Realization
The possibility of a modulation on the image and on the concept of image is displayed in the numerous contemporary theatrical practices that question the traditional notion of representation. The particular presence of corporalities that can be identified in them may be approached as a cartography t...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2019
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6512 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6512_oai |
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I28-R145-6512_oai2025-11-17 Perrone, Nicolás 2019-03-03 The possibility of a modulation on the image and on the concept of image is displayed in the numerous contemporary theatrical practices that question the traditional notion of representation. The particular presence of corporalities that can be identified in them may be approached as a cartography that articulates and presents different concepts and experimentations through / on the bodies. From this perspective, we will try to propose and base the concept of theatrical image, starting from some Deleuzian categories and following their drifts. The performance of the bodies on stage constitutes a peculiar mode of presence that can be understood as an image. However, a theatrical image is not captured by the logic of representation. Instead, it opens the horizon towards another logic, which hosts a series of forces that are defined in its realization, just as other dimensions –like the intervention of the visible, the sonorous, the tactile– do as well, in off-center relationships. The performative character of certain theatrical practices is, therefore, crucial to understand the body-image (imagen-cuerpo). In this essay we will try to combine these concepts, considering as a reference some recent experimental plays: Un des-generado en el claro de luna (Gires Escénicas, La Rioja. 2017) and Bajorrelieve apocalíptico (Los Toritos, Mendoza, 2018). La posibilidad de una modulación sobre la imagen y el concepto de imagen se efectúa en numerosas prácticas teatrales contemporáneas que ponen en evidencia un trabajo de quiebre sobre la noción de representación. En ellas se aprecia una presencia particular de las corporalidades, que constituye una cartografía en la que se entraman conceptos y experimentaciones desde/sobre los cuerpos. Desde esta perspectiva intentaremos proponer y fundamentar el concepto de imagen-teatral, partiendo de algunas categorías deleuzianas y atendiendo a sus derivas. La performance de los cuerpos en escena constituye un modo de presencia peculiar que bien puede entenderse como imagen. Pero una imagen teatral no estaría capturada por la lógica identitaria de la representación, sino que, más bien, abre el horizonte hacia otra lógica, en cuyo seno se suscitan una serie de fuerzas que se definen en su realización, así como también lo hacen la intervención de lo visible, lo sonoro, lo táctil, en relaciones descentradas. En este sentido, el carácter performático de ciertas prácticas teatrales es crucial para entender la imagen-cuerpo. En este artículo intentaremos conjugar estos conceptos, considerando como referencia algunas obras experimentales recientes: Un des-generado en el claro de luna (Gires Escénicas, La Rioja. 2017) y Bajorrelieve apocalíptico (Los Toritos, Mendoza, 2018). application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6512 10.34096/tdf.n29.6512 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6512/5742 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 29 (2019); 33-45 1669-6301 imagen teatral cuerpo performance Un des-generado en el claro de luna Bajorrelieve apocalíptico Theatrical Image body performance Un des-generado en el claro de luna bajorrelieve apocalíptico The Theatrical Image. Cartographies of the Body as Presence in the Scenic Realization La imagen teatral. Cartografías del cuerpo como presencia en la realización escénica info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6512_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
imagen teatral cuerpo performance Un des-generado en el claro de luna Bajorrelieve apocalíptico Theatrical Image body performance Un des-generado en el claro de luna bajorrelieve apocalíptico |
| spellingShingle |
imagen teatral cuerpo performance Un des-generado en el claro de luna Bajorrelieve apocalíptico Theatrical Image body performance Un des-generado en el claro de luna bajorrelieve apocalíptico Perrone, Nicolás The Theatrical Image. Cartographies of the Body as Presence in the Scenic Realization |
| topic_facet |
imagen teatral cuerpo performance Un des-generado en el claro de luna Bajorrelieve apocalíptico Theatrical Image body performance Un des-generado en el claro de luna bajorrelieve apocalíptico |
| description |
The possibility of a modulation on the image and on the concept of image is displayed in the numerous contemporary theatrical practices that question the traditional notion of representation. The particular presence of corporalities that can be identified in them may be approached as a cartography that articulates and presents different concepts and experimentations through / on the bodies. From this perspective, we will try to propose and base the concept of theatrical image, starting from some Deleuzian categories and following their drifts. The performance of the bodies on stage constitutes a peculiar mode of presence that can be understood as an image. However, a theatrical image is not captured by the logic of representation. Instead, it opens the horizon towards another logic, which hosts a series of forces that are defined in its realization, just as other dimensions –like the intervention of the visible, the sonorous, the tactile– do as well, in off-center relationships. The performative character of certain theatrical practices is, therefore, crucial to understand the body-image (imagen-cuerpo). In this essay we will try to combine these concepts, considering as a reference some recent experimental plays: Un des-generado en el claro de luna (Gires Escénicas, La Rioja. 2017) and Bajorrelieve apocalíptico (Los Toritos, Mendoza, 2018). |
| format |
Artículo publishedVersion |
| author |
Perrone, Nicolás |
| author_facet |
Perrone, Nicolás |
| author_sort |
Perrone, Nicolás |
| title |
The Theatrical Image. Cartographies of the Body as Presence in the Scenic Realization |
| title_short |
The Theatrical Image. Cartographies of the Body as Presence in the Scenic Realization |
| title_full |
The Theatrical Image. Cartographies of the Body as Presence in the Scenic Realization |
| title_fullStr |
The Theatrical Image. Cartographies of the Body as Presence in the Scenic Realization |
| title_full_unstemmed |
The Theatrical Image. Cartographies of the Body as Presence in the Scenic Realization |
| title_sort |
theatrical image. cartographies of the body as presence in the scenic realization |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2019 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6512 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6512_oai |
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