The literary topos of the 'hundred mouths' in Ovid

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The literary topos of the ‘hundred mouths’ is considered by rhetoric as a formula of the ineffable and as an expression of affected modesty. This common place appears in four works of Ovid (Ars amatoria, Metamorphoses, Fasti and Tristia); these works belong to different literary genres and productio...

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Autor principal: Rossi, María Alejandra
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
Materias:
Ovid
literary topos
hundred mouths
affected modesty
rhetoric
Ovidio
tópico
cien bocas
modestia simulada
retórica
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/afc/article/view/5956
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=anafilog&d=5956_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-5956_oai
record_format dspace
spelling I28-R145-5956_oai2025-11-17 Rossi, María Alejandra 2019-03-29 The literary topos of the ‘hundred mouths’ is considered by rhetoric as a formula of the ineffable and as an expression of affected modesty. This common place appears in four works of Ovid (Ars amatoria, Metamorphoses, Fasti and Tristia); these works belong to different literary genres and production conditions. We will analyze these passages (Ars 1.435-436; Met. 8.533-535; Fast. 2.119-124; Tr. 1.5.53-56) in order to prove that Ovid’s use of this formula has a connecting function along the four works as well as guiding the reading: within the topic we notice a progression in the number of mouths that rises in each occurrence according to the chronological order of appearance of the works.  El tópico de las ‘cien bocas’ es considerado por la retórica como fórmula de inefabilidad y como expresión de modestia simulada. Este lugar común aparece en cuatro de las obras de Ovidio (Ars amatoria, Metamorphoses, Fasti y Tristia) que pertenecen a distintos géneros literarios y a distintas condiciones de producción. Analizaremos los pasajes (Ars 1.435-436; Met. 8.533-535; Fast. 2.119-124; Tr. 1.5.53-56) para comprobar que Ovidio usa esta fórmula con una función conectora entre las obras y orientadora de la lectura: dentro del tópico se advierte una gradación en el número de bocas que asciende en cada manifestación, en correspondencia con el orden cronológico de aparición de las obras.  application/pdf https://revistascientificas.filo.uba.ar/index.php/afc/article/view/5956 10.34096/afc.v2i30.5956 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/afc/article/view/5956/5288 Anales de Filología Clásica; Vol. 2 Núm. 30 (2017); 161-175 2362-4841 0325-1721 Ovid literary topos hundred mouths affected modesty rhetoric Ovidio tópico cien bocas modestia simulada retórica The literary topos of the 'hundred mouths' in Ovid El tópico de las 'cien bocas' en la obra de Ovidio info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=anafilog&d=5956_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Ovid
literary topos
hundred mouths
affected modesty
rhetoric
Ovidio
tópico
cien bocas
modestia simulada
retórica
spellingShingle Ovid
literary topos
hundred mouths
affected modesty
rhetoric
Ovidio
tópico
cien bocas
modestia simulada
retórica
Rossi, María Alejandra
The literary topos of the 'hundred mouths' in Ovid
topic_facet Ovid
literary topos
hundred mouths
affected modesty
rhetoric
Ovidio
tópico
cien bocas
modestia simulada
retórica
description The literary topos of the ‘hundred mouths’ is considered by rhetoric as a formula of the ineffable and as an expression of affected modesty. This common place appears in four works of Ovid (Ars amatoria, Metamorphoses, Fasti and Tristia); these works belong to different literary genres and production conditions. We will analyze these passages (Ars 1.435-436; Met. 8.533-535; Fast. 2.119-124; Tr. 1.5.53-56) in order to prove that Ovid’s use of this formula has a connecting function along the four works as well as guiding the reading: within the topic we notice a progression in the number of mouths that rises in each occurrence according to the chronological order of appearance of the works. 
format Artículo
publishedVersion
Artículo revisado por pares
author Rossi, María Alejandra
author_facet Rossi, María Alejandra
author_sort Rossi, María Alejandra
title The literary topos of the 'hundred mouths' in Ovid
title_short The literary topos of the 'hundred mouths' in Ovid
title_full The literary topos of the 'hundred mouths' in Ovid
title_fullStr The literary topos of the 'hundred mouths' in Ovid
title_full_unstemmed The literary topos of the 'hundred mouths' in Ovid
title_sort literary topos of the 'hundred mouths' in ovid
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url https://revistascientificas.filo.uba.ar/index.php/afc/article/view/5956
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=anafilog&d=5956_oai
work_keys_str_mv AT rossimariaalejandra theliterarytoposofthehundredmouthsinovid
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