Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging

Mostrar todas las versiones(2)

On the basis of the Myth of Thyestes and the Senecan tragedy, Garcia Wehbi’s play Tiestes y Atreo staged at the Cervantes National Theatre deconstructs a number of key elements of Western-Christian history, such as patriarchy. This article undertakes a semiologic analysis of the various cultural ref...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Corradi, Matías
Formato:	Artículo publishedVersion
Lenguaje:	Español
Publicado:	Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
Materias:	tragedia Wehbi patriarcado occidente mito Tiestes y Atreo tragedy patriarchy West myth
Acceso en línea:	https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5486 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5486_oai
Aporte de:	Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

id	I28-R145-5486_oai
record_format	dspace
spelling	I28-R145-5486_oai2025-11-17 Corradi, Matías 2018-12-21 On the basis of the Myth of Thyestes and the Senecan tragedy, Garcia Wehbi’s play Tiestes y Atreo staged at the Cervantes National Theatre deconstructs a number of key elements of Western-Christian history, such as patriarchy. This article undertakes a semiologic analysis of the various cultural referents (artistic, religious) inserted into the script in order to show how the concept of “inter-textual collage” underpins the poetry of the play, while it constitutes Garcia Wehbi’s main tool to destabilise the dominant symbolic order. A partir del mito antiguo de Tiestes y haciendo pie en la tragedia senecana del siglo I D.C. la puesta que García Wehbi monta en el Teatro Nacional Cervantes deconstruye ciertos aspectos clave de la historia occidental cristiana, entre ellos, el sistema patriarcal. Este artículo se propone analizar, desde una perspectiva semiológica, la abundancia de citas de índole cultural (artística, religiosa, etc.) insertas en los diferentes lenguajes escénicos, para validar la idea de “collage intertextual” como principio constructivo de su poética y herramienta principal para desestabilizar el ordenamiento simbólico dominante. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5486 10.34096/tdf.n28.5486 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5486/4922 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 28 (2018); 163-171 1669-6301 tragedia Wehbi patriarcado occidente mito Tiestes y Atreo tragedy Wehbi patriarchy West myth Tiestes y Atreo Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging Desestabilizar la mirada: reactualización del mito griego de Tiestes en la puesta de Emilio García Wehbi info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5486_oai
institution	Universidad de Buenos Aires
institution_str	I-28
repository_str	R-145
collection	Repositorio Digital de la Universidad de Buenos Aires (UBA)
language	Español
orig_language_str_mv	spa
topic	tragedia Wehbi patriarcado occidente mito Tiestes y Atreo tragedy Wehbi patriarchy West myth Tiestes y Atreo
spellingShingle	tragedia Wehbi patriarcado occidente mito Tiestes y Atreo tragedy Wehbi patriarchy West myth Tiestes y Atreo Corradi, Matías Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging
topic_facet	tragedia Wehbi patriarcado occidente mito Tiestes y Atreo tragedy Wehbi patriarchy West myth Tiestes y Atreo
description	On the basis of the Myth of Thyestes and the Senecan tragedy, Garcia Wehbi’s play Tiestes y Atreo staged at the Cervantes National Theatre deconstructs a number of key elements of Western-Christian history, such as patriarchy. This article undertakes a semiologic analysis of the various cultural referents (artistic, religious) inserted into the script in order to show how the concept of “inter-textual collage” underpins the poetry of the play, while it constitutes Garcia Wehbi’s main tool to destabilise the dominant symbolic order.
format	Artículo publishedVersion
author	Corradi, Matías
author_facet	Corradi, Matías
author_sort	Corradi, Matías
title	Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging
title_short	Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging
title_full	Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging
title_fullStr	Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging
title_full_unstemmed	Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging
title_sort	destabilizing perspectives: bringing the greek myth of thyestes up to date in emilio garcía wehbi’s staging
publisher	Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate	2018
url	https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5486 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5486_oai
work_keys_str_mv	AT corradimatias destabilizingperspectivesbringingthegreekmythofthyestesuptodateinemiliogarciawehbisstaging AT corradimatias desestabilizarlamiradareactualizaciondelmitogriegodetiestesenlapuestadeemiliogarciawehbi
_version_	1851376308432404480

Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging

Ejemplares similares