Theatrical Direction: from the World of Thought to the Universe of Group Relations. Reflections on the Staging Processes of the Independent Theatre in Córdoba, Argentina

In the present work we will address the central topics of various bibliographical sources regarding the notion of theatrical direction. In particular, our perspective is situated in the staging processes and in the practices of the independent theatre field of Córdoba and it will be from there that...

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Autor principal: Marin, Fwala-lo
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5480
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5480_oai
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spelling I28-R145-5480_oai2025-11-17 Marin, Fwala-lo 2018-12-21 In the present work we will address the central topics of various bibliographical sources regarding the notion of theatrical direction. In particular, our perspective is situated in the staging processes and in the practices of the independent theatre field of Córdoba and it will be from there that we will carry out the reading of the writings. In a second moment, as a way to approach the concept as it operates in this specific field, we worked with a group of directors chosen for their similarities of age and recognition. Part of the conclusions of this work describes two fundamental features: the first is that the direction is linked to the world of thought and that the idea or the mental image activates the creative process. The second feature is that direction implies a work with others, a capacity to sustain a “going together”, to guide the group and accompany the process of joint creation, being an eminently human activity. These partial conclusions open a first panorama, not only to know the field of the independent theater of Córdoba, but also to risk conceptualizations that can dialogue with other territories.  En el presente trabajo abordaremos los tópicos centrales de diversas fuentes bibliográficas en torno a la noción de dirección teatral. En particular, nuestro enfoque se basa en una perspectiva situada en los procesos de escenificación y en las prácticas del campo teatral independiente de Córdoba y será desde allí que realizaremos la lectura de los escritos. En un segundo momento, como primer acercamiento al concepto específico con el que se opera en dicho campo, se trabajó con un grupo de directores escogidos por sus similitudes de edad y consagración. Parte de las conclusiones de este trabajo describen dos rasgos fundamentales: el primero es que la dirección está unida al mundo del pensamiento y que desde la idea o la imagen mental se activa el proceso creativo. El segundo rasgo es que la dirección implica un trabajo con otros, una capacidad para sostener un “ir juntos”, para guiar al grupo y acompañar el proceso de creación conjunto, siendo una actividad eminentemente humana. Estas conclusiones parciales abren un primer panorama, no sólo para conocer el campo del teatro independiente de Córdoba, sino también para arriesgar conceptualizaciones que puedan dialogar con otros territorios.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5480 10.34096/tdf.n28.5480 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5480/4916 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 28 (2018); 94-106 1669-6301 estudios teatrales dirección teatral teatro independiente teatro contemporáneo Córdoba Argentina theatre studies direction Regie Mise en scène independent theatre contemporary theatre Córdoba Argentina Theatrical Direction: from the World of Thought to the Universe of Group Relations. Reflections on the Staging Processes of the Independent Theatre in Córdoba, Argentina Dirección teatral: del mundo del pensamiento al universo de las relaciones de grupo. Reflexiones en torno los procesos de escenificación del teatro independiente de Córdoba info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5480_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic estudios teatrales
dirección teatral
teatro independiente
teatro contemporáneo
Córdoba
Argentina
theatre studies
direction
Regie
Mise en scène
independent theatre
contemporary theatre
Córdoba
Argentina
spellingShingle estudios teatrales
dirección teatral
teatro independiente
teatro contemporáneo
Córdoba
Argentina
theatre studies
direction
Regie
Mise en scène
independent theatre
contemporary theatre
Córdoba
Argentina
Marin, Fwala-lo
Theatrical Direction: from the World of Thought to the Universe of Group Relations. Reflections on the Staging Processes of the Independent Theatre in Córdoba, Argentina
topic_facet estudios teatrales
dirección teatral
teatro independiente
teatro contemporáneo
Córdoba
Argentina
theatre studies
direction
Regie
Mise en scène
independent theatre
contemporary theatre
Córdoba
Argentina
description In the present work we will address the central topics of various bibliographical sources regarding the notion of theatrical direction. In particular, our perspective is situated in the staging processes and in the practices of the independent theatre field of Córdoba and it will be from there that we will carry out the reading of the writings. In a second moment, as a way to approach the concept as it operates in this specific field, we worked with a group of directors chosen for their similarities of age and recognition. Part of the conclusions of this work describes two fundamental features: the first is that the direction is linked to the world of thought and that the idea or the mental image activates the creative process. The second feature is that direction implies a work with others, a capacity to sustain a “going together”, to guide the group and accompany the process of joint creation, being an eminently human activity. These partial conclusions open a first panorama, not only to know the field of the independent theater of Córdoba, but also to risk conceptualizations that can dialogue with other territories. 
format Artículo
publishedVersion
author Marin, Fwala-lo
author_facet Marin, Fwala-lo
author_sort Marin, Fwala-lo
title Theatrical Direction: from the World of Thought to the Universe of Group Relations. Reflections on the Staging Processes of the Independent Theatre in Córdoba, Argentina
title_short Theatrical Direction: from the World of Thought to the Universe of Group Relations. Reflections on the Staging Processes of the Independent Theatre in Córdoba, Argentina
title_full Theatrical Direction: from the World of Thought to the Universe of Group Relations. Reflections on the Staging Processes of the Independent Theatre in Córdoba, Argentina
title_fullStr Theatrical Direction: from the World of Thought to the Universe of Group Relations. Reflections on the Staging Processes of the Independent Theatre in Córdoba, Argentina
title_full_unstemmed Theatrical Direction: from the World of Thought to the Universe of Group Relations. Reflections on the Staging Processes of the Independent Theatre in Córdoba, Argentina
title_sort theatrical direction: from the world of thought to the universe of group relations. reflections on the staging processes of the independent theatre in córdoba, argentina
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5480
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5480_oai
work_keys_str_mv AT marinfwalalo theatricaldirectionfromtheworldofthoughttotheuniverseofgrouprelationsreflectionsonthestagingprocessesoftheindependenttheatreincordobaargentina
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