The political dimension of the First Latin American Theater Festival (Córdoba, Argentina -1984)
In 1984, the city of Córdoba hosted and produced the first Latin American Theater Festival, interpreted by many people as a political-cultural manifestation that transcended the theatrical field. Made official by the local government, it was associated with a euphoric climate that hoped to leave beh...
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| Formato: | Artículo publishedVersion |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2018
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5479 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5479_oai |
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I28-R145-5479_oai2025-11-17 Basile, María Verónica Heredia, Verónica del Valle 2018-12-21 In 1984, the city of Córdoba hosted and produced the first Latin American Theater Festival, interpreted by many people as a political-cultural manifestation that transcended the theatrical field. Made official by the local government, it was associated with a euphoric climate that hoped to leave behind the authoritarian past, and thus the festival highlighted the aspects that were possible as a result of the recovery of democracy, such as freedom, the occupation of public space and the participation of those who returned from exile. One of its objectives was also to achieve the opening of Córdoba to the world and, above all, to Latin America, making strong references to identity and regional integration. This article examines artistic and cultural practices in the context of democratic restoration, particularly the experience of the first Latin American Theater Festival (I Festival Latinoamericano de Teatro - FLT). We analyze some plays that were part of the official grid (Accions by La Fura dels Baus of Spain and the well-known rock opera El espectáculo va a comenzar from Córdoba, Argentina) as well as two street experiences linked to parallel grid. We use an approach that recovers the contributions of recent and cultural history and a corpus based on press and documentary sources. En 1984, la ciudad de Córdoba fue sede y productora del primer Festival Latinoamericano de Teatro interpretado por muchos como una manifestación político– cultural que trascendió el campo teatral. Oficializado por decreto provincial, buscó enmarcarse dentro de cierto clima eufórico que pretendía dejar atrás el pasado autoritario, destacando aquellos aspectos posibles a partir de la recuperación de la democracia, tales como la libertad de expresión, la calle – la ocupación del espacio público y la participación de quienes volvían del exilio, entre otros. Entre sus objetivos estaba además lograr la apertura de Córdoba hacia el mundo y, sobre todo, hacia Latinoamérica, haciendo fuertes referencias a la identidad e integración regional convocando a la participación de compañías y grupos teatrales latinoamericanos y europeos. En las siguientes líneas se propone una reflexión sobre las prácticas artísticas y culturales en el contexto de la restauración democrática, particularmente la experiencia del I Festival Latinoamericano de Teatro (FLT). Nos proponemos analizar los alcances que tuvieron algunas de las obras teatrales que formaron parte de la grilla oficial (Accions por La Fura dels Baus de España y la conocida como ópera rock El espectáculo va a comenzar de Córdoba, Argentina), como así también dos experiencias callejeras vinculadas a la denominada muestra paralela. Para ello, se privilegia un enfoque que recupera los aportes de la historia reciente y cultural y un corpus de análisis conformado por fuentes hemerográficas y documentales de la época. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5479 10.34096/tdf.n28.5479 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5479/4915 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 28 (2018); 85-93 1669-6301 Festival Cultural history recent past theatre democracy festival historia cultural pasado reciente teatro latinoamericano recuperación democrática The political dimension of the First Latin American Theater Festival (Córdoba, Argentina -1984) La dimensión política del I Festival Latinoamericano de Teatro (Córdoba, Argentina - 1984) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5479_oai |
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Universidad de Buenos Aires |
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I-28 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
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spa |
| topic |
Festival Cultural history recent past theatre democracy festival historia cultural pasado reciente teatro latinoamericano recuperación democrática |
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Festival Cultural history recent past theatre democracy festival historia cultural pasado reciente teatro latinoamericano recuperación democrática Basile, María Verónica Heredia, Verónica del Valle The political dimension of the First Latin American Theater Festival (Córdoba, Argentina -1984) |
| topic_facet |
Festival Cultural history recent past theatre democracy festival historia cultural pasado reciente teatro latinoamericano recuperación democrática |
| description |
In 1984, the city of Córdoba hosted and produced the first Latin American Theater Festival, interpreted by many people as a political-cultural manifestation that transcended the theatrical field. Made official by the local government, it was associated with a euphoric climate that hoped to leave behind the authoritarian past, and thus the festival highlighted the aspects that were possible as a result of the recovery of democracy, such as freedom, the occupation of public space and the participation of those who returned from exile. One of its objectives was also to achieve the opening of Córdoba to the world and, above all, to Latin America, making strong references to identity and regional integration. This article examines artistic and cultural practices in the context of democratic restoration, particularly the experience of the first Latin American Theater Festival (I Festival Latinoamericano de Teatro - FLT). We analyze some plays that were part of the official grid (Accions by La Fura dels Baus of Spain and the well-known rock opera El espectáculo va a comenzar from Córdoba, Argentina) as well as two street experiences linked to parallel grid. We use an approach that recovers the contributions of recent and cultural history and a corpus based on press and documentary sources. |
| format |
Artículo publishedVersion |
| author |
Basile, María Verónica Heredia, Verónica del Valle |
| author_facet |
Basile, María Verónica Heredia, Verónica del Valle |
| author_sort |
Basile, María Verónica |
| title |
The political dimension of the First Latin American Theater Festival (Córdoba, Argentina -1984) |
| title_short |
The political dimension of the First Latin American Theater Festival (Córdoba, Argentina -1984) |
| title_full |
The political dimension of the First Latin American Theater Festival (Córdoba, Argentina -1984) |
| title_fullStr |
The political dimension of the First Latin American Theater Festival (Córdoba, Argentina -1984) |
| title_full_unstemmed |
The political dimension of the First Latin American Theater Festival (Córdoba, Argentina -1984) |
| title_sort |
political dimension of the first latin american theater festival (córdoba, argentina -1984) |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2018 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5479 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5479_oai |
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