Collaborative Theatre Practices in Mendoza: The Notion of Group and its Modifications
Theatre is by definition a collective art: to exist as such it always requires of others; the group formation is a condition for theatrical production. However, the present landscape for theatre seems to state the opposite, since many of the teatristas express that the group idea in Mendoza is an ex...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2018
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5478 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5478_oai |
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I28-R145-5478_oai2025-11-17 Manzone, María Verónica 2018-12-21 Theatre is by definition a collective art: to exist as such it always requires of others; the group formation is a condition for theatrical production. However, the present landscape for theatre seems to state the opposite, since many of the teatristas express that the group idea in Mendoza is an expired one. We will start from the hypothesis that the group continues to exist under new formats, considering the modifications that the forms of production have suffered because they need to adapt to the characteristics of current theatrical practices and of the teatristas of today. In this article, we aim to acknowledge the formation of a new map in which artists connect with each other on the basis of associations and work networks. In view of these changes, new questions arise and a new terminological problem appears. How to denominate the new group practices in theatre? We will resort to old concepts coined by P. Sloterdijk and the reflections of García Canclini to analyze the changes produced and will we investigate the term collaborative practice proposed by authors Ary and Alpizar. El teatro es por definición un arte colectivo; para existir como tal siempre precisa de otro; la conformación grupal es condición para la producción teatral. Sin embargo, el panorama actual de teatro pareciera afirmar lo contrario; muchos de los teatristas expresan que la idea de grupo en Mendoza es una idea vencida. Se partirá de la hipótesis de que lo grupal sigue existiendo bajo nuevos formatos; los modos de producción han sufrido modificaciones, porque deben adaptarse a las nuevas características de las prácticas teatrales y de los teatristas actuales. Se dará cuenta de la conformación de un nuevo mapa, en el cual los artistas se vinculan unos a otros a partir de asociaciones y redes de trabajo. Los cambios producidos permiten la apertura de varios interrogantes y, con ello, también aparece el problema terminológico ¿Cómo denominar las nuevas prácticas grupales en el teatro? Se recurrirá a conceptos acuñados por P. Sloterdijk y reflexiones de García Canclini para analizar los cambios producidos y se investigará el término práctica colaborativa propuesto por los autores Ary y Alpizar. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5478 10.34096/tdf.n28.5478 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5478/4914 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 28 (2018); 69-84 1669-6301 group associations collaborative practices collective creation grupo asociaciones prácticas colaborativas creación colectiva Collaborative Theatre Practices in Mendoza: The Notion of Group and its Modifications Prácticas teatrales colaborativas en Mendoza. Noción de grupo y sus modificaciones info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5478_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
group associations collaborative practices collective creation grupo asociaciones prácticas colaborativas creación colectiva |
| spellingShingle |
group associations collaborative practices collective creation grupo asociaciones prácticas colaborativas creación colectiva Manzone, María Verónica Collaborative Theatre Practices in Mendoza: The Notion of Group and its Modifications |
| topic_facet |
group associations collaborative practices collective creation grupo asociaciones prácticas colaborativas creación colectiva |
| description |
Theatre is by definition a collective art: to exist as such it always requires of others; the group formation is a condition for theatrical production. However, the present landscape for theatre seems to state the opposite, since many of the teatristas express that the group idea in Mendoza is an expired one. We will start from the hypothesis that the group continues to exist under new formats, considering the modifications that the forms of production have suffered because they need to adapt to the characteristics of current theatrical practices and of the teatristas of today. In this article, we aim to acknowledge the formation of a new map in which artists connect with each other on the basis of associations and work networks. In view of these changes, new questions arise and a new terminological problem appears. How to denominate the new group practices in theatre? We will resort to old concepts coined by P. Sloterdijk and the reflections of García Canclini to analyze the changes produced and will we investigate the term collaborative practice proposed by authors Ary and Alpizar. |
| format |
Artículo publishedVersion |
| author |
Manzone, María Verónica |
| author_facet |
Manzone, María Verónica |
| author_sort |
Manzone, María Verónica |
| title |
Collaborative Theatre Practices in Mendoza: The Notion of Group and its Modifications |
| title_short |
Collaborative Theatre Practices in Mendoza: The Notion of Group and its Modifications |
| title_full |
Collaborative Theatre Practices in Mendoza: The Notion of Group and its Modifications |
| title_fullStr |
Collaborative Theatre Practices in Mendoza: The Notion of Group and its Modifications |
| title_full_unstemmed |
Collaborative Theatre Practices in Mendoza: The Notion of Group and its Modifications |
| title_sort |
collaborative theatre practices in mendoza: the notion of group and its modifications |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2018 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5478 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5478_oai |
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AT manzonemariaveronica collaborativetheatrepracticesinmendozathenotionofgroupanditsmodifications AT manzonemariaveronica practicasteatralescolaborativasenmendozanociondegrupoysusmodificaciones |
| _version_ |
1851376341180481536 |