The Postdramatic Theatre of Hans-Thies Lehmann: Origin and Revision of the Term

  After the publication of the book Postdramatisches Theater in 1999 by Hans-Thies Lehmann, the category of “post-dramatic” is almost unavoidable in contemporary theatre research, both European and international. That is why we were interested in a revision through the history of the term, both in l...

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Autor principal: van Muylemn, Micaela
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5476
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5476_oai
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spelling I28-R145-5476_oai2025-11-17 van Muylemn, Micaela 2018-12-21   After the publication of the book Postdramatisches Theater in 1999 by Hans-Thies Lehmann, the category of “post-dramatic” is almost unavoidable in contemporary theatre research, both European and international. That is why we were interested in a revision through the history of the term, both in light of the readings it has had in recent years, and in terms of its origin. After 1999, Lehmann reformulates and makes explicit certain aspects that he developed in his research, based, in part, on the work of the German Gerda Poschmann (1997) and that of the Polish-German Andrzej Wirth (1980, 1987). We rescued the proposals of these two authors, as they contribute to think about the category today, mediating almost twenty years of discussions, and we will also quote more recent research such as the works of Claire Swyzen and Kurt Vanhoutte in Belgium, Óscar Cornago in Spain, Bruno Tackels (Belgium-France) and Beatriz Trastoy, in Argentina.  Tras la publicación del libro Postdramatisches Theater en 1999 de Hans-Thies Lehmann, la categoría de lo posdramático es casi ineludible en las investigaciones sobre el teatro contemporáneo, tanto el europeo como el internacional. Por ello nos interesó realizar un recorrido por la historia del término, tanto a la luz de las lecturas que ha tenido en los últimos años, y en cuanto a su gestación por parte de los diferentes teóricos que lo acuñaron. Después de 1999, Lehmann reformula y explicita ciertos aspectos que desarrolló en su investigación, basada, en parte, en el trabajo de la alemana Gerda Poschmann (1997) y en el del investigador polaco-alemán Andrzej Wirth (1980, 1987). Rescatamos las propuestas de estos dos autores, ya que contribuyen hoy a pensar la categoría mediando casi veinte años de discusiones, y pondremos en diálogo también investigaciones más recientes como las de Claire Swyzen y Kurt Vanhoutte en Bélgica, Óscar Cornago en España, Bruno Tackels (Bélgica-Francia) y Beatriz Trastoy, en Argentina.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5476 10.34096/tdf.n28.5476 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5476/4912 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 28 (2018); 27-52 1669-6301 Postdramatic Theatre Compared Theatre Text and Scene teatro posdramático teatro comparado texto y escena The Postdramatic Theatre of Hans-Thies Lehmann: Origin and Revision of the Term El teatro posdramático de Hans-Thies Lehmann: gestación y revisión del concepto info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5476_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Postdramatic Theatre
Compared Theatre
Text and Scene
teatro posdramático
teatro comparado
texto y escena
spellingShingle Postdramatic Theatre
Compared Theatre
Text and Scene
teatro posdramático
teatro comparado
texto y escena
van Muylemn, Micaela
The Postdramatic Theatre of Hans-Thies Lehmann: Origin and Revision of the Term
topic_facet Postdramatic Theatre
Compared Theatre
Text and Scene
teatro posdramático
teatro comparado
texto y escena
description   After the publication of the book Postdramatisches Theater in 1999 by Hans-Thies Lehmann, the category of “post-dramatic” is almost unavoidable in contemporary theatre research, both European and international. That is why we were interested in a revision through the history of the term, both in light of the readings it has had in recent years, and in terms of its origin. After 1999, Lehmann reformulates and makes explicit certain aspects that he developed in his research, based, in part, on the work of the German Gerda Poschmann (1997) and that of the Polish-German Andrzej Wirth (1980, 1987). We rescued the proposals of these two authors, as they contribute to think about the category today, mediating almost twenty years of discussions, and we will also quote more recent research such as the works of Claire Swyzen and Kurt Vanhoutte in Belgium, Óscar Cornago in Spain, Bruno Tackels (Belgium-France) and Beatriz Trastoy, in Argentina. 
format Artículo
publishedVersion
author van Muylemn, Micaela
author_facet van Muylemn, Micaela
author_sort van Muylemn, Micaela
title The Postdramatic Theatre of Hans-Thies Lehmann: Origin and Revision of the Term
title_short The Postdramatic Theatre of Hans-Thies Lehmann: Origin and Revision of the Term
title_full The Postdramatic Theatre of Hans-Thies Lehmann: Origin and Revision of the Term
title_fullStr The Postdramatic Theatre of Hans-Thies Lehmann: Origin and Revision of the Term
title_full_unstemmed The Postdramatic Theatre of Hans-Thies Lehmann: Origin and Revision of the Term
title_sort postdramatic theatre of hans-thies lehmann: origin and revision of the term
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5476
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5476_oai
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