The Variety Artists in Buenos Aires in the Early 20th Century

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This work supports the hypothesis that the characteristics of variety performances –the lack of legal protection that fostered the exploitation of women and children, the transhumance that resulted in the impossibility of establishing stable links with the receiving society and elementary schooling...

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Autor principal: Shirkin, Susana
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
Materias:
artistas de variedades
condiciones laborales
gremios
legislación
vulnerabilidad
veriety artists
labor conditions
unions
legislation
vulnerability
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5099
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5099_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-5099_oai
record_format dspace
spelling I28-R145-5099_oai2025-11-17 Shirkin, Susana 2018-12-21 This work supports the hypothesis that the characteristics of variety performances –the lack of legal protection that fostered the exploitation of women and children, the transhumance that resulted in the impossibility of establishing stable links with the receiving society and elementary schooling in the case of the minors, the ignorance of the language in foreigners, among many other conditions– placed variety artists of the early 20th century in a situation of extreme vulnerability, distancing them from the possibility of accomplishing even a basic level of organization and connecting them to a circuit of social and legal marginality that very often involved labor exploitation, prostitution, women trafficking, abuse and other criminal offenses, before the at least indifferent and often openly hostile view of the society of their time that, paradoxically, conformed its public.  El presente trabajo sostiene la hipótesis de que las características mismas del varieté, la falta de amparo legal que propiciaba la explotación femenina e infantil, la trashumancia que derivaba en imposibilidad de establecer vínculos estables con la sociedad de recepción y de elemental escolaridad en el caso de los menores, el desconocimiento del idioma en los extranjeros, entre otras muchas condiciones, colocaron al artista de variedades de la primera mitad del siglo XX en una situación de vulnerabilidad extrema, lo alejaron de la posibilidad de concretar una organización aún básica y lo vincularon a un circuito de marginalidad social y legal que muy frecuentemente involucraba explotación laboral, prostitución, trata de blancas, abusos y otros delitos penales, ante la mirada al menos indiferente y muchas veces abiertamente hostil de la sociedad de su tiempo que –paradójicamente– conformaba su público.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5099 10.34096/tdf.n27.5099 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5099/4613 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 27 (2018); 163-175 1669-6301 artistas de variedades condiciones laborales gremios legislación vulnerabilidad veriety artists labor conditions unions legislation vulnerability The Variety Artists in Buenos Aires in the Early 20th Century El artista de variedades en el Buenos Aires de principios del siglo XX info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5099_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic artistas de variedades
condiciones laborales
gremios
legislación
vulnerabilidad
veriety artists
labor conditions
unions
legislation
vulnerability
spellingShingle artistas de variedades
condiciones laborales
gremios
legislación
vulnerabilidad
veriety artists
labor conditions
unions
legislation
vulnerability
Shirkin, Susana
The Variety Artists in Buenos Aires in the Early 20th Century
topic_facet artistas de variedades
condiciones laborales
gremios
legislación
vulnerabilidad
veriety artists
labor conditions
unions
legislation
vulnerability
description This work supports the hypothesis that the characteristics of variety performances –the lack of legal protection that fostered the exploitation of women and children, the transhumance that resulted in the impossibility of establishing stable links with the receiving society and elementary schooling in the case of the minors, the ignorance of the language in foreigners, among many other conditions– placed variety artists of the early 20th century in a situation of extreme vulnerability, distancing them from the possibility of accomplishing even a basic level of organization and connecting them to a circuit of social and legal marginality that very often involved labor exploitation, prostitution, women trafficking, abuse and other criminal offenses, before the at least indifferent and often openly hostile view of the society of their time that, paradoxically, conformed its public. 
format Artículo
publishedVersion
author Shirkin, Susana
author_facet Shirkin, Susana
author_sort Shirkin, Susana
title The Variety Artists in Buenos Aires in the Early 20th Century
title_short The Variety Artists in Buenos Aires in the Early 20th Century
title_full The Variety Artists in Buenos Aires in the Early 20th Century
title_fullStr The Variety Artists in Buenos Aires in the Early 20th Century
title_full_unstemmed The Variety Artists in Buenos Aires in the Early 20th Century
title_sort variety artists in buenos aires in the early 20th century
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5099
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5099_oai
work_keys_str_mv AT shirkinsusana thevarietyartistsinbuenosairesintheearly20thcentury
AT shirkinsusana elartistadevariedadesenelbuenosairesdeprincipiosdelsigloxx
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