Between the Worlds of Art and Work. Conceptual Tools to Understand the Labor Dimension of Artistic Work

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In this paper we will introduce some conceptual elements to understand the labor dimension of artistic performance. First, we will focus on the specific characteristics of the activity developed by performing artists. Secondly, we will analyze the organization of production in performing arts, and w...

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Autor principal: Mauro, Karina
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
Materias:
artistas del espectáculo
mundo del trabajo
identidad
relaciones de producción
autoprecarización
performing artists
work studies
identity
relations of production
"Self-Chosen" precarization
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5097
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5097_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-5097_oai
record_format dspace
spelling I28-R145-5097_oai2025-11-17 Mauro, Karina 2018-12-21 In this paper we will introduce some conceptual elements to understand the labor dimension of artistic performance. First, we will focus on the specific characteristics of the activity developed by performing artists. Secondly, we will analyze the organization of production in performing arts, and we will concentrate on agents, circuits and legislation of the sector. Finally, we will look into the ideas of surplus value and symbolic capital, and into the forms of their appropriation in the diverse circuits, as well as into the phenomena of self-perception and “self-chosen” precarization amongst culture workers.  En el presente artículo introduciremos algunas herramientas conceptuales que nos permitan comprender la dimensión laboral del desempeño artístico. En primer lugar, nos centraremos en las características específicas de la actividad realizada por los artistas del espectáculo. En segundo término, analizaremos la organización de la producción en las artes del espectáculo, deteniéndonos en los agentes, circuitos y legislación del sector. Por último, indagaremos en las nociones de plusvalía y capital simbólico, y en las formas de su apropiación en los diversos circuitos, así como en los fenómenos de autopercepción y autoprecarización en el ámbito de los trabajadores de la cultura.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5097 10.34096/tdf.n27.5097 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5097/4611 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 27 (2018); 114-143 1669-6301 artistas del espectáculo mundo del trabajo identidad relaciones de producción autoprecarización performing artists work studies identity relations of production "Self-Chosen" precarization Between the Worlds of Art and Work. Conceptual Tools to Understand the Labor Dimension of Artistic Work Entre el mundo del arte y el mundo del trabajo. Herramientas conceptuales para comprender la dimensión laboral del trabajo artístico info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5097_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic artistas del espectáculo
mundo del trabajo
identidad
relaciones de producción
autoprecarización
performing artists
work studies
identity
relations of production
"Self-Chosen" precarization
spellingShingle artistas del espectáculo
mundo del trabajo
identidad
relaciones de producción
autoprecarización
performing artists
work studies
identity
relations of production
"Self-Chosen" precarization
Mauro, Karina
Between the Worlds of Art and Work. Conceptual Tools to Understand the Labor Dimension of Artistic Work
topic_facet artistas del espectáculo
mundo del trabajo
identidad
relaciones de producción
autoprecarización
performing artists
work studies
identity
relations of production
"Self-Chosen" precarization
description In this paper we will introduce some conceptual elements to understand the labor dimension of artistic performance. First, we will focus on the specific characteristics of the activity developed by performing artists. Secondly, we will analyze the organization of production in performing arts, and we will concentrate on agents, circuits and legislation of the sector. Finally, we will look into the ideas of surplus value and symbolic capital, and into the forms of their appropriation in the diverse circuits, as well as into the phenomena of self-perception and “self-chosen” precarization amongst culture workers. 
format Artículo
publishedVersion
author Mauro, Karina
author_facet Mauro, Karina
author_sort Mauro, Karina
title Between the Worlds of Art and Work. Conceptual Tools to Understand the Labor Dimension of Artistic Work
title_short Between the Worlds of Art and Work. Conceptual Tools to Understand the Labor Dimension of Artistic Work
title_full Between the Worlds of Art and Work. Conceptual Tools to Understand the Labor Dimension of Artistic Work
title_fullStr Between the Worlds of Art and Work. Conceptual Tools to Understand the Labor Dimension of Artistic Work
title_full_unstemmed Between the Worlds of Art and Work. Conceptual Tools to Understand the Labor Dimension of Artistic Work
title_sort between the worlds of art and work. conceptual tools to understand the labor dimension of artistic work
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5097
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5097_oai
work_keys_str_mv AT maurokarina betweentheworldsofartandworkconceptualtoolstounderstandthelabordimensionofartisticwork
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