Entertainment of the Past: Radio Drama and its Collaboration with the Sainete Criollo

Radio drama emerges in Buenos Aires in the thirties, in the midst of a hectic political and social context, and it quickly consolidates itself as a form of popular entertainment. It is the result of the fusion of diverse genres that were already established and that had already proven their effectiv...

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Autor principal: Grela Reina, Constanza
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5089
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5089_oai
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spelling I28-R145-5089_oai2025-11-17 Grela Reina, Constanza 2018-12-21 Radio drama emerges in Buenos Aires in the thirties, in the midst of a hectic political and social context, and it quickly consolidates itself as a form of popular entertainment. It is the result of the fusion of diverse genres that were already established and that had already proven their effectiveness with large audiences, such as the sainete criollo and melodrama, amongst others. This article seeks to demonstrate the relations of mutual feedback between these genres and the radio theater of Buenos Aires. The purpose is also to rescue the memory of the popular expressions that entertained our predecessors.  En la década del treinta, en medio del agitado clima político y social tiene surgimiento el radioteatro porteño, expresión que rápidamente se expande y se afianza como forma de entretenimiento popular. El mismo, es el resultado de la fusión de diversos géneros que ya estaban consolidados y que habían comprobado su eficacia ante las grandes audiencias, entre ellos tenemos el sainete criollo, el melodrama y el folletín. Nos proponemos entonces demostrar las relaciones de retroalimentación entre dichos géneros y el radioteatro porteño. El objetivo, es además, rescatar la memoria de las expresiones populares que entretuvieron a nuestros predecesores.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5089 10.34096/tdf.n27.5089 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5089/4606 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 27 (2018); 57-65 1669-6301 Radio Drama Sainete Criollo popular genres mass culture entertainment radioteatro sainete criollo géneros populares cultura de masas entretenimiento Entertainment of the Past: Radio Drama and its Collaboration with the Sainete Criollo El entretenimiento del pasado: El radioteatro porteño y su alianza con el sainete criollo info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5089_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Radio Drama
Sainete Criollo
popular genres
mass culture
entertainment
radioteatro
sainete criollo
géneros populares
cultura de masas
entretenimiento
spellingShingle Radio Drama
Sainete Criollo
popular genres
mass culture
entertainment
radioteatro
sainete criollo
géneros populares
cultura de masas
entretenimiento
Grela Reina, Constanza
Entertainment of the Past: Radio Drama and its Collaboration with the Sainete Criollo
topic_facet Radio Drama
Sainete Criollo
popular genres
mass culture
entertainment
radioteatro
sainete criollo
géneros populares
cultura de masas
entretenimiento
description Radio drama emerges in Buenos Aires in the thirties, in the midst of a hectic political and social context, and it quickly consolidates itself as a form of popular entertainment. It is the result of the fusion of diverse genres that were already established and that had already proven their effectiveness with large audiences, such as the sainete criollo and melodrama, amongst others. This article seeks to demonstrate the relations of mutual feedback between these genres and the radio theater of Buenos Aires. The purpose is also to rescue the memory of the popular expressions that entertained our predecessors. 
format Artículo
publishedVersion
author Grela Reina, Constanza
author_facet Grela Reina, Constanza
author_sort Grela Reina, Constanza
title Entertainment of the Past: Radio Drama and its Collaboration with the Sainete Criollo
title_short Entertainment of the Past: Radio Drama and its Collaboration with the Sainete Criollo
title_full Entertainment of the Past: Radio Drama and its Collaboration with the Sainete Criollo
title_fullStr Entertainment of the Past: Radio Drama and its Collaboration with the Sainete Criollo
title_full_unstemmed Entertainment of the Past: Radio Drama and its Collaboration with the Sainete Criollo
title_sort entertainment of the past: radio drama and its collaboration with the sainete criollo
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5089
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5089_oai
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