Rock art landscapes. Identification of rock art production and distribution patterns at broad spatial scales (Yaten Guajen Canyon, Santa Cruz, Patagonia argentina)
This paper presents a preliminary approach to the characterisation of rock art landscapes based on the study and systematic analysis of rock art in two sectors of Yaten Guajen Canyon (Santa Cruz, Patagonia Argentina). This analysis is based on the notion that rock art landscapes which are currently...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires
2018
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5006 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=5006_oai |
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I28-R145-5006_oai2025-11-17 Fiore, Dánae Acevedo, Agustín 2018-06-01 This paper presents a preliminary approach to the characterisation of rock art landscapes based on the study and systematic analysis of rock art in two sectors of Yaten Guajen Canyon (Santa Cruz, Patagonia Argentina). This analysis is based on the notion that rock art landscapes which are currently visible are product of the accumulated actions of human groups whose agencies have left signs in: a) the distribution of motifs on the bedrock –identifiable through the study of the frequency, proportion, density, expansion and variety of motifs and motif types–, and b) the relations within motifs, and between motifs and the bedrock. To this end, we propose a rock art recording method and data analysis protocol which operates at large spatial scales, combining the notion of the archaeological record as a continuum with the notion that the engagement with rock art landscapes requires both perception and movement while operating at different complementary spatial scales. The results are discussed in the light of the links between the agencies of rock art producers and observers, suggesting that rock art landscapes require not only visual perception but also physical movement to experience them. En este trabajo se presenta una primera aproximación a la caracterización de los paisajes rupestres mediante la exploración y análisis sistemático del arte rupestre de dos sectores del cañadón Yaten Guajen (Santa Cruz, Patagonia Argentina). Dicho análisis se basa en la concepción de que los paisajes rupestres actualmente visibles son producto de las acciones acumuladas de grupos humanos cuyas agencias dejan señales en: a) la distribución de motivos en el soporte rocoso –identificables mediante el estudio de su frecuencia, proporción, densidad, expansión y variedad de motivos y de tipos de motivos– y b) el vínculo de los motivos entre sí y con el soporte. Para ello se propone una metodología de registro y un protocolo de análisis de datos rupestres a escalas espaciales amplias, combinando la noción de registro arqueológico como un continuum y la noción de que la experimentación de los paisajes rupestres requiere tanto percepción como movimiento y opera a distintas escalas espaciales complementarias. Los resultados se discuten a la luz del vínculo entre agencia de productores y observadores del arte, sugiriendo que los paisajes rupestres requieren no solo percepción visual sino también movimiento físico para poder experimentarlos. application/pdf https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5006 10.34096/arqueologia.t24.n2.5006 spa Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5006/4520 Arqueología; Vol. 24 No. 2 (2018): May-August; 177-207 Arqueología; Vol. 24 Núm. 2 (2018): mayo-agosto; 177-207 1853-8126 0327-5159 Arte rupestre Paisaje Escalas espaciales amplias Agencia Percepción Movimiento Rock art Landscape Broad spatial scales Agency Perception Movement Rock art landscapes. Identification of rock art production and distribution patterns at broad spatial scales (Yaten Guajen Canyon, Santa Cruz, Patagonia argentina) Paisajes rupestres. La identificación de patrones de producción y distribución de arte parietal en escalas espaciales amplias (Cañadón Yaten Guajen, Santa Cruz, Patagonia argentina) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=5006_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Arte rupestre Paisaje Escalas espaciales amplias Agencia Percepción Movimiento Rock art Landscape Broad spatial scales Agency Perception Movement |
| spellingShingle |
Arte rupestre Paisaje Escalas espaciales amplias Agencia Percepción Movimiento Rock art Landscape Broad spatial scales Agency Perception Movement Fiore, Dánae Acevedo, Agustín Rock art landscapes. Identification of rock art production and distribution patterns at broad spatial scales (Yaten Guajen Canyon, Santa Cruz, Patagonia argentina) |
| topic_facet |
Arte rupestre Paisaje Escalas espaciales amplias Agencia Percepción Movimiento Rock art Landscape Broad spatial scales Agency Perception Movement |
| description |
This paper presents a preliminary approach to the characterisation of rock art landscapes based on the study and systematic analysis of rock art in two sectors of Yaten Guajen Canyon (Santa Cruz, Patagonia Argentina). This analysis is based on the notion that rock art landscapes which are currently visible are product of the accumulated actions of human groups whose agencies have left signs in: a) the distribution of motifs on the bedrock –identifiable through the study of the frequency, proportion, density, expansion and variety of motifs and motif types–, and b) the relations within motifs, and between motifs and the bedrock. To this end, we propose a rock art recording method and data analysis protocol which operates at large spatial scales, combining the notion of the archaeological record as a continuum with the notion that the engagement with rock art landscapes requires both perception and movement while operating at different complementary spatial scales. The results are discussed in the light of the links between the agencies of rock art producers and observers, suggesting that rock art landscapes require not only visual perception but also physical movement to experience them. |
| format |
Artículo publishedVersion |
| author |
Fiore, Dánae Acevedo, Agustín |
| author_facet |
Fiore, Dánae Acevedo, Agustín |
| author_sort |
Fiore, Dánae |
| title |
Rock art landscapes. Identification of rock art production and distribution patterns at broad spatial scales (Yaten Guajen Canyon, Santa Cruz, Patagonia argentina) |
| title_short |
Rock art landscapes. Identification of rock art production and distribution patterns at broad spatial scales (Yaten Guajen Canyon, Santa Cruz, Patagonia argentina) |
| title_full |
Rock art landscapes. Identification of rock art production and distribution patterns at broad spatial scales (Yaten Guajen Canyon, Santa Cruz, Patagonia argentina) |
| title_fullStr |
Rock art landscapes. Identification of rock art production and distribution patterns at broad spatial scales (Yaten Guajen Canyon, Santa Cruz, Patagonia argentina) |
| title_full_unstemmed |
Rock art landscapes. Identification of rock art production and distribution patterns at broad spatial scales (Yaten Guajen Canyon, Santa Cruz, Patagonia argentina) |
| title_sort |
rock art landscapes. identification of rock art production and distribution patterns at broad spatial scales (yaten guajen canyon, santa cruz, patagonia argentina) |
| publisher |
Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2018 |
| url |
https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5006 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=5006_oai |
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