Memoria Social e imagen
Until the invention of the writing the orality was the privileged support of the social memory. The arrival of the writing allowed to register the prints of this collective memory more sistematically. The picture and the film with posteriority, they facilitated to also feed this social memory with a...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA
2002
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/4620 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cantropo&d=4620_oai |
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I28-R145-4620_oai2023-08-08 Guarini, Carmen 2002-07-01 Until the invention of the writing the orality was the privileged support of the social memory. The arrival of the writing allowed to register the prints of this collective memory more sistematically. The picture and the film with posteriority, they facilitated to also feed this social memory with audiovisual elements. This social memory that is certainly historical, goes being also conformed for aesthetic social diverse. We come analyzing for certain time of what way a local particular expression of the social protest (the “escrache”) it goes generating and modifying a particular political aesthetics, that begins to work as paradigm in the language and the action, and it puts at the same time in linking expressions of the day-to-dayness, institutions and concepts. Hasta la invención de la escritura la oralidad era el soporte privilegiado de la memoria social. La llegada de la escritura permitió registrar las huellas de esta memoria colectiva de manera mas sitemática y relativamente precisa. La fotografía y el registro filmico con posterioridad, posibilitaron alimentar esta memoria social también con elementos audiovisuales Esta memoria social que es desde luego histórica, va siendo conformada también por estéticas sociales diversas. Venimos analizando desde hace cierto tiempo de qué modo una expresión particular local de la protesta social (“el escrache”) va generando y modificando una estética política particular, que empieza a funcionar como paradigma en el lenguaje y la acción, y pone al mismo tiempo en vinculación gestos de la cotidianeidad, instituciones y conceptos. application/pdf http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/4620 10.34096/cas.i15.4620 spa Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/4620/4118 Cuadernos de antropología social; Núm. 15 (2002): Procesos de transformación y precarización social 1850-275X 0327-3776 social memory image social aesthetic social protest Memoria social imagen estética social demandas sociales Memoria Social e imagen info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cantropo&d=4620_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
social memory image social aesthetic social protest Memoria social imagen estética social demandas sociales |
| spellingShingle |
social memory image social aesthetic social protest Memoria social imagen estética social demandas sociales Guarini, Carmen Memoria Social e imagen |
| topic_facet |
social memory image social aesthetic social protest Memoria social imagen estética social demandas sociales |
| description |
Until the invention of the writing the orality was the privileged support of the social memory. The arrival of the writing allowed to register the prints of this collective memory more sistematically. The picture and the film with posteriority, they facilitated to also feed this social memory with audiovisual elements. This social memory that is certainly historical, goes being also conformed for aesthetic social diverse. We come analyzing for certain time of what way a local particular expression of the social protest (the “escrache”) it goes generating and modifying a particular political aesthetics, that begins to work as paradigm in the language and the action, and it puts at the same time in linking expressions of the day-to-dayness, institutions and concepts. |
| format |
Artículo publishedVersion |
| author |
Guarini, Carmen |
| author_facet |
Guarini, Carmen |
| author_sort |
Guarini, Carmen |
| title |
Memoria Social e imagen |
| title_short |
Memoria Social e imagen |
| title_full |
Memoria Social e imagen |
| title_fullStr |
Memoria Social e imagen |
| title_full_unstemmed |
Memoria Social e imagen |
| title_sort |
memoria social e imagen |
| publisher |
Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA |
| publishDate |
2002 |
| url |
http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/4620 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cantropo&d=4620_oai |
| work_keys_str_mv |
AT guarinicarmen memoriasocialeimagen |
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1782033200120332288 |