Art as an Open Space for Public Cultural Policies: an Interview with Marcelo Díaz

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As part of the present dossier dedicated to the relations between theatre, politics and society in the South, and, particularly, to the new incidence strategies displayed by artists and cultural activists, we present this interview to Marcelo Díaz, poet and responsible for many cultural initiatives...

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Autor principal: Brownell, Pamela
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2017
Materias:
cultural policy
documentary theatre
Marcelo Díaz
Ferrowhite
Estación Rosario
política cultural
teatro documental
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3981
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3981_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-3981_oai
record_format dspace
spelling I28-R145-3981_oai2025-11-17 Brownell, Pamela 2017-12-02 As part of the present dossier dedicated to the relations between theatre, politics and society in the South, and, particularly, to the new incidence strategies displayed by artists and cultural activists, we present this interview to Marcelo Díaz, poet and responsible for many cultural initiatives promoted by different cultural institutions in the city of Bahía Blanca, Argentina. These initiatives are really interesting and provocative examples that enable a reflection on the possibilities of art as a dynamic space where to work with communities and their memories. The dialogue focuses on the description of some of these experiences as well as on the discussion of some relevant issues concerning the perspectives for a desirable public cultural policy.  En el marco del dossier dedicado a pensar los vínculos entre teatro, política y sociedad en Sur, y, en particular, los nuevos modos de incidencia desplegados por artistas y activistas culturales, realizamos esta entrevista a Marcelo Díaz, poeta y gestor cultural de Bahía Blanca, Argentina, quien ha sido uno de los principales impulsores de una gran cantidad de iniciativas culturales que constituyen ejemplos muy estimulantes para reflexionar sobre las posibilidades del arte como espacio dinámico de trabajo con las comunidades y sus memorias. El diálogo se centra en recorrer algunas de estas experiencias, al tiempo que se retoman distintos debates referidos a las alternativas deseables para la construcción de una política cultural pública.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3981 10.34096/tdf.n26.3981 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3981/3557 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 26 (2017); 89-102 1669-6301 cultural policy documentary theatre Marcelo Díaz Ferrowhite Estación Rosario política cultural teatro documental Marcelo Díaz Ferrowhite Estación Rosario Art as an Open Space for Public Cultural Policies: an Interview with Marcelo Díaz El arte como espacio abierto para la política cultural pública: entrevista a Marcelo Díaz info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3981_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic cultural policy
documentary theatre
Marcelo Díaz
Ferrowhite
Estación Rosario
política cultural
teatro documental
Marcelo Díaz
Ferrowhite
Estación Rosario
spellingShingle cultural policy
documentary theatre
Marcelo Díaz
Ferrowhite
Estación Rosario
política cultural
teatro documental
Marcelo Díaz
Ferrowhite
Estación Rosario
Brownell, Pamela
Art as an Open Space for Public Cultural Policies: an Interview with Marcelo Díaz
topic_facet cultural policy
documentary theatre
Marcelo Díaz
Ferrowhite
Estación Rosario
política cultural
teatro documental
Marcelo Díaz
Ferrowhite
Estación Rosario
description As part of the present dossier dedicated to the relations between theatre, politics and society in the South, and, particularly, to the new incidence strategies displayed by artists and cultural activists, we present this interview to Marcelo Díaz, poet and responsible for many cultural initiatives promoted by different cultural institutions in the city of Bahía Blanca, Argentina. These initiatives are really interesting and provocative examples that enable a reflection on the possibilities of art as a dynamic space where to work with communities and their memories. The dialogue focuses on the description of some of these experiences as well as on the discussion of some relevant issues concerning the perspectives for a desirable public cultural policy. 
format Artículo
publishedVersion
author Brownell, Pamela
author_facet Brownell, Pamela
author_sort Brownell, Pamela
title Art as an Open Space for Public Cultural Policies: an Interview with Marcelo Díaz
title_short Art as an Open Space for Public Cultural Policies: an Interview with Marcelo Díaz
title_full Art as an Open Space for Public Cultural Policies: an Interview with Marcelo Díaz
title_fullStr Art as an Open Space for Public Cultural Policies: an Interview with Marcelo Díaz
title_full_unstemmed Art as an Open Space for Public Cultural Policies: an Interview with Marcelo Díaz
title_sort art as an open space for public cultural policies: an interview with marcelo díaz
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2017
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3981
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3981_oai
work_keys_str_mv AT brownellpamela artasanopenspaceforpublicculturalpoliciesaninterviewwithmarcelodiaz
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