Fin de Un Mundo: Urban Performatic Interventions between History and the Political Agenda
Colectivo Fin de Un Mundo is a collective of artists that emerges in Buenos Aires during 2012. Its interventions, as defined in its declaration of principles, seek to generate “time-spaces of group expression on social issues” . With interventions in different parts of the city, they have tried to p...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2017
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3979 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3979_oai |
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I28-R145-3979_oai2025-11-17 Manduca, Ramiro 2017-12-02 Colectivo Fin de Un Mundo is a collective of artists that emerges in Buenos Aires during 2012. Its interventions, as defined in its declaration of principles, seek to generate “time-spaces of group expression on social issues” . With interventions in different parts of the city, they have tried to put in tension certain hegemonic historiographical readings around subjects like the Conquest of America or the Argentine independence. In this paper, I will focus particularly on their first intervention, Project 10/52, made at the 520th anniversary of the Conquest of America, and on OAMA (Organization of Friends of America), intervention done during the bicentennial of Argentine independence in July 2016. From different perspectives and aesthetics, both interventions problematize the relation between dependency and independence, while the most recent one results particularly suggestive when asotiated with the change of political sign occurred in 2015 with the assumption of Mauricio Macri as president. I will analyze the speeches articulated in both cases, the resources used and the effects and reactions of the audience, documented by the collective itself. El Colectivo Fin de Un Mundo es un colectivo de artistas y trabajadores de la cultura que surge en la Ciudad de Buenos Aires durante 2012. Sus intervenciones, tal como lo definen en su declaración de principios, buscan generar “espacios-tiempo de expresión grupal sobre cuestiones sociales”. Con intervenciones en distintos puntos de la ciudad buscaron poner en tensión ciertas lecturas historiográficas hegemónicas en torno a temas como la Conquista de América o la Independencia argentina. En este trabajo me centraré particularmente en la primera de las intervenciones escénicas urbanas, Proyecto 10/52 realizada al cumplirse 520 años de la Conquista de América y OAMA (Organización de Amigos de América), intervención realizada durante el bicentenario de la independencia argentina en julio de 2016. Desde perspectivas y estéticas, ambas problematizan la relación dependencia/independencia, siendo la última de las intervenciones nombradas, particularmente sugerente de ser leída a partir del cambio de signo político abierto en 2015 con la asunción de Mauricio Macri como presidente. Analizaré entonces los discursos allí articulados, los recursos utilizados y los efectos y reacciones del público, documentados por el propio colectivo. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3979 10.34096/tdf.n26.3979 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3979/3555 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 26 (2017); 63-79 1669-6301 Colectivo Fin de Un Mundo Proyecto 10/52 OAMA intervenciones escénicas urbanas colectivo dependencia independencia neoliberalismo Colectivo Fin de Un Mundo Proyecto 10/52 OAMA Interventions Collective artivism dependency independence neoliberalism Fin de Un Mundo: Urban Performatic Interventions between History and the Political Agenda Colectivo Fin de Un Mundo: intervenciones escénicas urbanas entre la historia y la agenda política info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3979_oai |
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Universidad de Buenos Aires |
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I-28 |
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Español |
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| topic |
Colectivo Fin de Un Mundo Proyecto 10/52 OAMA intervenciones escénicas urbanas colectivo dependencia independencia neoliberalismo Colectivo Fin de Un Mundo Proyecto 10/52 OAMA Interventions Collective artivism dependency independence neoliberalism |
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Colectivo Fin de Un Mundo Proyecto 10/52 OAMA intervenciones escénicas urbanas colectivo dependencia independencia neoliberalismo Colectivo Fin de Un Mundo Proyecto 10/52 OAMA Interventions Collective artivism dependency independence neoliberalism Manduca, Ramiro Fin de Un Mundo: Urban Performatic Interventions between History and the Political Agenda |
| topic_facet |
Colectivo Fin de Un Mundo Proyecto 10/52 OAMA intervenciones escénicas urbanas colectivo dependencia independencia neoliberalismo Colectivo Fin de Un Mundo Proyecto 10/52 OAMA Interventions Collective artivism dependency independence neoliberalism |
| description |
Colectivo Fin de Un Mundo is a collective of artists that emerges in Buenos Aires during 2012. Its interventions, as defined in its declaration of principles, seek to generate “time-spaces of group expression on social issues” . With interventions in different parts of the city, they have tried to put in tension certain hegemonic historiographical readings around subjects like the Conquest of America or the Argentine independence. In this paper, I will focus particularly on their first intervention, Project 10/52, made at the 520th anniversary of the Conquest of America, and on OAMA (Organization of Friends of America), intervention done during the bicentennial of Argentine independence in July 2016. From different perspectives and aesthetics, both interventions problematize the relation between dependency and independence, while the most recent one results particularly suggestive when asotiated with the change of political sign occurred in 2015 with the assumption of Mauricio Macri as president. I will analyze the speeches articulated in both cases, the resources used and the effects and reactions of the audience, documented by the collective itself. |
| format |
Artículo publishedVersion |
| author |
Manduca, Ramiro |
| author_facet |
Manduca, Ramiro |
| author_sort |
Manduca, Ramiro |
| title |
Fin de Un Mundo: Urban Performatic Interventions between History and the Political Agenda |
| title_short |
Fin de Un Mundo: Urban Performatic Interventions between History and the Political Agenda |
| title_full |
Fin de Un Mundo: Urban Performatic Interventions between History and the Political Agenda |
| title_fullStr |
Fin de Un Mundo: Urban Performatic Interventions between History and the Political Agenda |
| title_full_unstemmed |
Fin de Un Mundo: Urban Performatic Interventions between History and the Political Agenda |
| title_sort |
fin de un mundo: urban performatic interventions between history and the political agenda |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2017 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3979 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3979_oai |
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AT manducaramiro findeunmundourbanperformaticinterventionsbetweenhistoryandthepoliticalagenda AT manducaramiro colectivofindeunmundointervencionesescenicasurbanasentrelahistoriaylaagendapolitica |
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