Stage Dramaturgy. World, Finitude and Symbol: Concepts for an Ontology of the Mise-en-Scène

This paper proposes an ontological description of stage dramaturgy with the purpose of finding its conditions of possibility using Heidegger’s philosophical concepts. The study avoids making moral and ethical speculations about what the director should know or do, neither about his/her abilities and...

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Autor principal: Cantú Toscano, Mario
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2017
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3973
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3973_oai
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spelling I28-R145-3973_oai2025-11-17 Cantú Toscano, Mario 2017-12-02 This paper proposes an ontological description of stage dramaturgy with the purpose of finding its conditions of possibility using Heidegger’s philosophical concepts. The study avoids making moral and ethical speculations about what the director should know or do, neither about his/her abilities and knowledge. Its focus is set on process of creating a poetic world based on the heideggerian conception of world and finitude, as well as on the original sense of the symbolic. Also, the concept of stage dramaturgy will be considered as a process of sorting the poetic world through relations of dramatic progression and tension.  Descripción ontológica de la dramaturgia escénica para encontrar sus condiciones de posibilidad mediante conceptos de la filosofía de Heidegger. Se evita en todo momento hacer especulaciones ético-morales sobre lo que el director de escena debería ser o saber, sus habilidades y conocimientos. Se centra en el proceso de creación de un mundo poético basado en la concepción heideggeriana de mundo y finitud, así como en el sentido original de lo simbólico. Asimismo, se esclarece el concepto de dramaturgia escénica en cuanto ordenamiento del mundo poético mediante relaciones de tensión y progresión dramáticas.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3973 10.34096/tdf.n26.3973 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3973/3549 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 26 (2017); 1-11 1669-6301 Mundo re-proyección neo-remisiones escena símbolo metáfora progresión dramática tensión dramática finitud World re-projection neo-referrals stage dramaturgy symbol metaphor dramatic progression dramatic tension finitude Stage Dramaturgy. World, Finitude and Symbol: Concepts for an Ontology of the Mise-en-Scène La dramaturgia escénica. Mundo, finitud y símbolo: conceptos para una ontología de la puesta en escena info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3973_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Mundo
re-proyección
neo-remisiones
escena
símbolo
metáfora
progresión dramática
tensión dramática
finitud
World
re-projection
neo-referrals
stage dramaturgy
symbol
metaphor
dramatic progression
dramatic tension
finitude
spellingShingle Mundo
re-proyección
neo-remisiones
escena
símbolo
metáfora
progresión dramática
tensión dramática
finitud
World
re-projection
neo-referrals
stage dramaturgy
symbol
metaphor
dramatic progression
dramatic tension
finitude
Cantú Toscano, Mario
Stage Dramaturgy. World, Finitude and Symbol: Concepts for an Ontology of the Mise-en-Scène
topic_facet Mundo
re-proyección
neo-remisiones
escena
símbolo
metáfora
progresión dramática
tensión dramática
finitud
World
re-projection
neo-referrals
stage dramaturgy
symbol
metaphor
dramatic progression
dramatic tension
finitude
description This paper proposes an ontological description of stage dramaturgy with the purpose of finding its conditions of possibility using Heidegger’s philosophical concepts. The study avoids making moral and ethical speculations about what the director should know or do, neither about his/her abilities and knowledge. Its focus is set on process of creating a poetic world based on the heideggerian conception of world and finitude, as well as on the original sense of the symbolic. Also, the concept of stage dramaturgy will be considered as a process of sorting the poetic world through relations of dramatic progression and tension. 
format Artículo
publishedVersion
author Cantú Toscano, Mario
author_facet Cantú Toscano, Mario
author_sort Cantú Toscano, Mario
title Stage Dramaturgy. World, Finitude and Symbol: Concepts for an Ontology of the Mise-en-Scène
title_short Stage Dramaturgy. World, Finitude and Symbol: Concepts for an Ontology of the Mise-en-Scène
title_full Stage Dramaturgy. World, Finitude and Symbol: Concepts for an Ontology of the Mise-en-Scène
title_fullStr Stage Dramaturgy. World, Finitude and Symbol: Concepts for an Ontology of the Mise-en-Scène
title_full_unstemmed Stage Dramaturgy. World, Finitude and Symbol: Concepts for an Ontology of the Mise-en-Scène
title_sort stage dramaturgy. world, finitude and symbol: concepts for an ontology of the mise-en-scène
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2017
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3973
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3973_oai
work_keys_str_mv AT cantutoscanomario stagedramaturgyworldfinitudeandsymbolconceptsforanontologyofthemiseenscene
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