Modulaciones del narrador en More Pricks than Kicks, de Samuel Beckett

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This paper explores the artistic appropriation of narrative traditions inherited from 19th-century Realism by Samuel Beckett through More Pricks than Kicks. This collection of short prose pieces does not remain oblivious to categories such as time, place, character construction, character’s motivati...

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Autor principal: Lasa, Cecilia E.
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras. Universidad de Buenos Aires 2016
Materias:
prosa breve
tradiciones narrativas
estética realista
narrador
estatuto paradojal
short prose
narrative traditions
realistic aesthetics
narrator
paradoxical status
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/Beckettiana/article/view/3767
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=becke&d=3767_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-3767_oai
record_format dspace
spelling I28-R145-3767_oai2025-11-17 Lasa, Cecilia E. 2016-09-21 This paper explores the artistic appropriation of narrative traditions inherited from 19th-century Realism by Samuel Beckett through More Pricks than Kicks. This collection of short prose pieces does not remain oblivious to categories such as time, place, character construction, character’s motivation and story crafting in terms of verisimilitude, though it manipulates them in such a way that it evinces their fictional nature and thus disobeys the mimetic mandate of realist aesthetics. It is the narrative voice that makes room for destabilising movements but, in doing so, it places itself under close scrutiny. Consequently, the narrator of More Pricks than Kicks reveals its paradoxical status.  El presente trabajo indaga la tarea artística de reelaboración que More Pricks than Kicks, de Samuel Beckett, realiza con las tradiciones narrativas heredadas del realismo del siglo XIX. Esta colección de prosas breves no soslaya categorías como el tiempo, el espacio, la construcción del personaje, la motivación de sus acciones y conductas, y la confección verosímil de la trama, pero las manipula de modo tal que deja en evidencia su naturaleza ficcional y rompe así con el mandato mimético de la estética realista decimonónica. Es la voz que narra la que permite desatar semejantes movimientos sísmicos pero, al hacerlo, también resulta objeto de interpelación. Así, el narrador de los relatos de More Pricks than Kicks adquiere un estatuto paradojal.  application/pdf https://revistascientificas.filo.uba.ar/index.php/Beckettiana/article/view/3767 spa Facultad de Filosofía y Letras. Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/Beckettiana/article/view/3767/3415 Beckettiana; Núm. 14 (2015); 63-79 2683-9679 0327-7550 prosa breve tradiciones narrativas estética realista narrador estatuto paradojal short prose narrative traditions realistic aesthetics narrator paradoxical status Modulaciones del narrador en More Pricks than Kicks, de Samuel Beckett info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=becke&d=3767_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic prosa breve
tradiciones narrativas
estética realista
narrador
estatuto paradojal
short prose
narrative traditions
realistic aesthetics
narrator
paradoxical status
spellingShingle prosa breve
tradiciones narrativas
estética realista
narrador
estatuto paradojal
short prose
narrative traditions
realistic aesthetics
narrator
paradoxical status
Lasa, Cecilia E.
Modulaciones del narrador en More Pricks than Kicks, de Samuel Beckett
topic_facet prosa breve
tradiciones narrativas
estética realista
narrador
estatuto paradojal
short prose
narrative traditions
realistic aesthetics
narrator
paradoxical status
description This paper explores the artistic appropriation of narrative traditions inherited from 19th-century Realism by Samuel Beckett through More Pricks than Kicks. This collection of short prose pieces does not remain oblivious to categories such as time, place, character construction, character’s motivation and story crafting in terms of verisimilitude, though it manipulates them in such a way that it evinces their fictional nature and thus disobeys the mimetic mandate of realist aesthetics. It is the narrative voice that makes room for destabilising movements but, in doing so, it places itself under close scrutiny. Consequently, the narrator of More Pricks than Kicks reveals its paradoxical status. 
format Artículo
publishedVersion
author Lasa, Cecilia E.
author_facet Lasa, Cecilia E.
author_sort Lasa, Cecilia E.
title Modulaciones del narrador en More Pricks than Kicks, de Samuel Beckett
title_short Modulaciones del narrador en More Pricks than Kicks, de Samuel Beckett
title_full Modulaciones del narrador en More Pricks than Kicks, de Samuel Beckett
title_fullStr Modulaciones del narrador en More Pricks than Kicks, de Samuel Beckett
title_full_unstemmed Modulaciones del narrador en More Pricks than Kicks, de Samuel Beckett
title_sort modulaciones del narrador en more pricks than kicks, de samuel beckett
publisher Facultad de Filosofía y Letras. Universidad de Buenos Aires
publishDate 2016
url https://revistascientificas.filo.uba.ar/index.php/Beckettiana/article/view/3767
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=becke&d=3767_oai
work_keys_str_mv AT lasaceciliae modulacionesdelnarradorenmorepricksthankicksdesamuelbeckett
_version_ 1851375624387559424

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