La Trilogía Argentina Amateur de Binetti y Saba
This trilogy, self-defined as Argentine and amateur, involves a deep reflection on national and theatrical creation in our country. In the series, the imaginaries of the circus, the radio theater and the Elizabethan comedy are functional to the construction of a passionate, utopian and idealistic jo...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2017
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3687 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3687_oai |
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| Sumario: | This trilogy, self-defined as Argentine and amateur, involves a deep reflection on national and theatrical creation in our country. In the series, the imaginaries of the circus, the radio theater and the Elizabethan comedy are functional to the construction of a passionate, utopian and idealistic journey towards the origin of “Argentineness”. If the HOMELAND is COLD [La Patria Fría], if it is dead, if we cannot find the heat of life going this way, we can think of a journey that takes us through time, AFTER THE AIR [Después del aire], to the end of the rainbow perhaps, to the remoteness of the historical and of those ideals that we could not hold, in order to rebuild ourselves as a society, as an identity group that still dreams of the forms of integration in peace, which is only possible if we succeed in putting ourselves IN THE SERVICE OF THE COMMUNITY [Al servicio de la comunidad] |
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