Culturas teatrales en Canadá: el Magnetic North Theatre Festival 2015

This article analyses the 2015 edition of the Magnetic North Theatre Festival, as an example of the theatrical cultures in Canada. The main productions challenge the conventional forms of theatre: Needles and Opium by Robert Lepage, where the usual function played by the space in audience’s percepti...

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Autor principal: García Martínez, Manuel
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2016
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3145
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3145_oai
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spelling I28-R145-3145_oai2025-11-17 García Martínez, Manuel 2016-12-27 This article analyses the 2015 edition of the Magnetic North Theatre Festival, as an example of the theatrical cultures in Canada. The main productions challenge the conventional forms of theatre: Needles and Opium by Robert Lepage, where the usual function played by the space in audience’s perception is transformed; What happened to the seeker? by Nadia Ross, which presents an original dramatic line and a variety of resources that challenge theatre’s conventional unity; Global Savages by the aboriginal Canadian company Debajehmujig, production built on a model which is different from the European model of theatre. This article also analyses the following productions: Re:Union, a production of political theatre; Up to Low, a production based on a local story, and Small stage Canada, an original cabaret production. All together, these productions present some of the most important tendencies and the different theatrical cultures of Canadian theatre today.  Este estudio analiza la edición 2015 del Magnetic North Theatre Festival, festival nacional canadiense, como un ejemplo de las distintas culturas teatrales de Canadá. Las principales puestas en escena del festival cuestionan las formas convencionales del teatro: Needles and Opium de Robert Lepage, que modifica la función habitual del espacio en la percepción teatral; What happened to the seeker? de Nadia Ross, que presenta una tensión dramática original y una variedad de recursos que cuestiona la unidad convencional del teatro, o Global Savages de la compañía aborigen canadiense Debajehmujig que propone modelo de puesta en escena diferente del modelo europeo. Este estudio también analiza Re:Union, un espectáculo representativo del teatro político en Canada; Up to Low (Subiendo a Low), un espectáculo con una historia regional, y Small Stages Canada, un original espectáculo de Cabaret. El conjunto de estos espectáculos presenta algunas de las principales tendencias de teatro canadiense hoy en día.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3145 10.34096/tdf.n24.3145 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3145/2784 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 24 (2016); 75-98 1669-6301 Lepage Ross Debajehmujig Aboriginal Canadian Theatre Lepage Ross Debajehmujig teatro aborigen canadiense Culturas teatrales en Canadá: el Magnetic North Theatre Festival 2015 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3145_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Lepage
Ross
Debajehmujig
Aboriginal Canadian Theatre
Lepage
Ross
Debajehmujig
teatro aborigen canadiense
spellingShingle Lepage
Ross
Debajehmujig
Aboriginal Canadian Theatre
Lepage
Ross
Debajehmujig
teatro aborigen canadiense
García Martínez, Manuel
Culturas teatrales en Canadá: el Magnetic North Theatre Festival 2015
topic_facet Lepage
Ross
Debajehmujig
Aboriginal Canadian Theatre
Lepage
Ross
Debajehmujig
teatro aborigen canadiense
description This article analyses the 2015 edition of the Magnetic North Theatre Festival, as an example of the theatrical cultures in Canada. The main productions challenge the conventional forms of theatre: Needles and Opium by Robert Lepage, where the usual function played by the space in audience’s perception is transformed; What happened to the seeker? by Nadia Ross, which presents an original dramatic line and a variety of resources that challenge theatre’s conventional unity; Global Savages by the aboriginal Canadian company Debajehmujig, production built on a model which is different from the European model of theatre. This article also analyses the following productions: Re:Union, a production of political theatre; Up to Low, a production based on a local story, and Small stage Canada, an original cabaret production. All together, these productions present some of the most important tendencies and the different theatrical cultures of Canadian theatre today. 
format Artículo
publishedVersion
author García Martínez, Manuel
author_facet García Martínez, Manuel
author_sort García Martínez, Manuel
title Culturas teatrales en Canadá: el Magnetic North Theatre Festival 2015
title_short Culturas teatrales en Canadá: el Magnetic North Theatre Festival 2015
title_full Culturas teatrales en Canadá: el Magnetic North Theatre Festival 2015
title_fullStr Culturas teatrales en Canadá: el Magnetic North Theatre Festival 2015
title_full_unstemmed Culturas teatrales en Canadá: el Magnetic North Theatre Festival 2015
title_sort culturas teatrales en canadá: el magnetic north theatre festival 2015
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2016
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3145
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3145_oai
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