Pizza, birra, faso

At the end of the nineties, the field of local cinematography saw the birth of a set of films made by youngfilmmakers, which presented features that clearly differentiated them from the preceding Argentinecinema. The phenomenon was called New Argentine Cinema and the most outstanding film –for vario...

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Detalles Bibliográficos
Autor principal: Daniel Gutiérrez
Formato: Artículos
Lenguaje:Español
Publicado: 2020
Materias:
nuevo cine argentino
efecto de realismo
representación
Acceso en línea:http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=isla&d=3-4_htm
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-3-4_htm
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spelling I28-R145-3-4_htm2023-04-20 Pizza, birra, faso Daniel Gutiérrez 2020 2250-4982 En la otra isla. Revista de Audiovisual Latinoamericano, no. 3 nuevo cine argentino efecto de realismo representación At the end of the nineties, the field of local cinematography saw the birth of a set of films made by youngfilmmakers, which presented features that clearly differentiated them from the preceding Argentinecinema. The phenomenon was called New Argentine Cinema and the most outstanding film –for variousreasons– was Pizza, birra, faso (Israel Adrián Caetano and Bruno Stagnaro, 1998). The present work hasthe purpose of studying the semiotic functioning of a filmic text that not only tries to represent realitybut also to create the sensation of realism, addressing current issues and involving the viewer in theconstruction of the film’s meaning . A finales de la década del noventa el ámbito de la cinematografía local vio nacer en su seno un conjunto de filmes que, realizados por jóvenes cineastas, presentaron rasgos que los diferenciaban netamente del cine argentino precedente. El fenómeno se denominó Nuevo Cine Argentino y el film más señero fue –por diversos motivos– Pizza, birra, faso (Israel Adrián Caetano y Bruno Stagnaro, 1998). El presente trabajo tiene el propósito de estudiar el funcionamiento semiótico de un texto fílmico que no solo intenta representar la realidad sino también crear la sensación de realismo, abordando temas de actualidad e implicando al espectador en la construcción de sentido del film. application/pdf es Artículos http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=isla&d=3-4_htm
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv es
topic nuevo cine argentino
efecto de realismo
representación
spellingShingle nuevo cine argentino
efecto de realismo
representación
Daniel Gutiérrez
Pizza, birra, faso
topic_facet nuevo cine argentino
efecto de realismo
representación
description At the end of the nineties, the field of local cinematography saw the birth of a set of films made by youngfilmmakers, which presented features that clearly differentiated them from the preceding Argentinecinema. The phenomenon was called New Argentine Cinema and the most outstanding film –for variousreasons– was Pizza, birra, faso (Israel Adrián Caetano and Bruno Stagnaro, 1998). The present work hasthe purpose of studying the semiotic functioning of a filmic text that not only tries to represent realitybut also to create the sensation of realism, addressing current issues and involving the viewer in theconstruction of the film’s meaning .
format Artículos
author Daniel Gutiérrez
author_facet Daniel Gutiérrez
author_sort Daniel Gutiérrez
title Pizza, birra, faso
title_short Pizza, birra, faso
title_full Pizza, birra, faso
title_fullStr Pizza, birra, faso
title_full_unstemmed Pizza, birra, faso
title_sort pizza, birra, faso
publishDate 2020
url http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=isla&d=3-4_htm
work_keys_str_mv AT danielgutierrez pizzabirrafaso
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