Significantes intermediales y estructura significativa en La casa de Bernarda Alba de Federico García Lorca
The dialectical inclusion of related disciplines releases new forces and energies which allow the opening of the ontology of the image into a semiodrama. The chromatic contrasts contemplated in the paratextual elements of La casa de Bernarda Alba and the different mythical-poetical codes are highly...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2016
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/2496 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=2496_oai |
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| Sumario: | The dialectical inclusion of related disciplines releases new forces and energies which allow the opening of the ontology of the image into a semiodrama. The chromatic contrasts contemplated in the paratextual elements of La casa de Bernarda Alba and the different mythical-poetical codes are highly intermedial, since they adopt representative techniques belonging to cinema and painting. |
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