Eco-logías del exilio: Guillermo Cabrera Infante

The books by Guillermo Cabrera Infante (1929-2005), “the only English author who wrote in Cuban”, not only stand out for their great humor and continual wordplay, but also for attempting to make resurge what he had to leave behind when he went into exile: his island, Cuba, and particularly Havana. H...

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Autor principal: Hammerschmidt, Claudia
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) 2016
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/zama/article/view/2185
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=2185_oai
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spelling I28-R145-2185_oai2025-11-17 Hammerschmidt, Claudia 2016-03-10 The books by Guillermo Cabrera Infante (1929-2005), “the only English author who wrote in Cuban”, not only stand out for their great humor and continual wordplay, but also for attempting to make resurge what he had to leave behind when he went into exile: his island, Cuba, and particularly Havana. His writing thus oscillates between the arbitrariness exposed in his puns and the endeavor to represent the absent. Like that – and with what I have called “eco-logics” of Cabrera Infante’s writing –, he succeeds in joining his obsession with playing with words by decomposing them and revealing their treacherous arbitrariness, with his stubborn effort to make them translate and represent his lost Havana. In this way, Cabrera Infante’s texts become palimpsests of the necessity to re-present, archive and safeguard that which is lost, while simultaneously ridiculing that very endeavor by connecting mockery and searching, joking and desperation. Los libros de Guillermo Cabrera Infante (1929-2005), “único escritor inglés que escribió en cubano”, no solo se destacan por su gran humor y sus constantes juegos de palabras; también son intentos de hacer renacer lo que con su exilio había dejado atrás: su isla, Cuba, y en especial La Habana. Su escritura oscila entre la arbitrariedad expuesta en los puns y el intento de representación de lo ausente. De esta manera, en lo que denomino la “eco-logía” de su escritura logra combinar la manía de jugar con las palabras, de descomponerlas y mostrar su arbitrariedad traidora, con un intento obstinado de hacerlas traducir y representar su Habana perdida. Así, sus textos se hacen palimpsestos de la necesidad de re-presentar, archivar y salvar lo perdido y de la ridiculización de este mismo intento; de la burla y la búsqueda, el chiste y la desesperación. Os livros de Guillermo Cabrera Infante (1929-2005), “o único escritor inglês que escreveu em cubano”, não só se destacam por seu grande humor e constantes trocadilhos de palavras, mas também tenta reviver o que com seu exílio tinha deixado para trás: sua ilha, Cuba e, especialmente, a Havana. Sua escrita báscula entre arbitrariedade exibido em trocadilhos e tentativa de representação do ausente. Assim, no que eu chamo de “eco-logia” da escritura Cabrera Infante, ele consegue combinar seu hobby de brincar com as palavras, de decompõe-las e mostrar sua arbitrariedade traiçoeira, com a tentativa obstinada de faze-las traduzir e representar sua Havana perdida. Assim, seus textos se fazem palimpsestos da necessidade de re-presentar, arquivar e salvar o perdido e ridicularizar essa mesma tentativa; da burla e da procura, a brincadeira e o desespero. application/pdf https://revistascientificas.filo.uba.ar/index.php/zama/article/view/2185 10.34096/zama.a7.n7.2185 spa Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) https://revistascientificas.filo.uba.ar/index.php/zama/article/view/2185/1916 Zama; Vol. 7 No. 7 (2015); 33-42 Zama; Vol. 7 Núm. 7 (2015); 33-42 Zama; v. 7 n. 7 (2015); 33-42 2422-6017 1851-6866 Eco-logías del exilio: Guillermo Cabrera Infante info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=2185_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
description The books by Guillermo Cabrera Infante (1929-2005), “the only English author who wrote in Cuban”, not only stand out for their great humor and continual wordplay, but also for attempting to make resurge what he had to leave behind when he went into exile: his island, Cuba, and particularly Havana. His writing thus oscillates between the arbitrariness exposed in his puns and the endeavor to represent the absent. Like that – and with what I have called “eco-logics” of Cabrera Infante’s writing –, he succeeds in joining his obsession with playing with words by decomposing them and revealing their treacherous arbitrariness, with his stubborn effort to make them translate and represent his lost Havana. In this way, Cabrera Infante’s texts become palimpsests of the necessity to re-present, archive and safeguard that which is lost, while simultaneously ridiculing that very endeavor by connecting mockery and searching, joking and desperation.
format Artículo
publishedVersion
author Hammerschmidt, Claudia
spellingShingle Hammerschmidt, Claudia
Eco-logías del exilio: Guillermo Cabrera Infante
author_facet Hammerschmidt, Claudia
author_sort Hammerschmidt, Claudia
title Eco-logías del exilio: Guillermo Cabrera Infante
title_short Eco-logías del exilio: Guillermo Cabrera Infante
title_full Eco-logías del exilio: Guillermo Cabrera Infante
title_fullStr Eco-logías del exilio: Guillermo Cabrera Infante
title_full_unstemmed Eco-logías del exilio: Guillermo Cabrera Infante
title_sort eco-logías del exilio: guillermo cabrera infante
publisher Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)
publishDate 2016
url https://revistascientificas.filo.uba.ar/index.php/zama/article/view/2185
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=2185_oai
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