Censura inmunitaria del diferendo en el programa estético visual oficial peronista (1946-1952)

In order to expand earlier researches about the translation produced in peronist visual textuality as an assimilation device, the following paper proposes an analysis of the mechanisms of perceptual censorship strategically activated in the official peronist aesthetic program to regulate the inferen...

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Autor principal: Diego Nicolás Massariol
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/payro/article/view/11777
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=estuinv&d=2019_14-4_htm
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spelling I28-R145-2019_14-4_htm2022-10-31 Diego Nicolás Massariol 2618-4230 Estudios e investigaciones, no. 14 In order to expand earlier researches about the translation produced in peronist visual textuality as an assimilation device, the following paper proposes an analysis of the mechanisms of perceptual censorship strategically activated in the official peronist aesthetic program to regulate the inferential movements of its reception and to close its final interpretation. Contrary to other co-textual visual political propaganda, in the peronist enunciation it is noticed an intentional signic absence of the enemy to the advantage of a redundant, singular and affirmative stylization of the peronist political subject. Based on this, it is argued that this phenomenon of censorship of the otherness (secondness) and of consequent monadic modeling of the sameness (firstness) would evidence a perceptual regulation in the official aesthetic program that would operate as an “immunitary” proscription mechanism of any different signal production in order to build and regulate a hermeneutic community (i.e. to expand a semiotic hegemony). Thus, the aim is to confirm the mediated condition of the perception and, above all, to reaffirm the ethical thickness of the text as its natural implication with the otherness. Con el objetivo de expandir investigaciones precedentes acerca de las operaciones traductivas producidas en la textualidad visual peronista como dispositivo de asimilación, en lo siguiente se propone un análisis de los mecanismos de censura perceptiva activados estratégicamente en el programa estético oficial peronista para regular los movimientos inferenciales de su recepción y clausurar su interpretación final. Contrariamente a otras propagandas políticas visuales co-textuales, en la enunciación peronista se advierte una intencionalizada ausencia sígnica del enemigo en ventaja de una redundante estilización singular y afirmativa del sujeto político oficialista. Con base en ello se postula que este fenómeno de censura de la otredad (segundidad) y de consecuente modelización monádica de la mismidad (primeridad) evidenciaría una regulación perceptiva en el programa estético visual oficial que estaría operando como un mecanismo de proscripción «inmunitaria» ante cualquier producción sígnica diferente con el fin de construir y expandir su hegemonía. Con esto se pretende confirmar la condición siempre mediatizada de la percepción y, sobre todo, reafirmar el espesor ético del texto en tanto su natural implicancia con la alteridad. application/pdf http://revistascientificas.filo.uba.ar/index.php/payro/article/view/11777 Estudios e investigaciones, no. 14 Censura inmunitaria del diferendo en el programa estético visual oficial peronista (1946-1952) http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=estuinv&d=2019_14-4_htm
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
description In order to expand earlier researches about the translation produced in peronist visual textuality as an assimilation device, the following paper proposes an analysis of the mechanisms of perceptual censorship strategically activated in the official peronist aesthetic program to regulate the inferential movements of its reception and to close its final interpretation. Contrary to other co-textual visual political propaganda, in the peronist enunciation it is noticed an intentional signic absence of the enemy to the advantage of a redundant, singular and affirmative stylization of the peronist political subject. Based on this, it is argued that this phenomenon of censorship of the otherness (secondness) and of consequent monadic modeling of the sameness (firstness) would evidence a perceptual regulation in the official aesthetic program that would operate as an “immunitary” proscription mechanism of any different signal production in order to build and regulate a hermeneutic community (i.e. to expand a semiotic hegemony). Thus, the aim is to confirm the mediated condition of the perception and, above all, to reaffirm the ethical thickness of the text as its natural implication with the otherness.
author Diego Nicolás Massariol
spellingShingle Diego Nicolás Massariol
Censura inmunitaria del diferendo en el programa estético visual oficial peronista (1946-1952)
author_facet Diego Nicolás Massariol
author_sort Diego Nicolás Massariol
title Censura inmunitaria del diferendo en el programa estético visual oficial peronista (1946-1952)
title_short Censura inmunitaria del diferendo en el programa estético visual oficial peronista (1946-1952)
title_full Censura inmunitaria del diferendo en el programa estético visual oficial peronista (1946-1952)
title_fullStr Censura inmunitaria del diferendo en el programa estético visual oficial peronista (1946-1952)
title_full_unstemmed Censura inmunitaria del diferendo en el programa estético visual oficial peronista (1946-1952)
title_sort censura inmunitaria del diferendo en el programa estético visual oficial peronista (1946-1952)
url http://revistascientificas.filo.uba.ar/index.php/payro/article/view/11777
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=estuinv&d=2019_14-4_htm
work_keys_str_mv AT diegonicolasmassariol censurainmunitariadeldiferendoenelprogramaesteticovisualoficialperonista19461952
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