Sarah Kane Through the Eyes of an Anthropologist: From the Mind to the World
With each of her five plays British playwright Sarah Kane gets one step closer to abandoning traditional dramatic conventions: the characters fade away, the plots break up, and language becomes autonomous. It is usually assumed this development reflects a literary voyage from the world to the mind t...
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| Formato: | Artículo publishedVersion |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2026
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17290 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=17290_oai |
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I28-R145-17290_oai2026-02-11 Moszowski Van Loon, Aäron Moszowski Van Loon, Aäron 2026-01-06 With each of her five plays British playwright Sarah Kane gets one step closer to abandoning traditional dramatic conventions: the characters fade away, the plots break up, and language becomes autonomous. It is usually assumed this development reflects a literary voyage from the world to the mind that coincides with the intensification of her depression and culminates with her suicide. By directing my attention to two philosophically inspired anthropological works that deal with madness, I explore the plausibility of the counter-hypothesis that what unfolds throughout her five plays is a voyage from the mind to the world. Cada una de las cinco obras de la dramaturga británica Sarah Kane constituye un paso más hacia el abandono de las convenciones dramáticas tradicionales: los personajes se desdibujan, la trama se disuelve y el lenguaje se autonomiza. Suele asumirse que se trata de un viaje literario desde el mundo hacia la mente que coincide con la intensificación de su depresión y culmina con su suicidio. Al dirigir mi atención a dos trabajos antropológicos filosóficamente inspirados que abordan la locura, exploro la plausibilidad de la contrahipótesis de que a lo largo de sus cinco obras se despliega un viaje desde la mente hacia el mundo. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17290 10.34096/tdf.n42.17290 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17290/15818 Derechos de autor 2026 Aäron Moszowski Van Loon https://creativecommons.org/licenses/by-sa/4.0 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 42 (2025) 1669-6301 Sarah Kane Subjectivity Realism Reality Madness Anthropology Sarah Kane realismo realidad antropología Subjetividad Locura Sarah Kane Through the Eyes of an Anthropologist: From the Mind to the World Sarah Kane a los ojos de un antropólogo: desde la mente hacia el mundo info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=17290_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Sarah Kane Subjectivity Realism Reality Madness Anthropology Sarah Kane realismo realidad antropología Subjetividad Locura |
| spellingShingle |
Sarah Kane Subjectivity Realism Reality Madness Anthropology Sarah Kane realismo realidad antropología Subjetividad Locura Moszowski Van Loon, Aäron Moszowski Van Loon, Aäron Sarah Kane Through the Eyes of an Anthropologist: From the Mind to the World |
| topic_facet |
Sarah Kane Subjectivity Realism Reality Madness Anthropology Sarah Kane realismo realidad antropología Subjetividad Locura |
| description |
With each of her five plays British playwright Sarah Kane gets one step closer to abandoning traditional dramatic conventions: the characters fade away, the plots break up, and language becomes autonomous. It is usually assumed this development reflects a literary voyage from the world to the mind that coincides with the intensification of her depression and culminates with her suicide. By directing my attention to two philosophically inspired anthropological works that deal with madness, I explore the plausibility of the counter-hypothesis that what unfolds throughout her five plays is a voyage from the mind to the world. |
| format |
Artículo publishedVersion |
| author |
Moszowski Van Loon, Aäron Moszowski Van Loon, Aäron |
| author_facet |
Moszowski Van Loon, Aäron Moszowski Van Loon, Aäron |
| author_sort |
Moszowski Van Loon, Aäron |
| title |
Sarah Kane Through the Eyes of an Anthropologist: From the Mind to the World |
| title_short |
Sarah Kane Through the Eyes of an Anthropologist: From the Mind to the World |
| title_full |
Sarah Kane Through the Eyes of an Anthropologist: From the Mind to the World |
| title_fullStr |
Sarah Kane Through the Eyes of an Anthropologist: From the Mind to the World |
| title_full_unstemmed |
Sarah Kane Through the Eyes of an Anthropologist: From the Mind to the World |
| title_sort |
sarah kane through the eyes of an anthropologist: from the mind to the world |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2026 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17290 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=17290_oai |
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