Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships

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This article provides a brief overview of the discourse on the relationships between the arts and media over the twentieth century, with specific reference to the concepts of mediality: multi-, trans- and intermediality set in discourse of arts and media relationships. I discuss the concepts, togeth...

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Autores principales: Kattenbelt, Chiel, Rondón, Alejandra
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025
Materias:
Multimediality
Transmediality
Intermediality
Digital Media
Sense Perception
Mulimedia
Transmedia
Intermedialidad
Medios digitales
Percepción sensorial
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17034
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=17034_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-17034_oai
record_format dspace
spelling I28-R145-17034_oai2025-11-17 Kattenbelt, Chiel Rondón, Alejandra Kattenbelt, Chiel Rondón, Alejandra 2025-05-06 This article provides a brief overview of the discourse on the relationships between the arts and media over the twentieth century, with specific reference to the concepts of mediality: multi-, trans- and intermediality set in discourse of arts and media relationships. I discuss the concepts, together with the impact of the growth of media technological developments, on the perception of audiences to the works of Wagner, Kandinsky, Meyerhold, Balázs, Eisenstein, Brecht, and to contemporary theatre and performance-makers, before concluding with a short presentation of my own current thinking about the concept and purpose of intermediality. Este artículo presenta una panorámica general del discurso sobre las relaciones entre las artes y los medios de comunicación a lo largo del siglo XX, con una mención especial a los conceptos de medialidad, multimedia, transmedia e intermedialidad. Se aborda el impacto del desarrollo tecnológico de los medios en la percepción de la audiencia, centrándose en el trabajo de Wagner, Kandinsky, Meyerhold, Balázs, Eisenstein, Brecht y el teatro y la representación contemporáneos. Se concluye con una apreciación personal sobre el estado actual del concepto y propósito de la intermedialidad. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17034 10.34096/tdf.n41.17034 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17034/15259 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 41 (2025) 1669-6301 Multimediality Transmediality Intermediality Digital Media Sense Perception Mulimedia Transmedia Intermedialidad Medios digitales Percepción sensorial Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships Intermedialidad en teatro y performance: definiciones, percepciones y relaciones mediales info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=17034_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Multimediality
Transmediality
Intermediality
Digital Media
Sense Perception
Mulimedia
Transmedia
Intermedialidad
Medios digitales
Percepción sensorial
spellingShingle Multimediality
Transmediality
Intermediality
Digital Media
Sense Perception
Mulimedia
Transmedia
Intermedialidad
Medios digitales
Percepción sensorial
Kattenbelt, Chiel
Rondón, Alejandra
Kattenbelt, Chiel
Rondón, Alejandra
Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
topic_facet Multimediality
Transmediality
Intermediality
Digital Media
Sense Perception
Mulimedia
Transmedia
Intermedialidad
Medios digitales
Percepción sensorial
description This article provides a brief overview of the discourse on the relationships between the arts and media over the twentieth century, with specific reference to the concepts of mediality: multi-, trans- and intermediality set in discourse of arts and media relationships. I discuss the concepts, together with the impact of the growth of media technological developments, on the perception of audiences to the works of Wagner, Kandinsky, Meyerhold, Balázs, Eisenstein, Brecht, and to contemporary theatre and performance-makers, before concluding with a short presentation of my own current thinking about the concept and purpose of intermediality.
format Artículo
publishedVersion
author Kattenbelt, Chiel
Rondón, Alejandra
Kattenbelt, Chiel
Rondón, Alejandra
author_facet Kattenbelt, Chiel
Rondón, Alejandra
Kattenbelt, Chiel
Rondón, Alejandra
author_sort Kattenbelt, Chiel
title Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_short Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_full Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_fullStr Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_full_unstemmed Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_sort intermediality in theatre and performance: definitions, perceptions and medial relationships
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2025
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17034
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=17034_oai
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