Theatrical Maps of Buenos Aires: Survey, Cartography, and Dérives past the Theaters of the City

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This essay surveys and maps theaters in the City of Buenos Aires, those that remain and those that do not. We map and present them together as part of the same history, memory, and performance tradition. Based in new cultural geography, we stress the fundamental importance of the urban past to an un...

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Autor principal: González, María Laura (Malala)
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025
Materias:
Dérive
Map
Abasto
Microcentro
Theatrical Heritage
Theaters of Buenos Aires
Abasto/Microcentro
Teatros de Buenos Aires
Deriva
Mapa
Patrimonio teatral
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17029
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=17029_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-17029_oai
record_format dspace
spelling I28-R145-17029_oai2025-11-17 González, María Laura (Malala) González, María Laura (Malala) 2025-05-06 This essay surveys and maps theaters in the City of Buenos Aires, those that remain and those that do not. We map and present them together as part of the same history, memory, and performance tradition. Based in new cultural geography, we stress the fundamental importance of the urban past to an understanding of the present, and recognize it as a terrain in continuous symbolic and social reconstruction. For this reason, we analyze two instances of dérives (and their respective affective maps of the Microcentro and Abasto neighborhoods) in which the immaterial theatrical past became, at the same time, permanent. The dérive is a theoretical-practical and political tool, capable of providing other possible collective narratives about the urbanscape. It allows us to inhabit the territories that surround us in a non-neutral way, to look at and navigate the city again, to analyze and recognize past disputes and hegemonies that have emerged within the public space, and to attend to more current figurations of urban and national patrimony. In this way, the dérive, the map, and patrimony become the analytical basis for the following articulation of memory that is theatrical, urban, and up-to-date. En este trabajo realizaremos un mapeo y relevamiento de teatros de la ciudad de Buenos Aires, oscilando entre los que permanecen materialmente hoy en la ciudad junto a los que ya no. Nos proponemos cartografiarlos y traerlos al presente conjuntamente como parte de una misma historia, memoria y tradición escénica. Partiendo de la nueva geografía cultural, apostamos a reconocer la importancia fundamental del pasado urbano para el entendimiento del presente, como un terreno en continua reconstrucción simbólica y social. Por ello retomaremos dos casos de derivas (y sus respectivos mapas afectivos por el Microcentro y el Abasto) en las que el pasado teatral inmaterial se volvió, a la vez, permanente. La deriva entendida como herramienta teórica-práctica, pero también política, capaz de aportar otras narraciones colectivas posibles sobre lo urbano, dejándonos apropiarnos de los territorios que nos rodean de forma no neutral. Volver a mirar y transitar la ciudad, analizar y reconocer disputas y hegemonías pasadas devenidas dentro del espacio público, y desde allí atender a configuraciones urbanas y patrimoniales más actuales. De esta manera, la deriva, el mapa y el patrimonio serán los eslabones analíticos para articular una memoria teatral, urbana y vigente. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17029 10.34096/tdf.n41.17029 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17029/15258 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 41 (2025) 1669-6301 Dérive Map Abasto Microcentro Theatrical Heritage Theaters of Buenos Aires Abasto/Microcentro Teatros de Buenos Aires Deriva Mapa Microcentro Abasto Patrimonio teatral Abasto/Microcentro Theatrical Maps of Buenos Aires: Survey, Cartography, and Dérives past the Theaters of the City Mapas teatrales de Buenos Aires: relevamiento, cartografía y derivas por teatros de la ciudad info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=17029_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Dérive
Map
Abasto
Microcentro
Theatrical Heritage
Theaters of Buenos Aires
Abasto/Microcentro
Teatros de Buenos Aires
Deriva
Mapa
Microcentro
Abasto
Patrimonio teatral
Abasto/Microcentro
spellingShingle Dérive
Map
Abasto
Microcentro
Theatrical Heritage
Theaters of Buenos Aires
Abasto/Microcentro
Teatros de Buenos Aires
Deriva
Mapa
Microcentro
Abasto
Patrimonio teatral
Abasto/Microcentro
González, María Laura (Malala)
González, María Laura (Malala)
Theatrical Maps of Buenos Aires: Survey, Cartography, and Dérives past the Theaters of the City
topic_facet Dérive
Map
Abasto
Microcentro
Theatrical Heritage
Theaters of Buenos Aires
Abasto/Microcentro
Teatros de Buenos Aires
Deriva
Mapa
Microcentro
Abasto
Patrimonio teatral
Abasto/Microcentro
description This essay surveys and maps theaters in the City of Buenos Aires, those that remain and those that do not. We map and present them together as part of the same history, memory, and performance tradition. Based in new cultural geography, we stress the fundamental importance of the urban past to an understanding of the present, and recognize it as a terrain in continuous symbolic and social reconstruction. For this reason, we analyze two instances of dérives (and their respective affective maps of the Microcentro and Abasto neighborhoods) in which the immaterial theatrical past became, at the same time, permanent. The dérive is a theoretical-practical and political tool, capable of providing other possible collective narratives about the urbanscape. It allows us to inhabit the territories that surround us in a non-neutral way, to look at and navigate the city again, to analyze and recognize past disputes and hegemonies that have emerged within the public space, and to attend to more current figurations of urban and national patrimony. In this way, the dérive, the map, and patrimony become the analytical basis for the following articulation of memory that is theatrical, urban, and up-to-date.
format Artículo
publishedVersion
author González, María Laura (Malala)
González, María Laura (Malala)
author_facet González, María Laura (Malala)
González, María Laura (Malala)
author_sort González, María Laura (Malala)
title Theatrical Maps of Buenos Aires: Survey, Cartography, and Dérives past the Theaters of the City
title_short Theatrical Maps of Buenos Aires: Survey, Cartography, and Dérives past the Theaters of the City
title_full Theatrical Maps of Buenos Aires: Survey, Cartography, and Dérives past the Theaters of the City
title_fullStr Theatrical Maps of Buenos Aires: Survey, Cartography, and Dérives past the Theaters of the City
title_full_unstemmed Theatrical Maps of Buenos Aires: Survey, Cartography, and Dérives past the Theaters of the City
title_sort theatrical maps of buenos aires: survey, cartography, and dérives past the theaters of the city
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2025
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17029
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=17029_oai
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AT gonzalezmarialauramalala mapasteatralesdebuenosairesrelevamientocartografiayderivasporteatrosdelaciudad
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