Tracing brush strokes. A contribution to the definition of the Belén decorative style
The main purpose of this paper is to contribute to the definition of organizational resources and iconographic units presented in Belén ́s style through the analysis of a ceramic vessels sample coming from funerary contexts of three of its dispersion areas, the Abaucán, Hualfín and Andalgalá valleys...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires
2009
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/1696 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=1696_oai |
| Aporte de: |
| Sumario: | The main purpose of this paper is to contribute to the definition of organizational resources and iconographic units presented in Belén ́s style through the analysis of a ceramic vessels sample coming from funerary contexts of three of its dispersion areas, the Abaucán, Hualfín and Andalgalá valleys (Catamarca, Argentina). It defines the categories and methodological criteria used in the recognition of morphological and decorative regularities on the ceramic pots independently of its valley of provenience. However, in a greater degree of resolution, there are some particularities related to the thematic repertoire and the kind of contour that distinguishes one zone from the other. Finally, it intends to contribute to the construction of a stylistic base of reference which allows us to classify and incorporate fragmentary materials to the analysis based on the morpho-dimensional, thematic and organizational repertoire founded on complete vessels utilized. |
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