Aesthetic and Dramaturgical Analysis of the Stage Language of the Granada-Based Company Mitra Teatro

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Since its foundation in 2018, the Granada-based theater company Mitra Teatro has produced six shows that introduce audiences to classical sources of inspiration through contemporary and experimental theater. The following article proposes a study of the six shows in the company’s trajectory to date,...

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Autor principal: Hernández, Markel
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024
Materias:
New Dramaturgy
Contemporary Theater
Classical Theater
Interactivity
Ritual Theater
Teatro contemporáneo
Dramaturgia emergente
Teatro clásico
Interactividad
Teatro ritual
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/15620
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=15620_oai
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spelling I28-R145-15620_oai2025-11-17 Hernández, Markel Hernández, Markel 2024-11-04 Since its foundation in 2018, the Granada-based theater company Mitra Teatro has produced six shows that introduce audiences to classical sources of inspiration through contemporary and experimental theater. The following article proposes a study of the six shows in the company’s trajectory to date, with special emphasis on its three main and most representative productions: Panteros (2021), Mutated Bodies from Ovid's Metamorphoses (2022), and (re)Tales of the Alhambra (2023). In particular, the article distills the key aesthetic and dramaturgical markers of the company: ritual, narrative, fragmentation, audience interaction, theatrical eclecticism, masks, puppetry and object theater, humor, music, and dance. The article highlights the creative work of the company and their place in Spain’s peripheral and emerging theatrical landscape, with the aim of shedding light on Granada, a region with a theatrical fabric demanding greater attention. Desde su fundación en el año 2018, la compañía granadina Mitra Teatro ha estrenado seis espectáculos en los que se ha enfocado en introducir fuentes de inspiración clásica a través de un teatro contemporáneo y experimental. En el siguiente artículo se propone el estudio de los seis espectáculos hasta la fecha de la trayectoria de la compañía, con especial énfasis en sus tres montajes principales más representativos y representados: Panteros (2021), Cuerpos mutados a partir de Las metamorfosis de Ovidio (2022) y (re)Cuentos de la Alhambra (2023). Tanto en estos espectáculos como en los otros aludidos, se darán las claves estéticas y dramatúrgicas que definen a la compañía: el carácter ritual, la narratividad, la fragmentariedad, la interacción con el público, el eclecticismo teatral, el uso de la máscara, el teatro de títeres y objetos, el humor o la presencia de la música y la danza. De esta forma, se constatará la labor creativa de la compañía como partícipe del panorama teatral periférico y emergente de España en una región con un tejido teatral que exige mayor atención. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/15620 10.34096/tdf.n40.15620 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/15620/14001 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 40 (2024) 1669-6301 New Dramaturgy Contemporary Theater Classical Theater Interactivity Ritual Theater Teatro contemporáneo Dramaturgia emergente Teatro clásico Interactividad Teatro ritual Aesthetic and Dramaturgical Analysis of the Stage Language of the Granada-Based Company Mitra Teatro Análisis estético y dramatúrgico del lenguaje escénico de la compañía granadina Mitra Teatro info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=15620_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic New Dramaturgy
Contemporary Theater
Classical Theater
Interactivity
Ritual Theater
Teatro contemporáneo
Dramaturgia emergente
Teatro clásico
Interactividad
Teatro ritual
spellingShingle New Dramaturgy
Contemporary Theater
Classical Theater
Interactivity
Ritual Theater
Teatro contemporáneo
Dramaturgia emergente
Teatro clásico
Interactividad
Teatro ritual
Hernández, Markel
Hernández, Markel
Aesthetic and Dramaturgical Analysis of the Stage Language of the Granada-Based Company Mitra Teatro
topic_facet New Dramaturgy
Contemporary Theater
Classical Theater
Interactivity
Ritual Theater
Teatro contemporáneo
Dramaturgia emergente
Teatro clásico
Interactividad
Teatro ritual
description Since its foundation in 2018, the Granada-based theater company Mitra Teatro has produced six shows that introduce audiences to classical sources of inspiration through contemporary and experimental theater. The following article proposes a study of the six shows in the company’s trajectory to date, with special emphasis on its three main and most representative productions: Panteros (2021), Mutated Bodies from Ovid's Metamorphoses (2022), and (re)Tales of the Alhambra (2023). In particular, the article distills the key aesthetic and dramaturgical markers of the company: ritual, narrative, fragmentation, audience interaction, theatrical eclecticism, masks, puppetry and object theater, humor, music, and dance. The article highlights the creative work of the company and their place in Spain’s peripheral and emerging theatrical landscape, with the aim of shedding light on Granada, a region with a theatrical fabric demanding greater attention.
format Artículo
publishedVersion
author Hernández, Markel
Hernández, Markel
author_facet Hernández, Markel
Hernández, Markel
author_sort Hernández, Markel
title Aesthetic and Dramaturgical Analysis of the Stage Language of the Granada-Based Company Mitra Teatro
title_short Aesthetic and Dramaturgical Analysis of the Stage Language of the Granada-Based Company Mitra Teatro
title_full Aesthetic and Dramaturgical Analysis of the Stage Language of the Granada-Based Company Mitra Teatro
title_fullStr Aesthetic and Dramaturgical Analysis of the Stage Language of the Granada-Based Company Mitra Teatro
title_full_unstemmed Aesthetic and Dramaturgical Analysis of the Stage Language of the Granada-Based Company Mitra Teatro
title_sort aesthetic and dramaturgical analysis of the stage language of the granada-based company mitra teatro
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2024
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/15620
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=15620_oai
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