The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone
This article aims to formulate a hypothesis that poses a possible interpretation of the connection that occurs between the myth of Antigone and Nazism in Bertolt Brecht’s play Die Antigone des Sophokles nach der Hölderlinschen Übertragung für die Bühne bearbeitet von Brecht. From an analysis of the...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2017
|
| Materias: | |
| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1475 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=1475_oai |
| Aporte de: |
| id |
I28-R145-1475_oai |
|---|---|
| record_format |
dspace |
| spelling |
I28-R145-1475_oai2026-02-11 Adduci Spina, Elina 2017-02-23 This article aims to formulate a hypothesis that poses a possible interpretation of the connection that occurs between the myth of Antigone and Nazism in Bertolt Brecht’s play Die Antigone des Sophokles nach der Hölderlinschen Übertragung für die Bühne bearbeitet von Brecht. From an analysis of the structural and semantic level of the piece, a repeated and systematic work with the idea of liminality -that finds a synthesis in the figure of Polynices- is evidenced. Built like a homo sacer, structurally this character condensed nucleus of meaning relevant to certain aspects of the Nazis modes of presentation and representation of death. In this sense, the association established by Brecht rests on a reformulation and mobilizing structures of representation that builds a representation that does not matter as object but as representation itself. El presente artículo tiene por objetivo formular una hipótesis de lectura que introduzca una posible interpretación del vínculo que se produce entre el mito de Antígona y el nazismo en la obra La Antígona de Sófocles, reelaborada para la escena según la traducción de Hölderlin de Bertolt Brecht. A partir de un análisis del nivel estructural y semántico de la pieza, se evidencia un reiterado y sistemático trabajo con la idea de la liminalidad que encuentra una síntesis en la figura de Polínices. Construido como un homo sacer, estructuralmente este personaje condensa núcleos de sentido que guardan relación con ciertos aspectos de los modos nazis de presentación y representación de la muerte. En este sentido, el vínculo establecido por Brecht descansa en una reformulación y movilización de las estructuras de la representación que construye una representación que no importa como objeto sino como representación misma. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1475 10.34096/tdf.n21.1475 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1475/2996 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 21 (2015); 96-103 1669-6301 Antígona Brecht Nazismo Homo sacer Modos de representación Antigone Brecht Nazism Homo sacer Modes of representation The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone El límite de la representación o la representación del límite. Una lectura sobre el vínculo entre mito y nazismo en la Antígona de Bertolt Brecht info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=1475_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Antígona Brecht Nazismo Homo sacer Modos de representación Antigone Brecht Nazism Homo sacer Modes of representation |
| spellingShingle |
Antígona Brecht Nazismo Homo sacer Modos de representación Antigone Brecht Nazism Homo sacer Modes of representation Adduci Spina, Elina The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone |
| topic_facet |
Antígona Brecht Nazismo Homo sacer Modos de representación Antigone Brecht Nazism Homo sacer Modes of representation |
| description |
This article aims to formulate a hypothesis that poses a possible interpretation of the connection that occurs between the myth of Antigone and Nazism in Bertolt Brecht’s play Die Antigone des Sophokles nach der Hölderlinschen Übertragung für die Bühne bearbeitet von Brecht. From an analysis of the structural and semantic level of the piece, a repeated and systematic work with the idea of liminality -that finds a synthesis in the figure of Polynices- is evidenced. Built like a homo sacer, structurally this character condensed nucleus of meaning relevant to certain aspects of the Nazis modes of presentation and representation of death. In this sense, the association established by Brecht rests on a reformulation and mobilizing structures of representation that builds a representation that does not matter as object but as representation itself. |
| format |
Artículo publishedVersion |
| author |
Adduci Spina, Elina |
| author_facet |
Adduci Spina, Elina |
| author_sort |
Adduci Spina, Elina |
| title |
The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone |
| title_short |
The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone |
| title_full |
The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone |
| title_fullStr |
The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone |
| title_full_unstemmed |
The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone |
| title_sort |
limit of representation or the representation of the limit. a perspective on the bond between myth and nazism in bertolt brecht's antigone |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2017 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1475 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=1475_oai |
| work_keys_str_mv |
AT adducispinaelina thelimitofrepresentationortherepresentationofthelimitaperspectiveonthebondbetweenmythandnazisminbertoltbrechtsantigone AT adducispinaelina ellimitedelarepresentacionolarepresentaciondellimiteunalecturasobreelvinculoentremitoynazismoenlaantigonadebertoltbrecht AT adducispinaelina limitofrepresentationortherepresentationofthelimitaperspectiveonthebondbetweenmythandnazisminbertoltbrechtsantigone |
| _version_ |
1857043966488215552 |