Postmigrant German Theatre. Dicoursive Heterogeneity and Violence in Erpulat/Hillje's Crazy Blood (Verrücktes Blut)

In recent years facing Germany´s multicultural reality, the project of a postmigrantisches Theater (Sharifi, 2011a, 2011b) has stepped up in the main theatrical venues of this country. In many cases, this postmigrant theatre arrives at the stages to develop a political criticism through a dialogue w...

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Autor principal: Pereyra, Soledad
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2017
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1473
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=1473_oai
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