Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos.

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The article raises a question regarding of the reception of Tadeusz Kantor’s work. It will explain how Kantor -a Polish artist and director- has become relevant in Latin America. We will observe the possible direct influence of Tadeusz Kantor’s conception on the theater in Argentina, based on the ex...

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Autor principal: Cytlak, Katarzyna
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2017
Materias:
Object
Kantor
Periférico de Objetos
Theater of the Post-Dictatorship
Objeto
Teatro de la post-dictadura
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1468
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=1468_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-1468_oai
record_format dspace
spelling I28-R145-1468_oai2026-02-11 Cytlak, Katarzyna 2017-02-23 The article raises a question regarding of the reception of Tadeusz Kantor’s work. It will explain how Kantor -a Polish artist and director- has become relevant in Latin America. We will observe the possible direct influence of Tadeusz Kantor’s conception on the theater in Argentina, based on the example of El Periférico de Objetos. The article proposes to recognize how, in a completely different socio-cultural context, the elements arising from Kantor’s theater (as his idea of the “poor object” and his concept of the “reality of the lowest rank”) have acquired a distinctively different meaning from that coined by Kantor. The article will demonstrate how Kantor’s concepts, adapted by the Periférico de Objetos participated in the debates around the recent past in Argentina.  El artículo propone abordar la recepción de la obra de Tadeusz Kantor, un artista y director polaco cuyo trabajo ha sido relevante en América Latina, a partir del caso del grupo teatral El Periférico de Objetos. El artículo propone observar cómo elementos provenientes del teatro de Kantor como su idea del “objeto pobre” y su concepción de “la realidad de rango inferior” adquieren, en un contexto socio-cultural particular, una significación distinta de la propuesta de Kantor, insertándose en el debate sobre el pasado reciente de la Argentina en el periodo de la post-dictadura.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1468 10.34096/tdf.n21.1468 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1468/2989 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 21 (2015); 1-16 1669-6301 Object Kantor Periférico de Objetos Theater of the Post-Dictatorship Objeto Kantor Periférico de Objetos Teatro de la post-dictadura Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos. Objetos molestos en escena. Comentarios sobre la recepción del concepto de objeto en el teatro de Tadeusz Kantor por el Periférico de Objetos info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=1468_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Object
Kantor
Periférico de Objetos
Theater of the Post-Dictatorship
Objeto
Kantor
Periférico de Objetos
Teatro de la post-dictadura
spellingShingle Object
Kantor
Periférico de Objetos
Theater of the Post-Dictatorship
Objeto
Kantor
Periférico de Objetos
Teatro de la post-dictadura
Cytlak, Katarzyna
Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos.
topic_facet Object
Kantor
Periférico de Objetos
Theater of the Post-Dictatorship
Objeto
Kantor
Periférico de Objetos
Teatro de la post-dictadura
description The article raises a question regarding of the reception of Tadeusz Kantor’s work. It will explain how Kantor -a Polish artist and director- has become relevant in Latin America. We will observe the possible direct influence of Tadeusz Kantor’s conception on the theater in Argentina, based on the example of El Periférico de Objetos. The article proposes to recognize how, in a completely different socio-cultural context, the elements arising from Kantor’s theater (as his idea of the “poor object” and his concept of the “reality of the lowest rank”) have acquired a distinctively different meaning from that coined by Kantor. The article will demonstrate how Kantor’s concepts, adapted by the Periférico de Objetos participated in the debates around the recent past in Argentina. 
format Artículo
publishedVersion
author Cytlak, Katarzyna
author_facet Cytlak, Katarzyna
author_sort Cytlak, Katarzyna
title Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos.
title_short Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos.
title_full Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos.
title_fullStr Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos.
title_full_unstemmed Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos.
title_sort annoying objects on stage. comments on the reception of tadeusz kantor’s concept of the object by the periférico de objetos.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2017
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/1468
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=1468_oai
work_keys_str_mv AT cytlakkatarzyna annoyingobjectsonstagecommentsonthereceptionoftadeuszkantorsconceptoftheobjectbytheperifericodeobjetos
AT cytlakkatarzyna objetosmolestosenescenacomentariossobrelarecepciondelconceptodeobjetoenelteatrodetadeuszkantorporelperifericodeobjetos
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