Giovanni Pontano’s 'The Ass'

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We present the first Spanish translation of the Asinus, Giovanni Pontano's most original dialogue. In this dialogue, whose action takes place shortly after the peace signed between King Ferrante I of Naples and Pope Innocent VIII in 1486, Pontano combines a series of scenes from daily life in t...

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Autor principal: Vilar, Mariano
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024
Materias:
Asinus
Giovanni Pontano
Diálogo
Renacimiento
Dialogue
Renaissance
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/petm/article/view/14365
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=patris&d=14365_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-14365_oai
record_format dspace
spelling I28-R145-14365_oai2025-11-17 Vilar, Mariano 2024-03-01 We present the first Spanish translation of the Asinus, Giovanni Pontano's most original dialogue. In this dialogue, whose action takes place shortly after the peace signed between King Ferrante I of Naples and Pope Innocent VIII in 1486, Pontano combines a series of scenes from daily life in the city and the countryside with a reflection on the ingratitude and the political role of humanists in court. The text shows a clear influence from the Plautine comedies, and in that sense, it moves away from the humanist dialogues inspired by the Ciceronian and Platonic texts. Although his main objective is humorous, Pontano uses this dialogue to present his figure from different angles (including ironic self-deprecation) and to value his role among his humanist colleagues and concerning the political leaders of his time. Presentamos la primera traducción al español del Asinus, el diálogo más original de Giovanni Pontano. En este texto, cuya acción transcurre poco después de la paz firmada entre el rey Ferrante I de Nápoles y el papa Inocencio VIII en 1486, Pontano combina una serie de escenas de la vida cotidiana en la ciudad y en el campo con una reflexión sobre la ingratitud y el rol político de los humanistas en las cortes. El diálogo presenta una clara influencia de las comedias plautinas, y en ese sentido se aleja de los diálogos humanistas inspirados en los textos ciceronianos y platónicos. Si bien su principal objetivo es humorístico, Pontano utiliza este diálogo como una forma de presentar su propia figura desde distintos ángulos (incluyendo el autodesprecio irónico) y valorizar su rol tanto entre sus colegas humanistas como frente a los actores políticos de su tiempo. application/pdf https://revistascientificas.filo.uba.ar/index.php/petm/article/view/14365 10.34096/petm.v45.n1.14365 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/petm/article/view/14365/13146 Patristica et Mediævalia; Vol. 45 Núm. 1 (2024); 163-192 2683-9636 Asinus Giovanni Pontano Diálogo Renacimiento Asinus Giovanni Pontano Dialogue Renaissance Giovanni Pontano’s 'The Ass' 'El asno' de Giovanni Pontano info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=patris&d=14365_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Asinus
Giovanni Pontano
Diálogo
Renacimiento
Asinus
Giovanni Pontano
Dialogue
Renaissance
spellingShingle Asinus
Giovanni Pontano
Diálogo
Renacimiento
Asinus
Giovanni Pontano
Dialogue
Renaissance
Vilar, Mariano
Giovanni Pontano’s 'The Ass'
topic_facet Asinus
Giovanni Pontano
Diálogo
Renacimiento
Asinus
Giovanni Pontano
Dialogue
Renaissance
description We present the first Spanish translation of the Asinus, Giovanni Pontano's most original dialogue. In this dialogue, whose action takes place shortly after the peace signed between King Ferrante I of Naples and Pope Innocent VIII in 1486, Pontano combines a series of scenes from daily life in the city and the countryside with a reflection on the ingratitude and the political role of humanists in court. The text shows a clear influence from the Plautine comedies, and in that sense, it moves away from the humanist dialogues inspired by the Ciceronian and Platonic texts. Although his main objective is humorous, Pontano uses this dialogue to present his figure from different angles (including ironic self-deprecation) and to value his role among his humanist colleagues and concerning the political leaders of his time.
format Artículo
publishedVersion
author Vilar, Mariano
author_facet Vilar, Mariano
author_sort Vilar, Mariano
title Giovanni Pontano’s 'The Ass'
title_short Giovanni Pontano’s 'The Ass'
title_full Giovanni Pontano’s 'The Ass'
title_fullStr Giovanni Pontano’s 'The Ass'
title_full_unstemmed Giovanni Pontano’s 'The Ass'
title_sort giovanni pontano’s 'the ass'
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2024
url https://revistascientificas.filo.uba.ar/index.php/petm/article/view/14365
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=patris&d=14365_oai
work_keys_str_mv AT vilarmariano giovannipontanostheass
AT vilarmariano elasnodegiovannipontano
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