Furores impresos. La saga de las primeras lecturas del Quijote: Reseña

The premise on which this critical volume is modulated is simple and subversive: Alonso Quijano, Miguel de Cervantes Saavedra's character, a poor gentleman famous for being crazy, for being good and for being an idealist, reads as a woman and as a female. It is demonstrated, from the index of t...

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Autor principal: Salmoiraghi, Paula
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/mora/article/view/13719
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=mora&d=13719_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
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spelling I28-R145-13719_oai2025-11-17 Salmoiraghi, Paula 2024-12-18 The premise on which this critical volume is modulated is simple and subversive: Alonso Quijano, Miguel de Cervantes Saavedra's character, a poor gentleman famous for being crazy, for being good and for being an idealist, reads as a woman and as a female. It is demonstrated, from the index of the text at hand, that we can all, like Don Quixote, enter the circles of madness due to excess reading, due to an overflow of fiction, due to affective and effective faith in what we choose to be and read. . The sections on which Vila's vision focuses reconstruct the second part of Don Quixote (1615) as impossible, meta-reflexive, perhaps meta-parodying, within which the first part (1605) has been edited, disseminated and read massively during the month in that Don Quixote and Sancho Panza were at home. The fictional labyrinth in which Alonso Quijano had initially gotten lost absorbs and tentacularizes all the other characters. La premisa sobre la que se modula este volumen crítico es sencilla y subversiva: Alonso Quijano, personaje de Miguel de Cervantes Saavedra, hidalgo pobre famoso por loco, por bueno y por idealista, lee como mujer y como hembra. Demostrado queda, desde el índice del texto que nos ocupa, que todes podemos, como don Quijote, entrar en los círculos de la locura por exceso de lectura, por desborde de ficción, por fe afectiva y efectiva en lo que se elige ser y leer. Los apartados en los que se centra la visión de Vila reconstruyen la segunda parte del Quijote (1615) como verosímil imposible, metareflexivo, metaparodiante quizás, dentro del cual la primera parte (1605) ha sido editada, difundida y leída masivamente durante el mes en que don Quijote y Sancho Panza estuvieron en casa. El laberinto ficcional en el que se había perdido inicialmente Alonso Quijano absorbe y tentaculariza a todes les demás personajes.  application/pdf https://revistascientificas.filo.uba.ar/index.php/mora/article/view/13719 10.34096/mora.n30.13719 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/mora/article/view/13719/14386 Derechos de autor 2024 Mora Mora; Vol. 2 Núm. 30 1853-001X 0328-8773 Furores impresos. La saga de las primeras lecturas del Quijote: Reseña info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=mora&d=13719_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
description The premise on which this critical volume is modulated is simple and subversive: Alonso Quijano, Miguel de Cervantes Saavedra's character, a poor gentleman famous for being crazy, for being good and for being an idealist, reads as a woman and as a female. It is demonstrated, from the index of the text at hand, that we can all, like Don Quixote, enter the circles of madness due to excess reading, due to an overflow of fiction, due to affective and effective faith in what we choose to be and read. . The sections on which Vila's vision focuses reconstruct the second part of Don Quixote (1615) as impossible, meta-reflexive, perhaps meta-parodying, within which the first part (1605) has been edited, disseminated and read massively during the month in that Don Quixote and Sancho Panza were at home. The fictional labyrinth in which Alonso Quijano had initially gotten lost absorbs and tentacularizes all the other characters.
format Artículo
publishedVersion
author Salmoiraghi, Paula
spellingShingle Salmoiraghi, Paula
Furores impresos. La saga de las primeras lecturas del Quijote: Reseña
author_facet Salmoiraghi, Paula
author_sort Salmoiraghi, Paula
title Furores impresos. La saga de las primeras lecturas del Quijote: Reseña
title_short Furores impresos. La saga de las primeras lecturas del Quijote: Reseña
title_full Furores impresos. La saga de las primeras lecturas del Quijote: Reseña
title_fullStr Furores impresos. La saga de las primeras lecturas del Quijote: Reseña
title_full_unstemmed Furores impresos. La saga de las primeras lecturas del Quijote: Reseña
title_sort furores impresos. la saga de las primeras lecturas del quijote: reseña
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2024
url https://revistascientificas.filo.uba.ar/index.php/mora/article/view/13719
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=mora&d=13719_oai
work_keys_str_mv AT salmoiraghipaula furoresimpresoslasagadelasprimeraslecturasdelquijoteresena
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