Time disorder in the anticolonial museum
This article analyzes Galo Gighliotto’s Museo de la Bruma (2019) as an example of a wider narrative transformation that responds to the new pressure non-human temporalities and agents exercise upon narrative form. In the case of the Museo this transformation revolves around the permanence o...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13667 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=matadero&d=13667_oai |
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I28-R145-13667_oai2025-11-17 Giorgi, Gabriel 2022-11-08 This article analyzes Galo Gighliotto’s Museo de la Bruma (2019) as an example of a wider narrative transformation that responds to the new pressure non-human temporalities and agents exercise upon narrative form. In the case of the Museo this transformation revolves around the permanence of traces of the colonization of Tierra del Fuego, traces that will expand throughout the twentieth century and on a planetary scale. The form “museum” allows the juxtaposition of temporalities that cannot be reduced to any narrative synthesis, at the same time that disputes the complicity between museum, exhibition and coloniality. The narrative laboratory of Ghigliotto’s text thus allows us to illuminate the question of territory (as a central question for the planetary imaginaries of the present) under the sign of a juxtaposition of heterogeneous temporalities, which resist both anthropocentric scales and colonial capture. El artículo analiza el Museo de la Bruma (2019) de Galo Gighliotto como ejemplo de una transformación narrativa más general que da cuenta de la nueva presión de temporalidades y agentes no humanos sobre el espacio de la narración. En el caso del Museo se trata de dar cuenta de la permanencia de huellas de la colonización de Tierra del Fuego, huellas que se expandirán por todo el siglo XX y a escala planetaria. La forma “museo” permite yuxtaponer temporalidades que no se dejan reducir a ninguna síntesis narrativa, al mismo tiempo disputa la complicidad entre museo, exhibición y colonialidad. El laboratorio narrativo del texto de Ghigliotto permite así iluminar la pregunta por el territorio (como pregunta central para los imaginarios planetarios del presente) bajo el signo de una yuxtaposición de temporalidades heterogéneas, que resisten su reducción antropocéntrica y su captura colonial. application/pdf https://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13667 10.34096/em.n16.13667 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13667/12098 El Matadero Revista Crítica de Literatura Argentina; Núm. 16 (2022) 2683-9687 0329-9546 temporalities post anthropocentrism contemporary narratives coloniality anthropocene temporalidades post antropocentrismo narración contemporánea colonialidad antropoceno Time disorder in the anticolonial museum Desorden del tiempo en el museo anticolonial info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=matadero&d=13667_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
temporalities post anthropocentrism contemporary narratives coloniality anthropocene temporalidades post antropocentrismo narración contemporánea colonialidad antropoceno |
| spellingShingle |
temporalities post anthropocentrism contemporary narratives coloniality anthropocene temporalidades post antropocentrismo narración contemporánea colonialidad antropoceno Giorgi, Gabriel Time disorder in the anticolonial museum |
| topic_facet |
temporalities post anthropocentrism contemporary narratives coloniality anthropocene temporalidades post antropocentrismo narración contemporánea colonialidad antropoceno |
| description |
This article analyzes Galo Gighliotto’s Museo de la Bruma (2019) as an example of a wider narrative transformation that responds to the new pressure non-human temporalities and agents exercise upon narrative form. In the case of the Museo this transformation revolves around the permanence of traces of the colonization of Tierra del Fuego, traces that will expand throughout the twentieth century and on a planetary scale. The form “museum” allows the juxtaposition of temporalities that cannot be reduced to any narrative synthesis, at the same time that disputes the complicity between museum, exhibition and coloniality. The narrative laboratory of Ghigliotto’s text thus allows us to illuminate the question of territory (as a central question for the planetary imaginaries of the present) under the sign of a juxtaposition of heterogeneous temporalities, which resist both anthropocentric scales and colonial capture. |
| format |
Artículo publishedVersion |
| author |
Giorgi, Gabriel |
| author_facet |
Giorgi, Gabriel |
| author_sort |
Giorgi, Gabriel |
| title |
Time disorder in the anticolonial museum |
| title_short |
Time disorder in the anticolonial museum |
| title_full |
Time disorder in the anticolonial museum |
| title_fullStr |
Time disorder in the anticolonial museum |
| title_full_unstemmed |
Time disorder in the anticolonial museum |
| title_sort |
time disorder in the anticolonial museum |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
https://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13667 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=matadero&d=13667_oai |
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AT giorgigabriel timedisorderintheanticolonialmuseum AT giorgigabriel desordendeltiempoenelmuseoanticolonial |
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