The indigenous contribution to missionary music in Mojos (Bolivia)

In attempting to emphasize the value of indigenous agency in the musical practice of the Jesuit missons writers have posited the existance of "native composers" during the Jesuits' regime. Focusing on the misson area of Mojos, this article aims to demostrate that: 1) Indian c...

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Autor principal: Waisman, Leonardo J.
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Sección Etnohistoria, Instituto de Ciencias Antropológicas. FFyL, UBA 2005
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/MA/article/view/13517
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=MA&d=13517_oai
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spelling I28-R145-13517_oai2025-11-17 Waisman, Leonardo J. 2005-09-01 In attempting to emphasize the value of indigenous agency in the musical practice of the Jesuit missons writers have posited the existance of "native composers" during the Jesuits' regime. Focusing on the misson area of Mojos, this article aims to demostrate that: 1) Indian compositional activity during the Jesuit period lacked importance and originality; 2) inmediately after the Jesuits' expulsion presumably some Indian composers emerge, writing in a characteristic style that differs from the European. This may have been a consequence of the new relationship established between musicians and the white society and the efficient spirit of some government officials; 3) during the Jesuit period, musical performance was the arena where Indians made an active and idiosyncratic contribution.  En el intento de valorizar la acción indígena en la práctica musical de las reducciones, se ha hablado de "compositores indígenas" durante el régimen jesuítico. Centrándose en el área misional de Mojos, el presente estudio intenta establecer: 1) que la actividad compositiva indígena durante la administración jesuítica, si la hubo, careció de originalidad e importancia; 2) que inmediatamente después de la expulsión, como consecuencia de las nuevas relaciones establecidas por los músicos y del espíritu eficientista de algunos oficiales del gobierno, aparecen compositores presumiblemente indígenas que escriben en un estilo definido y diferente del europeo; 3) que durante la época jesuítica la práctica de la interpretación era el terreno donde los indígenas aportaban una contribución activa e idiosincrática.   Na tentativa de valorizar a atividade indígena na prática musical das reduções, falou-se em "compositores indígenas" durante o regime jesuíta. Com foco na área missionária de Mojos, este estudo busca estabelecer: 1) que a atividade composicional indígena durante a administração jesuíta, se existiu, carecia de originalidade e importância; 2) que imediatamente após a expulsão, como consequência das novas relações estabelecidas pelos músicos e do espírito de eficiência de alguns funcionários do governo, presumivelmente surgiram compositores indígenas, escrevendo em um estilo definido e distinto do europeu; 3) que, durante a era jesuíta, a performance era o palco onde os povos indígenas davam uma contribuição ativa e idiossincrática. application/pdf https://revistascientificas.filo.uba.ar/index.php/MA/article/view/13517 10.34096/mace.v12i0.13517 spa Sección Etnohistoria, Instituto de Ciencias Antropológicas. FFyL, UBA https://revistascientificas.filo.uba.ar/index.php/MA/article/view/13517/11863 Derechos de autor 2004 Memoria Americana. Cuadernos de Etnohistoria Memoria Americana. Cuadernos de Etnohistoria; Vol. 12 (2004); 11-38 Memoria Americana. Cuadernos de Etnohistoria; Vol. 12 (2004); 11-38 1851-3751 0327-5752 Mojos Jesuit missons musical composition musical interpretation Mojos reducciones jesuíticas composición musical interpretación musical Mojos missões jesuítas composição musical apresentação musical The indigenous contribution to missionary music in Mojos (Bolivia) La contribución indígena a la música misional en Mojos (Bolivia) A contribuição indígena à música missionária em Mojos (Bolívia) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=MA&d=13517_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Mojos
Jesuit missons
musical composition
musical interpretation
Mojos
reducciones jesuíticas
composición musical
interpretación musical
Mojos
missões jesuítas
composição musical
apresentação musical
spellingShingle Mojos
Jesuit missons
musical composition
musical interpretation
Mojos
reducciones jesuíticas
composición musical
interpretación musical
Mojos
missões jesuítas
composição musical
apresentação musical
Waisman, Leonardo J.
The indigenous contribution to missionary music in Mojos (Bolivia)
topic_facet Mojos
Jesuit missons
musical composition
musical interpretation
Mojos
reducciones jesuíticas
composición musical
interpretación musical
Mojos
missões jesuítas
composição musical
apresentação musical
description In attempting to emphasize the value of indigenous agency in the musical practice of the Jesuit missons writers have posited the existance of "native composers" during the Jesuits' regime. Focusing on the misson area of Mojos, this article aims to demostrate that: 1) Indian compositional activity during the Jesuit period lacked importance and originality; 2) inmediately after the Jesuits' expulsion presumably some Indian composers emerge, writing in a characteristic style that differs from the European. This may have been a consequence of the new relationship established between musicians and the white society and the efficient spirit of some government officials; 3) during the Jesuit period, musical performance was the arena where Indians made an active and idiosyncratic contribution. 
format Artículo
publishedVersion
author Waisman, Leonardo J.
author_facet Waisman, Leonardo J.
author_sort Waisman, Leonardo J.
title The indigenous contribution to missionary music in Mojos (Bolivia)
title_short The indigenous contribution to missionary music in Mojos (Bolivia)
title_full The indigenous contribution to missionary music in Mojos (Bolivia)
title_fullStr The indigenous contribution to missionary music in Mojos (Bolivia)
title_full_unstemmed The indigenous contribution to missionary music in Mojos (Bolivia)
title_sort indigenous contribution to missionary music in mojos (bolivia)
publisher Sección Etnohistoria, Instituto de Ciencias Antropológicas. FFyL, UBA
publishDate 2005
url https://revistascientificas.filo.uba.ar/index.php/MA/article/view/13517
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=MA&d=13517_oai
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