Theatrical Space and Subjectivity in Copi

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s some critical readings of Copi's plays have observed, closed places seem to predominate in them as dramatic spaces: the characters are always confined inside an indoor space (usually a room or other type of confinement) and threatened by a dangerous exterior. This opposition would coincide, i...

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Autor principal: Lucia, Ignacio
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
Materias:
Space
Copi
Subjectivity
Body
Identity
Espacio
Subjetividad
Cuerpo
Identidad
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13315
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13315_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-13315_oai
record_format dspace
spelling I28-R145-13315_oai2025-11-17 Lucia, Ignacio Lucia, Ignacio 2023-10-20 s some critical readings of Copi's plays have observed, closed places seem to predominate in them as dramatic spaces: the characters are always confined inside an indoor space (usually a room or other type of confinement) and threatened by a dangerous exterior. This opposition would coincide, in principle, with the opposition between between dramatic space and extradramatic space. These analytical categories, valid for the interpretation of any theatrical work, are especially interesting in Copi's theatrical production, since they allow us to think about issues related to some of his main themes, especially those regarding identity and the body, and the distinction between interior and exterior of subjectivity. Como han observado algunas lecturas críticas de las obras teatrales de Copi, en ellas parecen predominar los lugares cerrados como espacios dramáticos: los personajes están siempre recluidos en un interior (en general una habitación u otro tipo de encierro) y amenazados por un exterior peligroso. Esta oposición coincidiría, en principio, con la oposición entre “espacio escénico” y “espacio extraescénico”. Estas categorías analíticas, válidas para la interpretación de cualquier obra teatral, resultan especialmente interesantes en la producción teatral de Copi, por cuanto permiten pensar cuestiones relacionadas con algunos de sus temas principales, en especial los de la identidad y del cuerpo, y la distinción entre interior y exterior de la subjetividad. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13315 10.34096/tdf.n38.13315 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13315/12373 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 38 (2023) 1669-6301 Space Copi Subjectivity Body Identity Espacio Copi Subjetividad Cuerpo Identidad Theatrical Space and Subjectivity in Copi El espacio teatral y la subjetividad en Copi info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13315_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Space
Copi
Subjectivity
Body
Identity
Espacio
Copi
Subjetividad
Cuerpo
Identidad
spellingShingle Space
Copi
Subjectivity
Body
Identity
Espacio
Copi
Subjetividad
Cuerpo
Identidad
Lucia, Ignacio
Lucia, Ignacio
Theatrical Space and Subjectivity in Copi
topic_facet Space
Copi
Subjectivity
Body
Identity
Espacio
Copi
Subjetividad
Cuerpo
Identidad
description s some critical readings of Copi's plays have observed, closed places seem to predominate in them as dramatic spaces: the characters are always confined inside an indoor space (usually a room or other type of confinement) and threatened by a dangerous exterior. This opposition would coincide, in principle, with the opposition between between dramatic space and extradramatic space. These analytical categories, valid for the interpretation of any theatrical work, are especially interesting in Copi's theatrical production, since they allow us to think about issues related to some of his main themes, especially those regarding identity and the body, and the distinction between interior and exterior of subjectivity.
format Artículo
publishedVersion
author Lucia, Ignacio
Lucia, Ignacio
author_facet Lucia, Ignacio
Lucia, Ignacio
author_sort Lucia, Ignacio
title Theatrical Space and Subjectivity in Copi
title_short Theatrical Space and Subjectivity in Copi
title_full Theatrical Space and Subjectivity in Copi
title_fullStr Theatrical Space and Subjectivity in Copi
title_full_unstemmed Theatrical Space and Subjectivity in Copi
title_sort theatrical space and subjectivity in copi
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2023
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13315
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13315_oai
work_keys_str_mv AT luciaignacio theatricalspaceandsubjectivityincopi
AT luciaignacio theatricalspaceandsubjectivityincopi
AT luciaignacio elespacioteatralylasubjetividadencopi
AT luciaignacio elespacioteatralylasubjetividadencopi
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