Unmasking and Dissolution of the Binary Narrative: The Rewriting of Esteban Echeverría’s "La cautiva" and "El matadero" in Contemporary Theatre
Contemporary dramaturgy which rewrites Echeverría establishes a dialogue with the binary narrative of civilization/barbarism implicit in the worldview of the literate youth from the Rio de la Plata in the 19th Century. In the case of Las cautivas, Mariano Tenconi Blanco narrates a love story between...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2023
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13265 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13265_oai |
| Aporte de: |
| Sumario: | Contemporary dramaturgy which rewrites Echeverría establishes a dialogue with the binary narrative of civilization/barbarism implicit in the worldview of the literate youth from the Rio de la Plata in the 19th Century. In the case of Las cautivas, Mariano Tenconi Blanco narrates a love story between two women who represent and expose such polarity, not only the one of civilization/barbarism, but also the gender one. On the other hand, in the play of Martínez Bel and Finamore Olvidate del Matadero, the character who plays the main role -a servant from Don Esteban's ranch- witnesses the opening of the slaughterhouse to the town after a great flood. The story questions the civilization/barbarism dichotomy suggested in Echeverría's work, and the new narrator’s experiential knowledge is legitimized as popular culture. |
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