Unmasking and Dissolution of the Binary Narrative: The Rewriting of Esteban Echeverría’s "La cautiva" and "El matadero" in Contemporary Theatre

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Contemporary dramaturgy which rewrites Echeverría establishes a dialogue with the binary narrative of civilization/barbarism implicit in the worldview of the literate youth from the Rio de la Plata in the 19th Century. In the case of Las cautivas, Mariano Tenconi Blanco narrates a love story between...

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Autor principal: Barbieri, Analia
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
Materias:
Echeverría
Gender
Carnival
Barbarism
Civilization
Civilización
Barbarie
Género
Carnaval
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13265
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13265_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-13265_oai
record_format dspace
spelling I28-R145-13265_oai2025-11-17 Barbieri, Analia Barbieri, Analia 2023-10-20 Contemporary dramaturgy which rewrites Echeverría establishes a dialogue with the binary narrative of civilization/barbarism implicit in the worldview of the literate youth from the Rio de la Plata in the 19th Century. In the case of Las cautivas, Mariano Tenconi Blanco narrates a love story between two women who represent and expose such polarity, not only the one of civilization/barbarism, but also the gender one. On the other hand, in the play of Martínez Bel and Finamore Olvidate del Matadero, the character who plays the main role -a servant from Don Esteban's ranch- witnesses the opening of the slaughterhouse to the town after a great flood. The story questions the civilization/barbarism dichotomy suggested in Echeverría's work, and the new narrator’s experiential knowledge is legitimized as popular culture. Las dramaturgias contemporáneas que reescriben a Echeverría retoman el relato binario de civilización/barbarie implícito en la cosmovisión de la juventud letrada rioplatense del siglo XIX. En el caso de Las cautivas, Mariano Tenconi Blanco narra una historia de amor entre dos mujeres que representan y problematizan dicha polarización, no sólo la de civilización/barbarie sino también el de género. Por otro lado, en la obra de Martínez Bel y Finamore, Olvidate del matadero, quien protagoniza la obra - un criado de la estancia de don Esteban- presencia la apertura del matadero al pueblo luego de una gran inundación. El relato pone en tela de juicio la dicotomía civilización/barbarie sugerida en la obra de Echeverría, y el conocimiento experiencial del nuevo narrador es legitimado como cultura popular. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13265 10.34096/tdf.n38.13265 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13265/12378 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 38 (2023) 1669-6301 Echeverría Gender Carnival Barbarism Civilization Echeverría Civilización Barbarie Género Carnaval Unmasking and Dissolution of the Binary Narrative: The Rewriting of Esteban Echeverría’s "La cautiva" and "El matadero" in Contemporary Theatre Desenmascaramiento y disolución del relato binario. La reescritura de "El matadero" y "La cautiva" de Esteban Echeverría en el teatro contemporáneo info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13265_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Echeverría
Gender
Carnival
Barbarism
Civilization
Echeverría
Civilización
Barbarie
Género
Carnaval
spellingShingle Echeverría
Gender
Carnival
Barbarism
Civilization
Echeverría
Civilización
Barbarie
Género
Carnaval
Barbieri, Analia
Barbieri, Analia
Unmasking and Dissolution of the Binary Narrative: The Rewriting of Esteban Echeverría’s "La cautiva" and "El matadero" in Contemporary Theatre
topic_facet Echeverría
Gender
Carnival
Barbarism
Civilization
Echeverría
Civilización
Barbarie
Género
Carnaval
description Contemporary dramaturgy which rewrites Echeverría establishes a dialogue with the binary narrative of civilization/barbarism implicit in the worldview of the literate youth from the Rio de la Plata in the 19th Century. In the case of Las cautivas, Mariano Tenconi Blanco narrates a love story between two women who represent and expose such polarity, not only the one of civilization/barbarism, but also the gender one. On the other hand, in the play of Martínez Bel and Finamore Olvidate del Matadero, the character who plays the main role -a servant from Don Esteban's ranch- witnesses the opening of the slaughterhouse to the town after a great flood. The story questions the civilization/barbarism dichotomy suggested in Echeverría's work, and the new narrator’s experiential knowledge is legitimized as popular culture.
format Artículo
publishedVersion
author Barbieri, Analia
Barbieri, Analia
author_facet Barbieri, Analia
Barbieri, Analia
author_sort Barbieri, Analia
title Unmasking and Dissolution of the Binary Narrative: The Rewriting of Esteban Echeverría’s "La cautiva" and "El matadero" in Contemporary Theatre
title_short Unmasking and Dissolution of the Binary Narrative: The Rewriting of Esteban Echeverría’s "La cautiva" and "El matadero" in Contemporary Theatre
title_full Unmasking and Dissolution of the Binary Narrative: The Rewriting of Esteban Echeverría’s "La cautiva" and "El matadero" in Contemporary Theatre
title_fullStr Unmasking and Dissolution of the Binary Narrative: The Rewriting of Esteban Echeverría’s "La cautiva" and "El matadero" in Contemporary Theatre
title_full_unstemmed Unmasking and Dissolution of the Binary Narrative: The Rewriting of Esteban Echeverría’s "La cautiva" and "El matadero" in Contemporary Theatre
title_sort unmasking and dissolution of the binary narrative: the rewriting of esteban echeverría’s "la cautiva" and "el matadero" in contemporary theatre
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2023
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/13265
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=13265_oai
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