Sarmiento as a writer (according to Lugones)
This article proposes an analysis of how Leopoldo Lugones read Sarmiento’s work in his Historia de Sarmiento (1911). The analysis focuses in how the biographer delimits a double temporary inscription of the texts of his biographee: one, tied to the conjuncture, closely associated with Sarmiento’s jo...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13110 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=matadero&d=13110_oai |
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I28-R145-13110_oai2023-08-08 Fontana, Patricio 2021-11-30 This article proposes an analysis of how Leopoldo Lugones read Sarmiento’s work in his Historia de Sarmiento (1911). The analysis focuses in how the biographer delimits a double temporary inscription of the texts of his biographee: one, tied to the conjuncture, closely associated with Sarmiento’s journalistic vocation (written modulation of his absorbing “passion for being useful”); another, linked with the perennial, with the eternal, which implies to emphasize the importance that the work of Sarmiento had in the construction of a national spirit. Then, are considered certain precautions from which Lugones proposes to read Sarmiento’s texts –and especially his most famous book: Facundo– so that these could finally be canonized. In addition, among other related matters, the article discusses with those interpretations of the Historia de Sarmiento that insisted on the parallel between biographer and biographee to emphasize not on the similarities but, on the contrary, in the differences between both writers. En este artículo se propone un análisis de cómo Leopoldo Lugones leyó la obra de Sarmiento en Historia de Sarmiento (1911). Una de las primeras cuestiones que se abordan es de qué manera el biógrafo deslinda una doble inscripción temporal de los textos de su biografiado: una, atada a la coyuntura, que estaría estrechamente asociada a la vocación periodística de Sarmiento (modulación escrita de su absorbente “pasión por ser útil”); otra, vinculada con lo perenne, con lo eterno, que implica destacar la importancia que la obra de Sarmiento tuvo en la construcción de un espíritu nacional. Enseguida, se consideran ciertas precauciones a partir de las cuales Lugones propone leer a Sarmiento –y en especial su libro más famoso: Facundo– para que este pudiera ser finalmente canonizados. Además, el artículo discute con aquellas interpretaciones de Historia de Sarmiento que insistieron en el paralelo que existiría entre biógrafo y biografiado para hacer énfasis no en las similitudes sino, por el contrario, en las diferencias entre ambos escritores. application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13110 10.34096/em.n15.13110 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13110/11679 http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13110/11685 El matadero; Núm. 15 (2021) 2683-9687 0329-9546 Lugones Sarmiento journalism canon national spirit Lugones Sarmiento periodismo canon espíritu nacional Sarmiento as a writer (according to Lugones) Sarmiento escritor (según Leopoldo Lugones) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=matadero&d=13110_oai |
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Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
language |
Español |
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Lugones Sarmiento journalism canon national spirit Lugones Sarmiento periodismo canon espíritu nacional |
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Lugones Sarmiento journalism canon national spirit Lugones Sarmiento periodismo canon espíritu nacional Fontana, Patricio Sarmiento as a writer (according to Lugones) |
topic_facet |
Lugones Sarmiento journalism canon national spirit Lugones Sarmiento periodismo canon espíritu nacional |
description |
This article proposes an analysis of how Leopoldo Lugones read Sarmiento’s work in his Historia de Sarmiento (1911). The analysis focuses in how the biographer delimits a double temporary inscription of the texts of his biographee: one, tied to the conjuncture, closely associated with Sarmiento’s journalistic vocation (written modulation of his absorbing “passion for being useful”); another, linked with the perennial, with the eternal, which implies to emphasize the importance that the work of Sarmiento had in the construction of a national spirit. Then, are considered certain precautions from which Lugones proposes to read Sarmiento’s texts –and especially his most famous book: Facundo– so that these could finally be canonized. In addition, among other related matters, the article discusses with those interpretations of the Historia de Sarmiento that insisted on the parallel between biographer and biographee to emphasize not on the similarities but, on the contrary, in the differences between both writers. |
format |
Artículo publishedVersion |
author |
Fontana, Patricio |
author_facet |
Fontana, Patricio |
author_sort |
Fontana, Patricio |
title |
Sarmiento as a writer (according to Lugones) |
title_short |
Sarmiento as a writer (according to Lugones) |
title_full |
Sarmiento as a writer (according to Lugones) |
title_fullStr |
Sarmiento as a writer (according to Lugones) |
title_full_unstemmed |
Sarmiento as a writer (according to Lugones) |
title_sort |
sarmiento as a writer (according to lugones) |
publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
publishDate |
2021 |
url |
http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/13110 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=matadero&d=13110_oai |
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AT fontanapatricio sarmientoasawriteraccordingtolugones AT fontanapatricio sarmientoescritorsegunleopoldolugones |
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