Carolina Vivas’ "Donde se descomponen las colas de los burros". The Latin American Antigone of the 21st Century: It Is not the Pain of One, It Is the Pain of All.

Mostrar todas las versiones(2)

In this article we will analyze the play Donde se descomponen las colas de los burros by the playwright Carolina Vivas, which can be read as a reception of the tragedy Antigone. In this sense, we are interested in presenting the transformation of the character and the argument in the Latin American...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Gutiérrez, Francisco
Formato:	Artículo publishedVersion
Lenguaje:	Español
Publicado:	Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
Materias:	Carolina Vivas Colombia Antigone Reception Sophocles Antígona Recepción Sófocles
Acceso en línea:	https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12959 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=12959_oai
Aporte de:	Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

id	I28-R145-12959_oai
record_format	dspace
spelling	I28-R145-12959_oai2025-11-17 Gutiérrez, Francisco 2023-10-20 In this article we will analyze the play Donde se descomponen las colas de los burros by the playwright Carolina Vivas, which can be read as a reception of the tragedy Antigone. In this sense, we are interested in presenting the transformation of the character and the argument in the Latin American context, to visualize how the previous appropriation of the classic text in the continent influences the work of the Colombian author and, at the same time, to highlight the elements of the tragedy that the author rescues and modifies. Also, we will present a trend of the various readings and receptions of Antigone, emphasizing those carried out in Latin America. We will analyze this elements to situate the place from where the rewriting of Carolina Vivas is located and presented as a piece that, due to the way in which it rewrites the plot and the figure of Antigone, is configured as a milestone in the already extensive tradition of receptions of the Sophoclean tragedy in our continent. En el presente artículo analizaremos la obra Donde se descomponen las colas de los burros de la dramaturga Carolina Vivas, la que puede ser leída como una recepción de la tragedia Antígona. En este sentido, nos interesa presentar la transformación del personaje y su argumento en el contexto latinoamericano, para visualizar cómo la apropiación previa del texto clásico en el continente influye en la obra de la autora colombiana y, a su vez, para destacar los elementos de la tragedia que ella rescata y modifica. Para esto presentaremos un recorrido por diversas las lecturas y recepciones de Antígona, enfatizando las realizadas en Latinoamérica. Estudiaremos todo lo anterior para circunscribir el lugar desde donde se sitúa la reescritura de Carolina Vivas y pensarla como una pieza que, debido a la particular forma en que reescribe el argumento y la figura de Antígona, se configura como un hito en la ya extensa tradición de recepciones de la tragedia de Sófocles en nuestro continente. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12959 10.34096/tdf.n38.12959 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12959/12374 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 38 (2023) 1669-6301 Carolina Vivas Colombia Antigone Reception Sophocles Antígona Recepción Carolina Vivas Sófocles Colombia Carolina Vivas’ "Donde se descomponen las colas de los burros". The Latin American Antigone of the 21st Century: It Is not the Pain of One, It Is the Pain of All. "Donde se descomponen las colas de los burros" de Carolina Vivas. La Antígona latinoamericana del siglo XXI: no es el dolor de una, es el dolor de todas. info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=12959_oai
institution	Universidad de Buenos Aires
institution_str	I-28
repository_str	R-145
collection	Repositorio Digital de la Universidad de Buenos Aires (UBA)
language	Español
orig_language_str_mv	spa
topic	Carolina Vivas Colombia Antigone Reception Sophocles Antígona Recepción Carolina Vivas Sófocles Colombia
spellingShingle	Carolina Vivas Colombia Antigone Reception Sophocles Antígona Recepción Carolina Vivas Sófocles Colombia Gutiérrez, Francisco Carolina Vivas’ "Donde se descomponen las colas de los burros". The Latin American Antigone of the 21st Century: It Is not the Pain of One, It Is the Pain of All.
topic_facet	Carolina Vivas Colombia Antigone Reception Sophocles Antígona Recepción Carolina Vivas Sófocles Colombia
description	In this article we will analyze the play Donde se descomponen las colas de los burros by the playwright Carolina Vivas, which can be read as a reception of the tragedy Antigone. In this sense, we are interested in presenting the transformation of the character and the argument in the Latin American context, to visualize how the previous appropriation of the classic text in the continent influences the work of the Colombian author and, at the same time, to highlight the elements of the tragedy that the author rescues and modifies. Also, we will present a trend of the various readings and receptions of Antigone, emphasizing those carried out in Latin America. We will analyze this elements to situate the place from where the rewriting of Carolina Vivas is located and presented as a piece that, due to the way in which it rewrites the plot and the figure of Antigone, is configured as a milestone in the already extensive tradition of receptions of the Sophoclean tragedy in our continent.
format	Artículo publishedVersion
author	Gutiérrez, Francisco
author_facet	Gutiérrez, Francisco
author_sort	Gutiérrez, Francisco
title	Carolina Vivas’ "Donde se descomponen las colas de los burros". The Latin American Antigone of the 21st Century: It Is not the Pain of One, It Is the Pain of All.
title_short	Carolina Vivas’ "Donde se descomponen las colas de los burros". The Latin American Antigone of the 21st Century: It Is not the Pain of One, It Is the Pain of All.
title_full	Carolina Vivas’ "Donde se descomponen las colas de los burros". The Latin American Antigone of the 21st Century: It Is not the Pain of One, It Is the Pain of All.
title_fullStr	Carolina Vivas’ "Donde se descomponen las colas de los burros". The Latin American Antigone of the 21st Century: It Is not the Pain of One, It Is the Pain of All.
title_full_unstemmed	Carolina Vivas’ "Donde se descomponen las colas de los burros". The Latin American Antigone of the 21st Century: It Is not the Pain of One, It Is the Pain of All.
title_sort	carolina vivas’ "donde se descomponen las colas de los burros". the latin american antigone of the 21st century: it is not the pain of one, it is the pain of all.
publisher	Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate	2023
url	https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12959 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=12959_oai
work_keys_str_mv	AT gutierrezfrancisco carolinavivasdondesedescomponenlascolasdelosburrosthelatinamericanantigoneofthe21stcenturyitisnotthepainofoneitisthepainofall AT gutierrezfrancisco dondesedescomponenlascolasdelosburrosdecarolinavivaslaantigonalatinoamericanadelsigloxxinoeseldolordeunaeseldolordetodas
_version_	1851376267958419456

Carolina Vivas’ "Donde se descomponen las colas de los burros". The Latin American Antigone of the 21st Century: It Is not the Pain of One, It Is the Pain of All.

Ejemplares similares