Immanence and Metaphysics in The Art of Fugue by J. S. Bach

The Art of the Fugue contains defined elements which make it possible to establish the hypothesis that, within this work of Johann Sebastian Bach, there is an original metaphysical background. Starting from the systematic structure of the last great composition by the German musician, and from the c...

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Autor principal: Arias Krause, Juan Ignacio
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2024
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12866
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=12866_oai
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spelling I28-R145-12866_oai2025-11-17 Arias Krause, Juan Ignacio 2024-09-12 The Art of the Fugue contains defined elements which make it possible to establish the hypothesis that, within this work of Johann Sebastian Bach, there is an original metaphysical background. Starting from the systematic structure of the last great composition by the German musician, and from the circular accent that it contains, the metaphysical originality analyzed in this article is the consideration of an immanentist conception of the divine essence. From such consideration, the possibilities contained in the formal structure of the work will be analyzed to expose how the totality of what is real would be contained in the divine essence to unfold in the other of itself, in the same reality. El Arte de la Fuga contiene elementos particulares definidos, que posibilitan establecer la hipótesis según la cual dentro de la obra de Johann Sebastian Bach, se encuentra un fondo metafísico original. A partir de la estructura sistemática presente en la última gran composición del músico alemán, y del marcado acento circular que contiene, la originalidad metafísica analizada en este artículo es la consideración de una concepción inmanentista de la esencia divina. Partiendo de tal consideración, se analizarán las posibilidades que contiene la estructura formal de la obra para exponer cómo la totalidad de lo real se encontraría contenida en la esencia divina para luego desplegarse en lo otro de sí, en la misma realidad. A Arte da Fuga contém elementos particulares definidos, que permitem estabelecer a hipótese de que, dentro da obra de Johann Sebastian Bach, existe um pano de fundo metafísico original. Partindo da estrutura sistemática presente na última grande composição do músico alemão, e do marcado teor circular que ela contém, a originalidade metafísica analisada neste artigo é a consideração de uma concepção imanentista da essência divina. A partir de tal consideração, serão analisadas as possibilidades que contém a estrutura formal da obra para expor como a totalidade do real estaria contida na essência divina para depois desdobrar-se no outro de si, na mesma realidade. application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12866 10.34096/oidopensante.v12n2.12866 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12866/13521 Derechos de autor 2024 El oído pensante El oído pensante; Vol. 12 No. 2 (2024): Octubre, 2024 - Marzo 2025 El oído pensante; Vol. 12 Núm. 2 (2024): Octubre, 2024 - Marzo 2025 El oído pensante; v. 12 n. 2 (2024): Octubre, 2024 - Marzo 2025 2250-7116 Bach fuga El Arte de la Fuga inmanencia Bach Fuga A Arte da Fuga imanência Bach Fugue Art of Fugue immanece Immanence and Metaphysics in The Art of Fugue by J. S. Bach Inmanencia y metafísica en El arte de la fuga de J. S. Bach Imanência e metafísica em A arte da fuga de J. S. Bach info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=12866_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Bach
fuga
El Arte de la Fuga
inmanencia
Bach
Fuga
A Arte da Fuga
imanência
Bach
Fugue
Art of Fugue
immanece
spellingShingle Bach
fuga
El Arte de la Fuga
inmanencia
Bach
Fuga
A Arte da Fuga
imanência
Bach
Fugue
Art of Fugue
immanece
Arias Krause, Juan Ignacio
Immanence and Metaphysics in The Art of Fugue by J. S. Bach
topic_facet Bach
fuga
El Arte de la Fuga
inmanencia
Bach
Fuga
A Arte da Fuga
imanência
Bach
Fugue
Art of Fugue
immanece
description The Art of the Fugue contains defined elements which make it possible to establish the hypothesis that, within this work of Johann Sebastian Bach, there is an original metaphysical background. Starting from the systematic structure of the last great composition by the German musician, and from the circular accent that it contains, the metaphysical originality analyzed in this article is the consideration of an immanentist conception of the divine essence. From such consideration, the possibilities contained in the formal structure of the work will be analyzed to expose how the totality of what is real would be contained in the divine essence to unfold in the other of itself, in the same reality.
format Artículo
publishedVersion
author Arias Krause, Juan Ignacio
author_facet Arias Krause, Juan Ignacio
author_sort Arias Krause, Juan Ignacio
title Immanence and Metaphysics in The Art of Fugue by J. S. Bach
title_short Immanence and Metaphysics in The Art of Fugue by J. S. Bach
title_full Immanence and Metaphysics in The Art of Fugue by J. S. Bach
title_fullStr Immanence and Metaphysics in The Art of Fugue by J. S. Bach
title_full_unstemmed Immanence and Metaphysics in The Art of Fugue by J. S. Bach
title_sort immanence and metaphysics in the art of fugue by j. s. bach
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2024
url https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/12866
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=12866_oai
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