The question of nature in the thought of Donna Haraway. A reading from posthuman materialism: A reading from posthuman materialism

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Nature is, for Donna Haraway, both a topos (a place) and a trope (a literary figure). It is from this convergence of space and time (a narrative emerging from the configuration of the world that materialises as corporealities of multiple and messy trajectories) that Haraway engages in a meditation o...

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Autores principales: Lucero, Guadalupe, Billi, Noelia, Fleisner, Paula
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Geografía "Romualdo Ardissone", UBA 2023
Materias:
HARAWAY. NATURE. POSTHUMAN MATERIALISM.
HARAWAY. NATURALEZA. MATERIALISMO POSTHUMANO
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12647
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=puntosur&d=12647_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
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spelling I28-R145-12647_oai2025-11-17 Lucero, Guadalupe Billi, Noelia Fleisner, Paula 2023-11-29 Nature is, for Donna Haraway, both a topos (a place) and a trope (a literary figure). It is from this convergence of space and time (a narrative emerging from the configuration of the world that materialises as corporealities of multiple and messy trajectories) that Haraway engages in a meditation on the manifest desire for that ‘commonplace’ that nature points to, and attempts to reframe the ‘natural’ commonplace in terms that challenge patriarchy and capitalism. If capitalism can be understood as the project of an increasing abolition of space due to the acceleration of time, Haraway’s discussion of common spatiality is particularly suggestive. Indeed, contesting the sensibility of the classical tradition (which geometrises space and renders nature external), Haraway offers a repertoire of tools for thinking co-habitation in such terms as to account for both the always tensional relationality (from which what exists emerges) and the narratives that weave space and time, world and story. To address these ideas, firstly, we will delimit what we mean by posthuman materialism; secondly, we will mention the main implications of the kantian notion of nature; and thirdly, we will consider Haraway’s contributions to this discussion. Para Donna Haraway, la naturaleza es, a la vez, un topos (un lugar) y un tropos (una figura literaria). A partir de esta convergencia entre espacio y tiempo (una narrativa que emerge de la configuración del mundo que se materializa como corporalidades de trayectorias múltiples y desordenadas), Haraway medita sostenidamente acerca del deseo manifiesto por aquel “lugar común” que la naturaleza señala, e intenta reformular lo común “natural” en términos que desafían el patriarcado y el capitalismo. Si el capitalismo puede ser comprendido como el proyecto de una creciente abolición del espacio debido a la aceleración del tiempo, su intervención en torno a la espacialidad común resulta particularmente sugerente. en efecto, disputando la sensibilidad a la tradición clásica (que geometriza el espacio y hace de la naturaleza algo externo), Haraway ofrece un repertorio de herramientas para pensar la co-habitación en términos capaces de dar cuenta tanto de la relacionalidad siempre tensional (de la que surge lo que existe) como de las narrativas que tejen espacio y tiempo, mundo y relato. Para abordar estas ideas, en primer lugar, delimitaremos lo que entendemos por materialismo posthumano; en segundo lugar, mencionaremos las principales implicancias de la noción kantiana de naturaleza; y, en tercer lugar, consideraremos los aportes de Haraway a esta discusión. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12647 10.34096/ps.n9.12647 spa Instituto de Geografía "Romualdo Ardissone", UBA https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12647/12081 https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12647/12172 Derechos de autor 2023 Guadalupe Lucero, Noelia Billi, Paula Fleisner Punto Sur; No. 9 (2023): El lenguaje polìtico de las cosas; 48-65 Punto Sur; Núm. 9 (2023): El lenguaje polìtico de las cosas; 48-65 2683-7404 HARAWAY. NATURE. POSTHUMAN MATERIALISM. HARAWAY. NATURALEZA. MATERIALISMO POSTHUMANO The question of nature in the thought of Donna Haraway. A reading from posthuman materialism: A reading from posthuman materialism La Cuestión de la naturaleza en el pensamiento de Donna Haraway: Una lectura desde el materialismo posthumano A questão da natureza no pensamento de Donna Haraway. Uma leitura do materialismo pós-humano: Uma leitura do materialismo pós-humano info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=puntosur&d=12647_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic HARAWAY. NATURE. POSTHUMAN MATERIALISM.
HARAWAY. NATURALEZA. MATERIALISMO POSTHUMANO
spellingShingle HARAWAY. NATURE. POSTHUMAN MATERIALISM.
HARAWAY. NATURALEZA. MATERIALISMO POSTHUMANO
Lucero, Guadalupe
Billi, Noelia
Fleisner, Paula
The question of nature in the thought of Donna Haraway. A reading from posthuman materialism: A reading from posthuman materialism
topic_facet HARAWAY. NATURE. POSTHUMAN MATERIALISM.
HARAWAY. NATURALEZA. MATERIALISMO POSTHUMANO
description Nature is, for Donna Haraway, both a topos (a place) and a trope (a literary figure). It is from this convergence of space and time (a narrative emerging from the configuration of the world that materialises as corporealities of multiple and messy trajectories) that Haraway engages in a meditation on the manifest desire for that ‘commonplace’ that nature points to, and attempts to reframe the ‘natural’ commonplace in terms that challenge patriarchy and capitalism. If capitalism can be understood as the project of an increasing abolition of space due to the acceleration of time, Haraway’s discussion of common spatiality is particularly suggestive. Indeed, contesting the sensibility of the classical tradition (which geometrises space and renders nature external), Haraway offers a repertoire of tools for thinking co-habitation in such terms as to account for both the always tensional relationality (from which what exists emerges) and the narratives that weave space and time, world and story. To address these ideas, firstly, we will delimit what we mean by posthuman materialism; secondly, we will mention the main implications of the kantian notion of nature; and thirdly, we will consider Haraway’s contributions to this discussion.
format Artículo
publishedVersion
author Lucero, Guadalupe
Billi, Noelia
Fleisner, Paula
author_facet Lucero, Guadalupe
Billi, Noelia
Fleisner, Paula
author_sort Lucero, Guadalupe
title The question of nature in the thought of Donna Haraway. A reading from posthuman materialism: A reading from posthuman materialism
title_short The question of nature in the thought of Donna Haraway. A reading from posthuman materialism: A reading from posthuman materialism
title_full The question of nature in the thought of Donna Haraway. A reading from posthuman materialism: A reading from posthuman materialism
title_fullStr The question of nature in the thought of Donna Haraway. A reading from posthuman materialism: A reading from posthuman materialism
title_full_unstemmed The question of nature in the thought of Donna Haraway. A reading from posthuman materialism: A reading from posthuman materialism
title_sort question of nature in the thought of donna haraway. a reading from posthuman materialism: a reading from posthuman materialism
publisher Instituto de Geografía "Romualdo Ardissone", UBA
publishDate 2023
url https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12647
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=puntosur&d=12647_oai
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