Listening to the Vibrant Matter: Inhabiting and Remembering the Territory through Sensory Films

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In their ways of accounting for the extractivist advance, the territorial dispossession and the extermination of the Ayoreo world, La memoria del monte (2018) and EAMI (2022) by the Paraguayan director Paz Encina propose an aesthetic of memory that dialogues with the conception of space of that nati...

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Autor principal: Depetris Chauvin, Irene
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Geografía "Romualdo Ardissone", UBA 2023
Materias:
CINE DOCUMENTAL. TERRITORIO. MATERIALISMOS. ANTROPOLOGIA SONORA Y SENSORIAL
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12644
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=puntosur&d=12644_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
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institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic CINE DOCUMENTAL. TERRITORIO. MATERIALISMOS. ANTROPOLOGIA SONORA Y SENSORIAL
spellingShingle CINE DOCUMENTAL. TERRITORIO. MATERIALISMOS. ANTROPOLOGIA SONORA Y SENSORIAL
Depetris Chauvin, Irene
Listening to the Vibrant Matter: Inhabiting and Remembering the Territory through Sensory Films
topic_facet CINE DOCUMENTAL. TERRITORIO. MATERIALISMOS. ANTROPOLOGIA SONORA Y SENSORIAL
description In their ways of accounting for the extractivist advance, the territorial dispossession and the extermination of the Ayoreo world, La memoria del monte (2018) and EAMI (2022) by the Paraguayan director Paz Encina propose an aesthetic of memory that dialogues with the conception of space of that native community. The work of memory assumes here a cosmopolitics that redefines the relationships between humans and more than humans in a given territory. Based on studies on new materialisms, reflections on Amerindian ontologies, sensory anthropology and the anthropology of sound, this essay seeks to discuss the ways in which Paz Encina’s exercises rearticulate the order of the sensible to include the expressiveness and agency of the “more than human”. In this article I am interested in showing that soundscapes put on stage a vibrant materialism of a world that “makes itself heard” and allows not only to transmit a memory of a territory in process of destruction but it also translates in aural terms the continuity between the forest as a geographical space and the forest as an ontological multiplicity full of relationships, perspectives and temporalities.
format Artículo
publishedVersion
author Depetris Chauvin, Irene
author_facet Depetris Chauvin, Irene
author_sort Depetris Chauvin, Irene
title Listening to the Vibrant Matter: Inhabiting and Remembering the Territory through Sensory Films
title_short Listening to the Vibrant Matter: Inhabiting and Remembering the Territory through Sensory Films
title_full Listening to the Vibrant Matter: Inhabiting and Remembering the Territory through Sensory Films
title_fullStr Listening to the Vibrant Matter: Inhabiting and Remembering the Territory through Sensory Films
title_full_unstemmed Listening to the Vibrant Matter: Inhabiting and Remembering the Territory through Sensory Films
title_sort listening to the vibrant matter: inhabiting and remembering the territory through sensory films
publisher Instituto de Geografía "Romualdo Ardissone", UBA
publishDate 2023
url https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12644
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=puntosur&d=12644_oai
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spelling I28-R145-12644_oai2025-11-17 Depetris Chauvin, Irene 2023-11-29 In their ways of accounting for the extractivist advance, the territorial dispossession and the extermination of the Ayoreo world, La memoria del monte (2018) and EAMI (2022) by the Paraguayan director Paz Encina propose an aesthetic of memory that dialogues with the conception of space of that native community. The work of memory assumes here a cosmopolitics that redefines the relationships between humans and more than humans in a given territory. Based on studies on new materialisms, reflections on Amerindian ontologies, sensory anthropology and the anthropology of sound, this essay seeks to discuss the ways in which Paz Encina’s exercises rearticulate the order of the sensible to include the expressiveness and agency of the “more than human”. In this article I am interested in showing that soundscapes put on stage a vibrant materialism of a world that “makes itself heard” and allows not only to transmit a memory of a territory in process of destruction but it also translates in aural terms the continuity between the forest as a geographical space and the forest as an ontological multiplicity full of relationships, perspectives and temporalities. En sus modos de dar cuenta del avance extractivista, el despojo territorial y el exterminio del mundo ayoreo, La memoria del monte (2018) y EAMI (2022), de la directora paraguaya Paz Encina, proponen una estética de la memoria que dialoga con la cosmovisión y la concepción del espacio de esa comunidad. El trabajo de memoria asume aquí una cosmopolítica que redefine las relaciones entre humanos y más que humanos en un territorio determinado. A partir de estudios sobre nuevos materialismos, las reflexiones sobre ontologías amerindias y la antropología del sonido este ensayo busca discutir sobre los modos en que los ejercicios de Paz Encina rearticulan el orden de lo sensible para incluir la expresividad y la agencia de lo “más que humano”. En este sentido, me interesa analizar cómo el trabajo sonoro pone en escena un materialismo vibrante de un mundo que “se hace escuchar” y permite no solo transmitir una memoria del territorio en proceso de destrucción, sino que traduce en términos aurales un modo de experimentar la continuidad entre el bosque como espacio geográfico y el bosque como una multiplicidad ontológica repleta de relaciones, perspectivas y temporalidades. Em suas formas de dar conta do avanço extrativista, da desapropriação territorial e do extermínio do mundo ayoreo, La memoria del monte (2018) e EAMI (2022) da diretora paraguaia Paz Encina propõem uma estética da memória que se conforma à visão de mundo e para a concepção do espaço daquela comunidade. O interesse ético na construção de uma memória assume aqui uma cosmopolítica que redefine as relações entre humanos e mais que humanos em um dado território. A partir de estudos sobre novos materialismos, reflexões sobre ontologias ameríndias e antropologia sensorial e sonora, este ensaio busca discutir as maneiras pelas quais os exercícios documentais de Paz Encina rearticulam a ordem do sensível para incluir a expressividade e agenciamento do “mais que humano”. Interessa-me analisar a forma como a obra sonora põe em cena um vibrante materialismo do mundo que se "faz ouvir" e permite não só transmitir uma memória do território em processo de destruição, mas também traduzir o modo nativo de experimentando em termos auditivos a continuidade entre a floresta como espaço geográfico e a floresta como multiplicidade ontológica repleta de relações, perspectivas e temporalidades.   application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12644 10.34096/ps.n9.12644 spa Instituto de Geografía "Romualdo Ardissone", UBA https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12644/12086 https://revistascientificas.filo.uba.ar/index.php/RPS/article/view/12644/12177 Derechos de autor 2023 Irene Depetris Chauvin Punto Sur; No. 9 (2023): El lenguaje polìtico de las cosas; 149-169 Punto Sur; Núm. 9 (2023): El lenguaje polìtico de las cosas; 149-169 2683-7404 CINE DOCUMENTAL. TERRITORIO. MATERIALISMOS. ANTROPOLOGIA SONORA Y SENSORIAL Listening to the Vibrant Matter: Inhabiting and Remembering the Territory through Sensory Films Escuchar la materia vibrante: Habitar y recordar el territorio desde una perspectiva fílmica sensorial info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=puntosur&d=12644_oai

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