City’s “behinds” and “forwards”. A model of work with urban imaginary

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The difference between the image that professionals design and the use that destinataries give to urban space represents an specific object of anthropological studies. This difference talks about the field of urban imaginary, a whole of simbolic and referred representations about urban space. In thi...

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Autor principal: Gravano, Ariel
Formato: Artículo publishedVersion Artículos evaluados por pares
Lenguaje:Español
Publicado: Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA 2003
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/runa/article/view/1262
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=runa&d=1262_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
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spelling I28-R145-1262_oai2025-11-17 Gravano, Ariel 2003-11-01 The difference between the image that professionals design and the use that destinataries give to urban space represents an specific object of anthropological studies. This difference talks about the field of urban imaginary, a whole of simbolic and referred representations about urban space. In this work, we study urban "show-cases" and urban identitys, urban space’s ’behinds" and "forwards" as entrance, center and exit; as side and inside of half-way rank city’s urban imaginary. Programing professionally with images, forces to take into account imaginary, and to assume the universals of disciplinar perspective. Relativism, that postmodernism has oportunelly rescued, must not be despied as a tool to considerate simbolic use of the city. Anthropologists have recognized its importance: the importance of cultural dimension in social transformation. La diferencia entre la imagen programada por el profesional y el uso que el destinatario del programa da a esa porción de espacio urbano es un objeto especifico del estudio antropológico. Una diferencia que se coloca en el terreno de los imaginarios, o conjunto de representaciones simbólicas referenciadas, en este caso, en el espacio urbano.En el trabajo se estudian las ”vitrinas” e identidades, los ”atrases" y "adelantes" de los espacios urbanos, como entrada, corazón y salida, como borde y adentro, del imaginario urbano de la ciudad media. Programar mediante imágenes en forma profesional obliga a tener en cuenta los imaginarios sin renunciar a los universales de la asunción disciplinar. La visión relativista, que el postmodernismo ha sabido con astucia reivindicar, no debe ser despreciada al pensar la ciudad en términos de su uso simbólico, dentro de lo que los antropólogos definimos como dimensión cultural para la transformación. application/pdf https://revistascientificas.filo.uba.ar/index.php/runa/article/view/1262 10.34096/runa.v24i1.1262 spa Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA https://revistascientificas.filo.uba.ar/index.php/runa/article/view/1262/1218 RUNA, archivo para las ciencias del hombre; Vol. 24 No. 1 (2003); 27-42 RUNA, archivo para las ciencias del hombre; Vol. 24 Núm. 1 (2003); 27-42 RUNA, archivo para las ciencias del hombre; v. 24 n. 1 (2003); 27-42 1851-9628 0325-1217 City’s “behinds” and “forwards”. A model of work with urban imaginary Los atrases y delantes de las ciudades, muestra del trabajo con imaginarios urbanos info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos evaluados por pares https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=runa&d=1262_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
description The difference between the image that professionals design and the use that destinataries give to urban space represents an specific object of anthropological studies. This difference talks about the field of urban imaginary, a whole of simbolic and referred representations about urban space. In this work, we study urban "show-cases" and urban identitys, urban space’s ’behinds" and "forwards" as entrance, center and exit; as side and inside of half-way rank city’s urban imaginary. Programing professionally with images, forces to take into account imaginary, and to assume the universals of disciplinar perspective. Relativism, that postmodernism has oportunelly rescued, must not be despied as a tool to considerate simbolic use of the city. Anthropologists have recognized its importance: the importance of cultural dimension in social transformation.
format Artículo
publishedVersion
Artículos evaluados por pares
author Gravano, Ariel
spellingShingle Gravano, Ariel
City’s “behinds” and “forwards”. A model of work with urban imaginary
author_facet Gravano, Ariel
author_sort Gravano, Ariel
title City’s “behinds” and “forwards”. A model of work with urban imaginary
title_short City’s “behinds” and “forwards”. A model of work with urban imaginary
title_full City’s “behinds” and “forwards”. A model of work with urban imaginary
title_fullStr City’s “behinds” and “forwards”. A model of work with urban imaginary
title_full_unstemmed City’s “behinds” and “forwards”. A model of work with urban imaginary
title_sort city’s “behinds” and “forwards”. a model of work with urban imaginary
publisher Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA
publishDate 2003
url https://revistascientificas.filo.uba.ar/index.php/runa/article/view/1262
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=runa&d=1262_oai
work_keys_str_mv AT gravanoariel citysbehindsandforwardsamodelofworkwithurbanimaginary
AT gravanoariel losatrasesydelantesdelasciudadesmuestradeltrabajoconimaginariosurbanos
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