Zama, the lights, the nothing
Di Benedetto wrote a series of essays on art and artists in the 80s which forced us to reread Zama. It is clear now that the image is separated from the ground, a distinct totality that breaks with the continuity of life in general. It does exert a force that comes from the relationship between the...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)
2022
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/zama/article/view/12351 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=12351_oai |
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I28-R145-12351_oai2025-11-17 Antelo, Raúl 2022-12-18 Di Benedetto wrote a series of essays on art and artists in the 80s which forced us to reread Zama. It is clear now that the image is separated from the ground, a distinct totality that breaks with the continuity of life in general. It does exert a force that comes from the relationship between the distinct or remarkable image and the invisible ground that surrounds it by being absent. The image does not merely symbolize or represent some other thing; instead, it literally presents the dissimilarity that inhabits resemblance. Art is image in its purest form, since art does nothing other than present this groundlessness of meaning. Di Benedetto escribió una serie de crónicas sobre arte y artistas, en los años ochenta, que nos obligan a releer Zama. Se vuelve claro entonces que toda imagen está separada de su fondo, una totalidad distinta que rompe la continuidad de la vida en general. Ejerce, específicamente, una fuerza que proviene de la relación entre la imagen distinta o destacada y el contexto invisible que cerca su ausencia. La imagen no solo simboliza o representa algo; presenta, literalmente, la desemejanza que permite la similitud. El arte es imagen en su forma más pura, ya que no es otra cosa que la exhibición de su falta de fundamento. Di Benedetto escreveu uma série de crônicas sobre arte e artistas, nos anos 1980, que nos obrigam a reler Zama. Fica claro, então, que toda imagem está separada de seu fundo, uma totalidade distinta que rompe a continuidade da vida em geral. Exerce, especificamente, uma força que provém da relação entre a imagem distinta ou destacada e o contexto invisível que cerca sua ausência. A imagem não só simboliza ou representa algo; apresenta, literalmente, a dessemelhança que permite a similitude. A arte é imagem em sua forma mais pura, já que não é outra coisa que a exibição de sua falta de fundamento. application/pdf https://revistascientificas.filo.uba.ar/index.php/zama/article/view/12351 10.34096/zama.a.n14.12351 spa Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) https://revistascientificas.filo.uba.ar/index.php/zama/article/view/12351/11109 Zama; No. 14 (2022) Zama; Núm. 14 (2022) Zama; n. 14 (2022) 2422-6017 1851-6866 Art, nothingness, optical unconscious. Arte, nada, inconsciente óptico. Arte, nada, inconsciente óptico. Zama, the lights, the nothing Zama, las luces, la nada Zama, as luzes, o nada. info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=12351_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Art, nothingness, optical unconscious. Arte, nada, inconsciente óptico. Arte, nada, inconsciente óptico. |
| spellingShingle |
Art, nothingness, optical unconscious. Arte, nada, inconsciente óptico. Arte, nada, inconsciente óptico. Antelo, Raúl Zama, the lights, the nothing |
| topic_facet |
Art, nothingness, optical unconscious. Arte, nada, inconsciente óptico. Arte, nada, inconsciente óptico. |
| description |
Di Benedetto wrote a series of essays on art and artists in the 80s which forced us to reread Zama. It is clear now that the image is separated from the ground, a distinct totality that breaks with the continuity of life in general. It does exert a force that comes from the relationship between the distinct or remarkable image and the invisible ground that surrounds it by being absent. The image does not merely symbolize or represent some other thing; instead, it literally presents the dissimilarity that inhabits resemblance. Art is image in its purest form, since art does nothing other than present this groundlessness of meaning. |
| format |
Artículo publishedVersion |
| author |
Antelo, Raúl |
| author_facet |
Antelo, Raúl |
| author_sort |
Antelo, Raúl |
| title |
Zama, the lights, the nothing |
| title_short |
Zama, the lights, the nothing |
| title_full |
Zama, the lights, the nothing |
| title_fullStr |
Zama, the lights, the nothing |
| title_full_unstemmed |
Zama, the lights, the nothing |
| title_sort |
zama, the lights, the nothing |
| publisher |
Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) |
| publishDate |
2022 |
| url |
https://revistascientificas.filo.uba.ar/index.php/zama/article/view/12351 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=12351_oai |
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AT anteloraul zamathelightsthenothing AT anteloraul zamalasluceslanada AT anteloraul zamaasluzesonada |
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