The suspended Earth: artistics speculations at the age of ends.

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The installations of the young artist from Rosario, Adrián Villar Rojas, lately gathered under a macro project entitled The theater of disappearance, lead us towards the temporal limits of the end of what we could call The Human Age. Villar Rojas’ artistic speculation draws an edge, a threshold, fro...

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Autor principal: Zalazar, Belisario
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022
Materias:
Artistic speculation, Human Age, Unworld, Inhabit
especulación artística, Era Humana, In-mundo, habitar.
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12111
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=12111_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-12111_oai
record_format dspace
spelling I28-R145-12111_oai2023-02-28 Zalazar, Belisario 2022-11-15 The installations of the young artist from Rosario, Adrián Villar Rojas, lately gathered under a macro project entitled The theater of disappearance, lead us towards the temporal limits of the end of what we could call The Human Age. Villar Rojas’ artistic speculation draws an edge, a threshold, from which the pasts and possible futures mix, enabling a posthuman coexistence between humans and non-humans, close to reparation, mourning, listening and faith in the Others. The Theater of Disappearance, of which, according to our reading, the film trilogy of the same title and other previous installations by the artist such as Los teatros de Saturno (2014) participate, tries to coagulate, aware of its imminent destruction, an ecological and political thought that plays / mourns carefully with the remains, and that opens up to the parasitic porosity of the symbiotic real (Morton, 2019). Las instalaciones del joven artista rosarino Adrián Villar Rojas, últimamente englobadas bajo un macroproyecto titulado El teatro de la desaparición, nos conducen hacia los límites temporales del fin de lo que podríamos llamar la Era de Hombre. La especulación artística de Villar Rojas dibuja un borde, un umbral, desde el cual los pasados y posibles futuros se mezclan, inscribiendo otra convivencia posthumana entre humanos y no-humano, cercana a la reparación, el duelo, la escucha y la fe en los Otros. El teatro de la desaparición, del que, según nuestra lectura, participan la trilogía fílmica del mismo título y otras instalaciones previas del artista como Los teatros de Saturno (2014), intenta coagular, consciente de su inminente destrucción, un pensamiento ecológico y político que juega/duela atentamente con los restos, abriéndose a la porosidad parasitaria de lo real simbiótico (Morton, 2019). application/pdf http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12111 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12111/11045 Derechos de autor 2022 Cuadernos de filosofía Cuadernos de filosofía; Núm. 76 (2021): Enero-Junio 2362-485X 0590-1901 Artistic speculation, Human Age, Unworld, Inhabit especulación artística, Era Humana, In-mundo, habitar. The suspended Earth: artistics speculations at the age of ends. La Tierra en suspenso: especulaciones artísticas en la época de los fines. info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=12111_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Artistic speculation, Human Age, Unworld, Inhabit
especulación artística, Era Humana, In-mundo, habitar.
spellingShingle Artistic speculation, Human Age, Unworld, Inhabit
especulación artística, Era Humana, In-mundo, habitar.
Zalazar, Belisario
The suspended Earth: artistics speculations at the age of ends.
topic_facet Artistic speculation, Human Age, Unworld, Inhabit
especulación artística, Era Humana, In-mundo, habitar.
description The installations of the young artist from Rosario, Adrián Villar Rojas, lately gathered under a macro project entitled The theater of disappearance, lead us towards the temporal limits of the end of what we could call The Human Age. Villar Rojas’ artistic speculation draws an edge, a threshold, from which the pasts and possible futures mix, enabling a posthuman coexistence between humans and non-humans, close to reparation, mourning, listening and faith in the Others. The Theater of Disappearance, of which, according to our reading, the film trilogy of the same title and other previous installations by the artist such as Los teatros de Saturno (2014) participate, tries to coagulate, aware of its imminent destruction, an ecological and political thought that plays / mourns carefully with the remains, and that opens up to the parasitic porosity of the symbiotic real (Morton, 2019).
format Artículo
publishedVersion
author Zalazar, Belisario
author_facet Zalazar, Belisario
author_sort Zalazar, Belisario
title The suspended Earth: artistics speculations at the age of ends.
title_short The suspended Earth: artistics speculations at the age of ends.
title_full The suspended Earth: artistics speculations at the age of ends.
title_fullStr The suspended Earth: artistics speculations at the age of ends.
title_full_unstemmed The suspended Earth: artistics speculations at the age of ends.
title_sort suspended earth: artistics speculations at the age of ends.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2022
url http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/12111
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=12111_oai
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