Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre

This conversation was made possible thanks to the use of online platforms and it refers to different aspects in Gracia Morales’ production: her dramatic work mainly, but also her activity as a researcher on theatre. The conversation covers the following topics: Morales’ evolution as a playwright; he...

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Autores principales: Brizuela, Mabel, Abraham, Luis Emilio
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11423
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11423_oai
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spelling I28-R145-11423_oai2023-08-08 Brizuela, Mabel Abraham, Luis Emilio 2022-05-23 This conversation was made possible thanks to the use of online platforms and it refers to different aspects in Gracia Morales’ production: her dramatic work mainly, but also her activity as a researcher on theatre. The conversation covers the following topics: Morales’ evolution as a playwright; her writing devices; the treatment of topics as memory of collective traumas, violence against women, abuse of power; her research on Griselda Gambaro’s dramatic work and the Argentine’s influence on her own production; the urgent innovations provoked by the covid pandemic in the practice of theatricians. Esta conversación, que fue posible gracias al uso de plataformas de streaming, se refiere a dos grandes facetas de la producción de Gracia Morales: especialmente a su dramaturgia, pero también a su actividad como investigadora teatral. Los temas que emergen en el diálogo son los siguientes: su evolución como dramaturga; sus procedimientos de escritura; el tratamiento de temas como la memoria de traumas colectivos, la violencia contra las mujeres y el abuso de poder; su investigación sobre Griselda Gambaro y las huellas de esa dramaturga argentina en su propia producción; las innovaciones de urgencia provocadas por la pandemia en la práctica de los teatristas. application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11423 10.34096/tdf.n35.11423 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11423/10519 Derechos de autor 2022 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 Morales Gambaro Spanish Contemporary Theatre Women’s Playwriting theater Morales Gambaro dramaturgia de mujeres teatro español actual Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre Entre el teatro propio y la obra de otras mujeres. Una conversación con Gracia Morales sobre su dramaturgia y su investigación teatral info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11423_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Morales
Gambaro
Spanish Contemporary Theatre
Women’s Playwriting
theater
Morales
Gambaro
dramaturgia de mujeres
teatro español actual
spellingShingle Morales
Gambaro
Spanish Contemporary Theatre
Women’s Playwriting
theater
Morales
Gambaro
dramaturgia de mujeres
teatro español actual
Brizuela, Mabel
Abraham, Luis Emilio
Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre
topic_facet Morales
Gambaro
Spanish Contemporary Theatre
Women’s Playwriting
theater
Morales
Gambaro
dramaturgia de mujeres
teatro español actual
description This conversation was made possible thanks to the use of online platforms and it refers to different aspects in Gracia Morales’ production: her dramatic work mainly, but also her activity as a researcher on theatre. The conversation covers the following topics: Morales’ evolution as a playwright; her writing devices; the treatment of topics as memory of collective traumas, violence against women, abuse of power; her research on Griselda Gambaro’s dramatic work and the Argentine’s influence on her own production; the urgent innovations provoked by the covid pandemic in the practice of theatricians.
format Artículo
publishedVersion
author Brizuela, Mabel
Abraham, Luis Emilio
author_facet Brizuela, Mabel
Abraham, Luis Emilio
author_sort Brizuela, Mabel
title Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre
title_short Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre
title_full Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre
title_fullStr Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre
title_full_unstemmed Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre
title_sort between the theatre of one’s own and the work of other women. a conversation with gracia morales about her dramatic work and her research on theatre
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2022
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11423
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11423_oai
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