Relational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts
This article proposes rethinking the artistic and aesthetic practices of contemporary dance languages as experimental formats that provide spaces for activation, translation, decoding and interference of the artist, the spectator and the context, towards the production of relational scenic devices....
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11285 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11285_oai |
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I28-R145-11285_oai2025-11-17 Ordoñez-Matute, Rigoberto Ordoñez-Matute, Rigoberto 2022-05-20 This article proposes rethinking the artistic and aesthetic practices of contemporary dance languages as experimental formats that provide spaces for activation, translation, decoding and interference of the artist, the spectator and the context, towards the production of relational scenic devices. Encouraging the creation and innovation of new artistic-scenic artifacts, which can produce thought-action, knowledge and active methodologies of creation and participation, in order to move dance towards new functionalities and fields of application, on the basis of contemporary, integral and human approaches. In this sense, the configuration, definition, nature and functionality of the relational scenic device is analyzed and proposed as a processual, live and polysemic format, considering the transformation of the traditional conventions of space, language, subject, object and the mechanisms that inhabit it. The Relational Scenic Device is produced as a space for research through art, on the grounds of documentation, experience and scenic praxis, generating procedures and materialities that admit the transformation of contemporary performing practices. Finally, some examples of the relational artistic practices of the Theatrum Danza Group, from the city of Cuenca, Ecuador, are presented as active and reflective references on current events in the field of contemporary relational dance languages. El presente artículo propone repensar a las prácticas artísticas y estéticas de los lenguajes dancísticos contemporáneos, como formatos experimentales que brinden espacios de activación, traducción, desciframiento e interferencia del artista, el espectador y el contexto, hacia la producción de dispositivos escénicos relacionales, fomentando la creación e innovación de nuevos artefactos artístico-escénicos, productores de pensamiento-acción, conocimiento y metodologías activas de creación y participación, para trasladar a la danza hacia nuevas funcionalidades y campos de aplicación, desde enfoques contemporáneos, integrales y humanos. En ese sentido, se analiza y propone la configuración, definición, naturaleza y funcionalidad del Dispositivo Escénico Relacional, como formato procesual, vivo y polisémico, desde una transformación de las convenciones tradicionales del espacio, el lenguaje, el sujeto, el objeto y los mecanismos que habitan en él. El Dispositivo Escénico Relacional, se produce como un espacio de investigación por medio del arte, desde la documentación, experiencia y praxis escénica, generando procedimientos y materialidades que admiten la transformación de las prácticas escénicas contemporáneas. Finalmente se presentan algunos ejemplos de las prácticas artísticas relacionales del Grupo Theatrum Danza, de la ciudad de Cuenca, Ecuador, como referencias activas y reflexivas sobre los acontecimientos actuales en el ámbito de los lenguajes dancísticos contemporáneos – relacionales. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11285 10.34096/tdf.n35.11285 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11285/10510 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 Relational Scenic Device Relational Dance Contemporary Performing Arts Decoding Theatrum Danza Dispositivo Escénico Relacional Danza Relacional Artes Escénicas Contemporáneas Desciframiento Theatrum Danza Relational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts Dispositivo Escénico Relacional: nuevos formatos de activación, traducción, desciframiento e interferencia para las artes escénicas contemporáneas info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11285_oai |
| institution |
Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Relational Scenic Device Relational Dance Contemporary Performing Arts Decoding Theatrum Danza Dispositivo Escénico Relacional Danza Relacional Artes Escénicas Contemporáneas Desciframiento Theatrum Danza |
| spellingShingle |
Relational Scenic Device Relational Dance Contemporary Performing Arts Decoding Theatrum Danza Dispositivo Escénico Relacional Danza Relacional Artes Escénicas Contemporáneas Desciframiento Theatrum Danza Ordoñez-Matute, Rigoberto Ordoñez-Matute, Rigoberto Relational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts |
| topic_facet |
Relational Scenic Device Relational Dance Contemporary Performing Arts Decoding Theatrum Danza Dispositivo Escénico Relacional Danza Relacional Artes Escénicas Contemporáneas Desciframiento Theatrum Danza |
| description |
This article proposes rethinking the artistic and aesthetic practices of contemporary dance languages as experimental formats that provide spaces for activation, translation, decoding and interference of the artist, the spectator and the context, towards the production of relational scenic devices. Encouraging the creation and innovation of new artistic-scenic artifacts, which can produce thought-action, knowledge and active methodologies of creation and participation, in order to move dance towards new functionalities and fields of application, on the basis of contemporary, integral and human approaches. In this sense, the configuration, definition, nature and functionality of the relational scenic device is analyzed and proposed as a processual, live and polysemic format, considering the transformation of the traditional conventions of space, language, subject, object and the mechanisms that inhabit it. The Relational Scenic Device is produced as a space for research through art, on the grounds of documentation, experience and scenic praxis, generating procedures and materialities that admit the transformation of contemporary performing practices. Finally, some examples of the relational artistic practices of the Theatrum Danza Group, from the city of Cuenca, Ecuador, are presented as active and reflective references on current events in the field of contemporary relational dance languages. |
| format |
Artículo publishedVersion |
| author |
Ordoñez-Matute, Rigoberto Ordoñez-Matute, Rigoberto |
| author_facet |
Ordoñez-Matute, Rigoberto Ordoñez-Matute, Rigoberto |
| author_sort |
Ordoñez-Matute, Rigoberto |
| title |
Relational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts |
| title_short |
Relational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts |
| title_full |
Relational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts |
| title_fullStr |
Relational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts |
| title_full_unstemmed |
Relational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts |
| title_sort |
relational scenic device: new formats of activation, translation, decoding and interference for contemporary performing arts |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11285 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11285_oai |
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